The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
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    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Friday Column

Friday Column is on holiday break. Happy New Year.

Barnes on Barnes

Julian Barnes on himself in The New Yorker. I ususally don’t like this kind of thing, but Barnes is an exception.

I don’t believe in God, but I miss Him. That’s what I say when the question is put. I once asked my brother, who has taught philosophy at Oxford, Geneva, and the Sorbonne, what he thought of such a statement, without revealing that it was my own. He replied with a single word: “Soppy.”     

The person to begin with is my maternal grandmother, Nellie Louisa Scoltock, née Machin, who was a schoolteacher in Shropshire . . . continue reading, and add your comments

Price Wars Hurt Indies

The Guardian looks at the effects of big box price wars on independent bookstores.

The problem, independent booksellers claim, is that publishers accord huge discounts to bulk buyers such as Amazon and Tesco, but not to anything like the same degree to smaller outlets. So a two-tier system is created, where independents charge more for many titles – they cannot compete with the aggressive price wars engaged in by the giants, and risk going to the wall. And, as the supermarkets increase their market share – from 9% of the book market in 2004 to 12% in . . . continue reading, and add your comments

Bad News/Good News

The Bad News:

The Siena Research Institute conducted a national survey of 4,125 college freshmen and 215 faculty regarding familiarity with 30 "Great Books" for the third time (after 1997 and 2006) — and finds a continuing decline in what the students have read.

The Good News: the "30 Great Books" were selected by William Bennet.

As the Albany Times-Union blog points out, some of these "books" aren’t exactly books. The complete works fo Shakespeare (including the poems) counts as one book? The Decleration of Independence? (Although, I guess I’m pretty surprised that . . . continue reading, and add your comments

Author Asks Amazon to De-List Him

George Walker, anti-Amazon crusader.

A children’s author has drawn attention to the plight of independent bookshops by demanding that his book be removed from sale on Amazon’s UK website.

George Walker, author of Tales from an Airfield, was horrified to find that his new title was featured on the site without his permission, following good sales in bookshops. "What they are actually doing is getting the independents to do their market research," said Mr Walker, a passionate advocate of independents. "When a book gets a certain amount of attention, they will attempt to stock it and . . . continue reading, and add your comments

Not Good

This.

"Publishing is now very much like opening weekend grosses in the movie business, it’s about exploding out of the box and selling as many copies as quickly as possible," says Roger Cooper, Vanguard’s publisher.

A little context is in order. This is from an article on a small publisher (Vanguard), which has become a repository of big name autors (David Morrell and others) hoping to get market traction.

I think the above quote represents a bad trand in publishing, but I’m heartened to see that

Mr. Morrell says he is involved . . . continue reading, and add your comments

Pynchon is the Future

Over at The Valve:

In this post, I grapple with my own search for a successor to a rather embarrassing interest in Tom Robbins, Jack Kerouac, and Henry Miller—somebody who could complement the problematic works of Hermann Hesse. I am also trying to describe an alternative to the modernist tragedians, including F. Scott Fitzgerald and J. D. Salinger.

I claim to find this alternative, successor, and complement in Thomas Pynchon, because of The Crying of Lot 49. Included here are some close readings of The Crying of Lot 49 that may remind you to open it . . . continue reading, and add your comments

Bernhard in New Yorker

Thomas Bernhard’s work is discussed in The New Yroker.

Like Kafka, one of the writers he most admired, Bernhard composed nearly all his fiction from a single template, a template already evident in “Frost.” His typical protagonist—often loosely based on a real-life model, such as Glenn Gould or Ludwig Wittgenstein—is a genius who is obsessed with an impossible project and is eventually destroyed by the tension between the desire for perfection in his work and the knowledge that it is unattainable. In “Correction” (1975), the scientist Roithamer spends years building a structure in the shape of a geometrically . . . continue reading, and add your comments

Lolita

Your Holiday Homework, cortesía of The Valve:

Suppose one were to ask the following questions:

• What are the demands made by the novel? (In addition to freedom from tyranny, and the right to innocence, these undoubtedly include passion, exceptionality, and beauty. That is to say that they include what Humbert wants. I am not referring here to the specific symptom of pedophilia.)

• How do Humbert’s crimes satisfy a number of these demands?

• What tools does the novel provide for satisfying these demands differently, without causing harm?

This is the only . . . continue reading, and add your comments

Gargantua and Pantagruel

Lucy Ellmann on one of the most racuous books to come out of the 16th century (or any other, for that atter).

François Rabelais couldn’t get enough of arseholes. When the giant Gargantua is born, the midwives can’t tell at first if his mother’s in labour, or merely evacuating her bowels of the 16 tuns, two gallons and two pints of tripe she’s been eating. Another curious meal includes "fine turds, tweak-nose style", "Athenian rump", "shitlets", "collared bullfarts", "stitched bum-stirrings", "dirty-filths", "puffs-up-my-bum" and, for dessert, "shit drench with blossoming turds". Here are some books . . . continue reading, and add your comments