The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. 
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Since 1975, the Argentine writer César Aira has published about seventy novels—it is difficult to arrive at an accurate count, and the number continues to grow at the rate of two per year. They are usually no longer than one hundred pages: dense, unpredictable confections delivered in a plain, stealthily lyrical style capable of accommodating Aira’s fondness for mixing metaphysics, realism, pulp fiction, and Dadaist incongruities. The sheer quantity of books has engendered a mini-industry in Buenos Aires, involving start-up presses as well as more established publishers that share the job of putting Aira’s work between covers. “Publish first, write later” was a dictum of Aira’s literary mentor, the late Argentine poet Osvaldo Lamborghini.1 This is just the sort of joke that Aira has embraced as a kind of aesthetic ethos. It was from Lamborghini that he seems to have developed his idea of an avant-garde literature that could combine the impossible with the real, a literature in which every statement of fact suggests its opposite and even casual observations and plot twists are turned upside down. . . . continue reading, and add your comments
Melville House’s three just-published Heinrich Boll books have been reviewed by Sam Sacks (of Open Letters Monthly) in the Wall Street Journal. Here’s a bit on The Clown, which I wrote an afterword to: . . . continue reading, and add your comments
My review of Zone by Mathais Enard has been published at The National. Here’s a bit: . . . continue reading, and add your comments
Nice to see Mark Athitakis putting Mark Slouka’s criminally overlooked essay collection Essays From the Nick of Time in his 10 best of the year list: . . . continue reading, and add your comments
The entrepreneur in me loves seeing all the business models people are trying out in these Wild West days of the Internet and ebooks. For instance, Steven Hall, author of The Raw Shark Texts, is selling the Kindle version of his book for £1 at Amazon.co.uk in an attempt to boost it into Amazon’s top 100. . . . continue reading, and add your comments
“Are we writing books or producing content that can be reproduced in any form?” asked Ander Monson, a poet and essayist whose “Vanishing Point: Not a Memoir” (2010) experiments with the interplay between digital and printed books. A collection of autobiographical essays, “Vanishing Point” has some pieces laid out in columns while others appear without margins, text bleeding off the edges of the page. . . . continue reading, and add your comments
Interesting stuff here about Sebald the photographer, as well as possible differences in the photos between the German and English editions of his books: . . . continue reading, and add your comments
Anagrama is about to publish a “new” posthumous Bolano book, Los sinsabores del verdadero policía (roughly, “The Troubles of a Real Cop”), which seems to be about the roots of Amalfitano, from 2666. For the occasion, the Argentine cultural magazine, Revista Ñ has interviewed Bolano’s widow, Carolina López. . . . continue reading, and add your comments
For instance, all of the currently translated novels by Jose Saramago, plus one novella, for $36. . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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The Novels of Kim Young-ha
Graphs, Maps, Trees
The Names by Don DeLillo (1982)
The Box Man by Kobo Abe (1973, English 1974)
Head in Flames by Lance Olsen (2009)
Agaat by Marlene van Niekerk (2006, English 2010)
The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)
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