The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

  • Gilly: Just finished it, it is an astonishing book.
  • Arielle: The title of the article has a typo!
  • Patrick O'Donnell: Irony abounds: when I clicked to take a quick look at this
  • Richard: That article is ridiculous. I can't even reply, except to sa
  • Andrija F.: And don't forget to add Elfriede Jelinek, my favorite among
  • Richard: If you search for this Chris Roberts, God being on Amazon (y
  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

2666–The Big Book of BEA?

Chad Post is declaring 2666 the "big book" of BEA

Jeff’s comments about how they marketed The Savage Detectives and what they’re doing for 2666
was fascinating to me. (As I told him afterwards, I think Jeff’s one of
the most brilliant publicists out there and I could spend a whole panel
simply interviewing him.) In a very real way, 2666 may be the “Big Book” of BEA
2008 that I claimed didn’t exist in my last post. Jeff said the
response has been overwhelming and that they gave out 400 copies (!) of
the galley at the book fair. I know print runs smaller than that . . .

He was incredibly honest about facts and figures related to The Savage Detectives,
revealing that in the catalog they put the initial print run at
35,000-40,000 and that based on advances in the mid-teens (16-17,000)
the first printing was in the low-20s. All of which is remarkable. The
Natasha Wimmer essay was a huge help in creating a context for
reviewers to approach the book, as was the website they specially
created for this book. Jeff gave both New Directions and FSG
editor Lorin Stein a lot of credit for helping make Bolano take off,
even saying that three-in-one paperback set was an idea of Lorin’s.

Since we’re talking 2666 and sales potential, I might as will blog a little about why I’m not sure 2666 will have the same appeal as TSD did.

During BEA I finally got to meet Martin Riker of the Dalkey Archive Press, and one of the things we talked about were my ongoing impressions of 2666. I really think this is a book that requires a good deal of patience from the reader, and it’s somewhat atypical among the Bolano I’ve read in that it moves extremely slowly and doesn’t have any really compelling characters.

That’s not to say that I have an unfavorable view of the book (I’ve yet to make up my mind); just that its not exactly the Bolano that people who have read the translations thus far will know.

Martin had an interesting response to this. His impression was that Bolano, especially in The Savage Detectives, had been sold as an author that pulls you in from the start and keeps holding on all the way through. His impression was that this was no small factor in this book’s broad popularity.

I can’t comment on the degree to which this is true, but, if this is true, then I think a lot of people are going to have their expectations of 2666 challenged once they start reading the book. That is, if they’re expecting something that "pulls you in," I don’t think they’ll find that in 2666.

Just to give an example, right now I’m reading a 300-page section right in the heart of 2666. This part, I think, is the main part of this book.It’s largely comprised of short (1- to 2-page) police-style narrations of discovering the bodies of murdered women and then brief explanations as to whether the murderer was found or not. That’s mostly what this section is, over and over again.

This is not the most gripping material. It’s moving at its own pace according to somewhat obscure logic, it’s frequently gruesome, and you need to have a lot of patience to let it develop on its own and speculate about where it is going. I don’t remember any section from TSD that’s like this.

You Might Also Like:

More from Conversational Reading:

  1. 2666 The Literary Saloon and others report that there’s now an Amazon pub date for Bolaño’s opus, in English. I’m a little divided as to whether...
  2. BEA–It’s Over The paperback edition of 2666. It’s even more beautiful in person. BEA was intense. It’s been a while since I have I been around...
  3. BEA For the five or so of you who a) want to meet me, and b) are headed to BEA this year, send me an email...
  4. 3x Bolaño in The Nation Roberto Bolaño gets triple coverge in The Nation, including, impressively, a review of one of his titles not yet available in English. Happy as I...
  5. Seattle–Book Trend-Setter The NYT wonders how three Seattle companies became gained the influence to create bestsellers. Books by relatively unknown or foreign authors become best sellers by...

Related posts brought to you by Yet Another Related Posts Plugin.

2 comments to 2666–The Big Book of BEA?

  • Wow, that section does sound . . . challenging.
    That said, I’m with Chad Post, at least to the extent that I know 2666 was the novel I had the most conversations about at BEA {Well, maybe aside from Mario Lopez’s new book about his abs.} The book itself was the main draw, but FSG’s marketing and design were also being justly rewarded for their innovation by becoming conversation topics–and buzz creators.
    That, and another conversation with friends at the show, finally led me to break down and pick up The Savage Detectives. I’m a couple years behind most people, but I think it’s finally Bolano time for me.

  • Levi,
    The design on those paperbacks was rather beautiful, wasn’t it?
    Extremely good to hear you’ve gotten a copy of TSD. I don’t think that’s the best place to start with Bolano–but who cares? I’m just happy you’re reading him!

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>