A New Kind of Novel

From a review of Juan the Landless by Juan Goytisolo:

To adequately express his outrage, Goytisolo created a new kind of novel, a style of prose that is more like poetry than prose. The sentences (lines, really) do not begin with capital letters, nor do they end with periods; some do not have both a subject and a predicate. Lines are separated by colons and run one after the other in long paragraphs, except when he decides to intersperse these paragraphs with individual lines, phrases or poetry. There are some sections that may be described as narrative but most of the text is essayistic. The richness of his vocabulary and the historic, literary, and geographic references make the reader’s head spin.

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The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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