Joe Queenan vows to only read books described by reviewers as "astonishing."

As for me, I vow to only read authors whom Lee Siegal has determined have "earned the right to use a triple negative." I will call them "Lee’s Triple Negative Boys."

Anyway, on to the quote.

Previously, I had limited my purchases to merchandise deemed “luminous” or “incandescent,” but this meant I ended up with an awful lot of novels about bees, Provence or Vermeer. The problem with incandescent or luminous books is that they veer toward the introspective, the arcane or the wise, while I prefer books that go off like a Roman candle. When I buy a book, I don’t want to come away wiser or happier or even better informed. I want to get blown right out of the water by the author’s breathtaking pyrotechnics. I want to come away astonished.

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The Surrender is Scott Esposito’s “collection of facts” concerning his lifelong desire to be a woman.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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