Recent Posts

  • If you can’t sell books, sell teddy bears September 3, 2010
    Or that seems to be Borders’ solution to its constant financial problems, at least for the time being until the next quarter with lower than expected sales.  Really, the problem with Borders is that it lost its identity about eight or so years ago when it decided to become a shadow of Barnes & Noble.   [...] […]
    Soo Jin Oh
  • Reflections on Rockwell September 3, 2010
    In recent years, fans of Norman Rockwell, with the assistance of some art historians, have attempted to lift him into the canon of high art. As a fan of midcentury American illustration, I don’t really care how he is assessed on that scale: like the recurring fantasy that underlies so much of our politics of [...] […]
    Levi Stahl
  • A Taste of Cherry in a Heat Wave September 3, 2010
    I’ve been thinking a lot about heat waves. The thick summer weather has felt like a wall of fire that must be bravely pushed through to order to exit from an air conditioned office building and make my way to the corner to board a bus crowded with sweaty citizens. So perhaps it’s no surprise that [...] […]
    Carrie Olivia Adams
  • The Ballad of David Markson September 3, 2010
    "What’s not so up for dispute is that Markson accomplished what, by all rights, should be a literary impossibility." (Colin Marshall for The Millions) […]
    Jeff Waxman
  • Gass-X September 3, 2010
    "Ich liebe dich. No sentence pronounced by a judge could be more threatening. It means that you are about to receive a gift you may not want." Via Dylan Suher, Greg Gerke's sort-of review of William H. Gass's Reading Rilke in BIG OTHER. […]
    Jeff Waxman

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Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • In Homer’s Head: Ransom by David Malouf
    In Ransom, Malouf satisfyingly gives us a meeting between Priam and Achilles that builds from the interiority of Priam. The novel seems to want to teach the importance of doing something human to those who might never get around to picking up Homer or who, if they do, might wish they could get into the character's heads. […]
  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]

Audiobook Podcasting

Audiobook Podcasting

In a particularly forward-looking article, The Guardian argues that the future of audiobooks may lie in podcasting.

Story is currently broadcasting his novel, Tom Corven, chapter-by-chapter over the internet as an audiobook. After each chapter is written – he’s currently up to 43 – he records himself reading it aloud and makes the recording available on the net. Subscribe to his podcast ‘feed’, as over 1600 fans have done, and each new instalment will be automatically downloaded onto your computer.

Regardless of whether or not audiobooks end up moving in this direction, the ability to podcast seems like a boon to an emerging author. I imagine that it would be helpful to be able to tell potential publishers that 1600 fans have latched on to your podcasted work. This seems like a pretty legitimate way to build–and demonstrate–an audience for an author’s work.

Also, the pressures and networking potential associated with regular podcasts would seem to help mitigate the loneliness and isolation that often accompanies writing.

Within a few more weeks he had received an email from a successful LA scriptwriter, Diana Ademu-John, who told him "Your tale’s a bit creepy, a bit sad, with hints of madness and romance and a good mystery to boot – all my favourite things. I really look forward to setting aside my own labours every couple of days, to listen to the fruits of yours."

It is feedback like this that keeps Story going with his project. "I am encouraged and emboldened to continue when things get tough," he says. "Writing fiction of any length is normally done in isolation without feedback, but recognition – so elusive for most unpublished authors – is something we all need from time to time."

The pressure of podcasting to a regular timetable also means that procrastination, that bane of writers, is not an option. Story states on his website that "there will be no excuses, no writer’s block, no failure of the imagination and definitely no lazing around" and he tells me that "knowing that people are waiting for the next chapter concentrates my mind. It also forces me to get it as right as it can be for a first draft".

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