Each year I tend to do one of those “best reads of the year” lists, but this year I’ve decided to do things a little differently. Those lists tend to feature a lot of the same titles, and if you follow my Internet presence you’ve probably already got a pretty good idea of what books I’ve been really enjoying in 2017.
So instead what I’m going to do this year is do something along the lines of a gift guide to small and indie presses you may want to buy from this holiday season. I think probably everyone knows what the holiday season means to businesses and retailers, and presses are no different—this is make or break time for a lot of the publishers you love, so if you go and buy a few books from them for yourself and others, it’ll make a difference.
So here I’m going to recommend a book from each press that I think you should make an effort to check out this year. Look at them as entry points to presses I hope you get to know and buy a lot of books form in December. These books aren’t limited to things I read in 2017—they’re just great books that I think embody something important about each press. And I’m also going to try hard to get as many female, queer, & writers of color as possible in here.
And lastly, if you want to support this website during the holidays, you can shop through the Amazon links below, or if you detest Amazon then consider subscribing to me at Patreon, where you get a lot of digital downloads for your small monthly donation.
Sorrowtoothpaste Mirrorcream by Kim Hyesoon (tr. Don Mee Choi) — Action Books
Kim Hyesoon is a very in-your-face kind of poet, a loud poet, a poet with a kind of postmodern plasticity to her work. She talks about crazy pop cultural events like pig massacres, her aesthetics are weird, not-for-everyone, and very transgressive in the culture from which she comes. She’s also a writer who must have been a big challenge to translate, albeit a lot of fun and also one who opened up a lot of space for Don Mee Choi to re-envision this work in English. These are all things that to me make her a consummate Action Books author, as I have come to expect all of these things from this press.
Don’t Let Me Be Lonely by Claudia Rankine — Graywolf Press
I’m old enough to remember a time when Graywolf wasn’t a massively successful press notching winners and finalists of major prizes and being a fixture of the nation’s major reviews of books. I’m choosing Claudia Rankine’s first book with Graywolf for a couple reasons. First of all, this book emblematizes to me a lot of what has made Graywolf success a vital press in the last 10 years—its embrace of a lot of the lyric/personal/fragmentary essay aesthetics and and identity concerns that are present in this book and a number of its breakout titles of the decade or so since this one was released. of course, Citizen is the big book for Rankine, but I’m also recommending this one because a lot of people think Don’t Let me Be Lonely is the better book (myself included), but it hasn’t sold in nearly the same numbers. So check it out.
Madness, Rack, and Honey by Mary Ruefle — Wave Books
This is such a great essay collection, I’m not even going to try to sum up everything wonderful in here. Basically, this book will make you think about art and life in new ways—if that’s something you want, read it. And Wave Books is a really great press who can make a writer like Mary Ruefle a house author, along with a slew of other really remarkable books, mostly of great avant-garde poetry, but also a good deal of prose.
The Art of Flight by Sergio Pitol (tr. George Henson) — Deep Vellum Publishing
Sergio Pitol is exactly the kind of author to put the translation scene in perspective—this guy is so good, and so legendary in the Spanish-language world, that anyone in their right mind would think that he’d be published by Random House, or FSG, or some other major prestige brand. But no, instead he was one of the first authors of this upstart translated literature press that just kind of came out of nowhere and started bringing him to the English-language world. That, to me, is a lot of the energy that Deep Vellum brings to the publishing community, and Sergio Pitol is exactly the kind of discovery that they would make for us to enjoy.
The Iliac Crest by Cristina Rivera Garza (tr. Sarah Booker) — Feminist Press
I could say a lot of the same things for Feminist Press, except in this case Feminist Press has been around for decades—but still, they keep their ears close to the ground and keep finding edgy things that you would expect to come from a press that had only been around for a short time and still had a lot of that naive enthusiasm. The Iliac Crest is, again, exactly the kind of book that in any just world would be a bestseller. Even though it was written 15 years ago, it’s a book that captures a lot of what feminism currently is and where it’s headed, which is exactly what I feel about Feminist Press at any given moment.
My Katherine Mansfield Project by Kirsty Gunn — Notting Hill Editions
If you like book-length essays, this is your publisher, as this is pretty much all Notting Hill Editions does. It’s full of quirky, remarkable projects that probably would not have found a home anywhere else.
The Museum of Eterna’s Novel (The First Good Novel) by Macedonio Fernandez (tr. Margaret Schwartz) — Open Letter Books
This was one of the first titles Open Letter ever did, and it was actually the way I first met Open Letter publisher Chad Post in person, and it was a book that for various reasons I was really, really excited to read, so for me personally it sums up a lot about Open Letter. This is a completely insane title that largely consists of dozens of prologues to a novel, penned by the man esteemed in his native Argentina as “Borges’s mentor,” a general weird genius uncle of Argentine literature, even though he’s basically completely unknown and unappreciated in the English-language world. And that, to me, is a lot of Open Letter—the weirdest most out there, next-level kinds of things that will blow your mind, if only you knew they existed.
Secondhand Time by Svetlana Alexievich (tr. Bela Shayevich) — Fitzcarraldo Editions
This book perfectly sums up what Fitzcarraldo is to me: who on earth was ever going to publish this book if Fitzcarraldo didn’t step up to do it? This was the very definition of a passion project, an immense and costly labor that would have done modest business and, if very fortunate, have broken even 5 years down the line. Then Alexievich won the Nobel and suddenly Fitzcarraldo owned a hot commodity. God bless. Go see what else they’re doing with that windfall, like, for instance, publishing Olga Tokarczuk.
Bookshops: A Reader’s History by Jorge Carrión (tr. Peter Bush) — Biblioasis
This is such a lovely bookworms’ kind of book, basically a love letter to independent bookstores that is also erudite, entertaining, anecdotal, globe-spanning, passionate, meaningful, ironic . . . It’s a great read that makes you remember why you love the literary world and why it’s your place. And that’s a lot of Biblioasis to me, the passion project of a man who truly loves literature and who somehow turned that love into a rather sizable press that does truly great stuff that will be appreciated by the kind of person who feels completely at home in a great small bookstore.
Every Day Is for the Thief by Teju Cole — Cassava Republic
This one requires a little explanation. Teju Cole’s Every Day Is for the Thief is now published by Random House, but it was originally discovered in 2007 by this weird, funky Nigerian press called Cassava Republic, who were the ones the bring Cole to prominence. And since 2007 they have continued to discover equally as good (or better) Nigerian work, to the point that now they are no longer just a press distributed to Nigeria but one whose books now have great distribution to the U.S. and UK. This is a recent development, so to many readers Cassava Republic will be a “new” press, even though they’re quite older than a number of presses on this list, but they are absolutely one you should check out.
Iraq + 100: Stories from Another Iraq — Comma Press
This book is totally, gloriously insane: it’s an anthology of speculative fiction that asked a bunch of Iraqi authors to imagine what their country would look like in 100 years. Like a lot of Comma Press books, it has a definitely political angle, and it mixes up a bunch of genres that you would at first glance think might not go together, but it’s also just completely refreshing, novel fiction that I can’t imagine any other press would have come up with. That to me is Comma Press, a press that consummately does its own thing and somehow ends up finding amazing literature in there.
Not Blessed by Harold Abramowitz — Les Figues Press
This is such a weird, uncategorizable little fiction, maybe what you’d call a “poet’s novel.” It’s the kind of beautiful little, entirely unforeseeable book that I’ve come to expect from Les Figues, whose catalog I always expect to provide me with the unexpected. There’s not a whole lot I can say to try and summarize this publisher other than “dive in and take a look!”
Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous by Gabriella Coleman — Verso Books
I guess now that we’ve had the whole 2016 election and Wikileaks has become something along the lines of a lesser Breitbart, the whole idea of Anonymous somehow seems much more quaint than it did 12 months ago. But still I think this book has aged pretty well and tells you a lot about the world in which we live. And it’s also an extraordinarily fun read—what can I say, I really loved this book, and I learned a lot from it. A lot of Verso’s list can be heavy on the theory and fairly tough going for the non-theory-inclined, but also a lot of the list is pretty general-reader-friendly and pretty up-to-the-minute, this book included. Oh, and I’ve got to give a shot to my friend Juliet Jacques’ excellent transition memoir (and so much more) Trans.
Letters to Memory by Karen Tei Yamashita — Coffee House Press
This is one of those books that’s so damn good, and also incredibly essential right now, but a book that I fear is getting lost in the fall publishing cycle, which is always severely impacted and incredibly full of “must-read” titles. Anyway, definitely check it out, and also check out Coffee House, which for over 30 years now has been finding and cultivating necessary talent like Yamashita and bringing it to the book-loving world. Somewhat like Graywolf, they seem to have hit a particular stride of late with authors like Valeria Luiselli who have gotten a major amount of attention. This is of course a wonderful thing, but the top-level successes should not keep you from digging in to the deeper recesses of their catalog, which is great all the way through and is full of a lot of things you really should read.
Dreams and Stones by Magdalena Tulli (tr. Bill Johnston) — Archipelago Books
Archipelago Books has of course attained notoriety for bringing the English-speaking world Karl Ove Knausgaard, which is a major achievement that everyone should recognize, but I like to them of them as the home of authors like Magdalena Tulli, writers who are doing truly out-there, crazy stuff but who are almost mathematically proven to never get the attention they deserve. Tulli is sometimes compared to Calvino, and if that comparison (whatever its actual merits) does anything at all to get you piqued, do check her out, and see what else Archipelago has to offer—they’ve done an amazing diversity of things in their 15+ years.
Torpor by Chris Kraus — Semiotext(e)
This is kind of an “obvious” one, now that Chris Kraus has gotten to the point of having tons of media attention and an Amazon series made out of her book I Love Dick, but all that success should obscure the fact that for a long, long time she was laboring as a largely unknown, underappreciated author—as well as an unknown, underappreciated publisher, as part of the team at Semiotext(e). if you’re someone who digs French theory, or feminist authors like Chris Kraus, you owe a big debt to the press, possibly without realizing it. They are the leading edge of a lot of this kind of writing in America, and even though much of their aesthetics have now become mainstream, they’re still doing leading-edge work that you should check out. And let me also toss in a recommendation for my first-ever Semiotext(e) title, bound direct from the Small Press Distribution warehouse many years ago, The Ecstasy of Communication by Jean Baudrillard.
Trace by Laurent Savoy — Counterpoint Press
Counterpoint Press does things like The Guy Davenport Reader—books that are of immense value to the culture but that are just never going to be sexy in that Buzzfeed listicle kind of way. On the Buzzfeed listicle scale of sexiness, Trace probably ranks higher than The Guy Davenport Reader, but not nearly as high as it should. If an author like Rebecca Solnit is your dream-read, then please do yourself a favor and check out this book now.
Little Island Press
Little Island Press is new, so new that I can’t really pick a single book to recommend to you. But I trust that they’re doing good things and will continue to do great things, and I think they’re worthy of your support.
Civil Coping Mechanisms
This is one of my publishers, and I’m friends with a number of their authors, so I’m a little hesitant to go too hard for them lest it look like a conflict of interest, but they are really good books (in my obviously biased opinion) and you should give them a look. If you need a point of entry, try my friend Janice Lee’s The Sky Isn’t Blue.
NYRB Classics and New Directions Publishing
I can’t believe that anyone who regularly visits this site doesn’t know and love these presses. These catalogs are just so deep, and so ever-growing with incredible stuff, that it’s really hard to recommend just one thing. So I dunno, go read Bakkhai by Anne Carson, or Marina Tsvetaeva’s diaries (seriously? who even comes up with these things?), or Inger Christensen, or Silvina Ocampo.
AnimalInside by László Krasznahorkai — the Cahiers Series
The Cahiers is a series of little chapbook-like pamphlets from many of the best writers on Earth. i seriously mean that—the likes of László Krasznahorkai, Javier Marías, Lydia Davis, and Anne Carson have authored Cahiers, not to mention so many others. They tend to have a distinct translation and art angle to them, and each one is beautifully produced—an incredible item to have an hold. I’m choosing Krasznahorkai’s AnimalInside because it was my first, and because its combination of an extraordinary text and absolutely beautiful art, working in sync, is what the Cahiers are all about. And also because this little item did so much for Krasznahorkai’s reputation in the English-speaking world, showing just what kind of an effect the right work can have.
The Diaries of Emilio Renzi by Ricardo Piglia — Restless Books
This is an incredibly major book (the first of a trilogy covering Piglia’s whole life) by one of the great Latin American talents of the 20th century. A testament to publisher Ilan Stavans and the rest of the Restless team for making it happen. And they have so many other great books in translation.
Other presses to check out: This list is getting rather lengthy, but there’s still so much more to say. So in lieu of listing any more books and descriptions, I’m just going to point you toward these places, many of which you can find more information about elsewhere on this website. Give them all a try: Tilted Axis Press, And Other Stories Publishing, Transit Books, Dalkey Archive Press, Timeless, Infinite Light, Other Press, Melville House Books, Seagull Books, Tin House Books