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Shop at Amazon though these links and this site gets a kickback.
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BEA–It’s Over

The paperback edition of 2666. It’s even more beautiful in person.
BEA was intense. It’s been a while since I have I been around that many people in an enclosed space, but never with the added chaos of frantic book-slinging. Friday, though, far less intense than Saturday when all the authors started signing books and there were lines of people making it that much harder to get around. That was the day some young lady kept inviting me to meet "one of the skinny bitches." Damn you, Saturday. (Yes, it was yet another dieting book.)
It was wonderful to finally meet in person many of the good people I’ve known only through this blog, and it was also quite nice to make the acquaintance of a number of new small- and large-press folk that I don’t think I’ve previously met in any way.
So here’s the deal. As far as I can tell, I picked up about 20 catalogs (that’s on top of the 10 new catalogs I already had on hand before BEA) and 30 ARCs/review copies. We’re going to try to cover a lot of these books in upcoming issues of The Quarterly Conversation, but I’d also like to give them all a little bit of attention right here.
And yes, I really think the above paperback of 2666 is an incredibly well-made book. It’s clear the FSG has gone well out of their way to make this book a pleasure to touch and see. Up to you to decide how well it reads.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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FSG made 2666 a three-volume boxed-set? Wow. Go them – way to raise the bar.
Hey, Scott – great meeting you (and even better that you DIDN’T have the camera at that time!) at the Reading the World party and sorry we didn’t bump into each other again. TQC 12 looks great!
Dan,
Likewise. You were fortunate that I was rather back on my heels at the Bookforum party, or else I would have taken a quick photo of you too.