Recent Posts

  • If you can’t sell books, sell teddy bears September 3, 2010
    Or that seems to be Borders’ solution to its constant financial problems, at least for the time being until the next quarter with lower than expected sales.  Really, the problem with Borders is that it lost its identity about eight or so years ago when it decided to become a shadow of Barnes & Noble.   [...] […]
    Soo Jin Oh
  • Reflections on Rockwell September 3, 2010
    In recent years, fans of Norman Rockwell, with the assistance of some art historians, have attempted to lift him into the canon of high art. As a fan of midcentury American illustration, I don’t really care how he is assessed on that scale: like the recurring fantasy that underlies so much of our politics of [...] […]
    Levi Stahl
  • A Taste of Cherry in a Heat Wave September 3, 2010
    I’ve been thinking a lot about heat waves. The thick summer weather has felt like a wall of fire that must be bravely pushed through to order to exit from an air conditioned office building and make my way to the corner to board a bus crowded with sweaty citizens. So perhaps it’s no surprise that [...] […]
    Carrie Olivia Adams
  • The Ballad of David Markson September 3, 2010
    "What’s not so up for dispute is that Markson accomplished what, by all rights, should be a literary impossibility." (Colin Marshall for The Millions) […]
    Jeff Waxman
  • Gass-X September 3, 2010
    "Ich liebe dich. No sentence pronounced by a judge could be more threatening. It means that you are about to receive a gift you may not want." Via Dylan Suher, Greg Gerke's sort-of review of William H. Gass's Reading Rilke in BIG OTHER. […]
    Jeff Waxman

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Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • In Homer’s Head: Ransom by David Malouf
    In Ransom, Malouf satisfyingly gives us a meeting between Priam and Achilles that builds from the interiority of Priam. The novel seems to want to teach the importance of doing something human to those who might never get around to picking up Homer or who, if they do, might wish they could get into the character's heads. […]
  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]

Beckett

Beckett

More coverage for the big Beckett centenary edition from Grove Press.

Americans have for the most part read Samuel Beckett in a motley collection of very thin books. The average educated person typically owns the paperback of "Waiting for Godot" plus a select handful of the numerous other 50-to-60-page volumes, set in large type, that Grove Press issued over the years in a tireless effort to squeeze every penny from its star author, with his famous penchant for brevity. Those who have rationalized the cheese-slice books as apt vessels for Beckett's rigorous art of reduction and withholding may be shocked now by the appearance of a collected works that weighs in at more than 2,000 pages, in four thick volumes. . . .

Beckett, who died in 1989 and found celebrity obscene, obviously hasn't done much for our hype machines lately. As a result, one assumes, Grove has amped up his Centenary Edition with fresh star wattage. The general editor is Paul Auster, and the volumes are introduced by Colm Toibin (Novels I), Salman Rushdie (Novels II), Edward Albee (Dramatic Works) and J. M. Coetzee (Poems, Short Fiction, Criticism). These are heavy hitters, sticking their necks out to appraise the hardest act to follow in the literary generation before them, and their appraisals — mostly illuminating, not uniformly glowing — add a fascinating note of competitiveness to the volumes.

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