Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

Blogging Monks

Amidst general thoughts on making it 5 years as a blogger, Max Magee, the lead over at The Millions, has this to say:

Though some folks in the bookish corner of the blogosphere shy away from it, and others criticize their colleagues’ ad placement but stop the presses for flashy pledge drives, I am unashamedly proud of The Millions for marching onwards towards being a legitimate literature and arts publication. In a time when many are fearful of the diminishing commercial viability of literature and the arts, it is heartening to see that The Millions has grown from a hobby into a business, albeit one that is still nascent and that is, because of the small sums involved, still very much a labor of love. While I harbor no delusions that The Millions will become a heavyweight of the blog world, the opportunity is there to keep making it better, and I find that exciting.

Although I’m not sure what exactly separates a hobby from a business (making any money? making a profit? does money even have anything to do with it?) I’m generally in agreement with this.

It’s strange how prevalent remains the train of thought that runs something like "Bloggers are in it for love, as opposed to pure commercial/career advancement, so thus they should shun all attempts to make money from their blogs, use them to further writing careers, etc." It’s as though when you sign up with Tyepapd you have to take your holy orders as well and lock yourself up in a cloister. To me, this makes no sense for a number of reasons.

Primary among them is that the same people who often voice this blog-abnegation creedo seem to have no problem imbibing the work of (and sometimes contributing to) newspapers and magazines. In fact, I don’t really know of anyone pure enough that they entirely shun the enterprise of mainstream literary criticism. And yet, though they recognize the good criticism can still come out of for-profit enterprises, they seem to think that criticism on for-profit blogs is a betrayal of some sacred trust.

Really, anyone who truly believes in the blog-abnegation creedo should check out political blogs. This is where the real money is being made, and it’s rare to find a political blog that has suddenly become corrupted by the major money flowing through it. (If anything, all that money has allowed these bloggers to extend their reach and make their blogs far better enterprises.)

I don’t see a problem with people who, at root, have a deep love of literature, but who would also like to use that love to get a little cash/attention/respect/etc. In fact, most people I know wish they could get a little of each by doing what it is they say they love. As with anything, some individuals will go too far in trying to get paid, but that doesn’t mean that people can’t develop a balance between the two.

So basically, if Max sees his blog as a business and wants to expand it along those lines, good for him. Obviously, when one begins to take a business-minded approach to anything there are certain risks involved, but intelligent, well-meaning individuals have managed to circumvent those risks in the past, so I see no reason why Max can’t do the same.

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2 comments to Blogging Monks

  • ed

    Since both you and Max appear too diffident to cite me by name, I’ll save you the trouble and chime in here. My particular post, which was by no means a slam of what you and Max are doing, merely pointed to the current emphasis away from community in the litblogosphere — a shift that is transforming this medium into something not altogether different from the newspapers we once complained about. Blogs as inflexible gatekeepers, as opposed to a “conversational” and interconnected medium. As such, if the litblogosphere is not careful, it may very well face the same problems of staleness and complacency that dominate some newspaper book review sections (I’m looking at you, Tanenhaus!) on a weekly basis. Community kept us all helping each other, working to innovate the medium and keeping things fresh and lively. And the honesty and encouragement within that network helped many to spawn their own projects. Which was a very good thing.
    Now, this early excitement has been replaced by the “chore” of turning out a daily post, as opposed to the passion of books or the ambition of a project like the Quarterly Conversation. I count three spelling/grammatical errors in this post, Scott. I’ve long told you, both publicly and privately, that you’re a good writer and have interesting thoughts about books. But in this case, why didn’t you have somebody take a look at this post? Why don’t you take Conversational Reading more seriously?
    You have every right, of course, to fill this blog up with intrusive advertisements. Just as I have every right to pursue a “flashy pledge drive” that did not intrude upon the content and that was very clear in its ethics. I agree with you that how one goes about making money at something they love is entirely their business. I only express reservations about how pronounced it appears within the content, and to what degree it causes one’s words or passions to be corrupted.
    Community, by contrast, offered something to litblogs that was comparable to the SETI@Home project, where literature served as the program we all kept running on our respective computers for a common and united goal. Now that money has become a more salient part of the equation, I’m wondering if, in this self-interest, that the litblogosphere is now starting to resemble the fragmented snake in Ben Franklin’s woodcut.

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