The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


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  • The Colonel’s World December 15, 2014
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  • The Walls of Delhi by Uday Prakash December 15, 2014
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  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
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Blotting Out the Speck of Self

Kathryn Schulz explains why Middlemarch is such a great novel, and one that you should all read immediately.

One of the oldest and most universal moral precepts is the Golden Rule: Treat others as you want them to treat you. That mandate shows up in Confucianism and in the Code of Hammurabi. It was reiterated by Seneca and by the Buddha. It appears in the Bible, as the command to love thy neighbor as thyself. It might possibly have been taught to more people than any other notion in history.

It is also, on reflection, a little weird. For a guideline about how to treat others, the Golden Rule is strikingly egocentric. It does not urge us to consult our neighbors about their needs; it asks us only to generalize from ourselves—to imagine, in essence, that everyone’s idea of desirable treatment matches our own. As such, it makes a curiously narrow demand on our imagination, and, accordingly, on our behavior. And it is not alone. From Kant’s Categorical Imperative to John Rawls’s Veil of Ignorance, the self is a common benchmark in moral reasoning.

Middlemarch breaks with this tradition. Morality does not start with the self, Eliot insists; it starts when we set the self aside. “Will not a tiny speck very close to our vision blot out the glory of the world?” she asks. And then: “I know no speck so troublesome as self.” What a killer line, and what a memorable image. We dwell in moral myopia; literally and figuratively, we are too close to ourselves.

Over and over in Middlemarch, Eliot urges us to refocus. When Rosamond Vincy, arguably the most self-absorbed character in the book, dismisses another woman as “so uninteresting,” the much kinder Mary Garth counters her: “She is interesting to herself, I suppose.” The problem Dorothea faces in her marriage is not how to support her husband, as she yearns to do, nor how to liberate herself from his thin tyrannies, as readers often yearn on her behalf, but how to accept that he has “an equivalent centre of self, whence the light and shadows must always fall with a certain difference.” That self is not like Dorothea’s; no two selves are, not even so-called soul mates. That’s one reason why marriage lies beyond the reach of the Golden Rule: As Dorothea learns to her dismay, other people do not necessarily crave the treatment we expect them to appreciate. To thrive in sustained intimacy requires learning to provide not what we think someone else wants, or should want, but what actually makes him or her happy.

This struggle to see others is the moral drama of Middlemarch, and of life. . . .

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