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Bolano’s Major and Minor Novels
I usually try not to quibble with small details in otherwise coherent book reviews, but I've seen this more than once, and it deserves to be remarked on. Dwight Garner in the NYT:
Writing last year in The Nation, Natasha Wimmer, the gifted young translator of Roberto Bolaño’s major novels into English . . .
Major novels?
Now it could be that Garner has made a careful study of Bolano's work and concluded that 2666 and The Savage Detectives are in fact his major works. But I have a sneaking suspicion that this is not the case. I suspect that Garner just adopted the same lazy shorthand that Lev Grossman adopted in Time magazine when he offhandedly labeled Bolano's shorter works "minor novels."
No, they're not.
There are, of course, crazy people like James Wood who consider By Night in Chile "his greatest work"–and Wood deserves for integrating into his review of The Savage Detectives an explanation of why he believes this.
Regardless of whatever Bolano book you consider the best, there's no reason that his shorter novels should be labeled "minor works." By Night in Chile, Distant Star, and Nazi Literature in the Americas, short as they might be compared to TSD and 2666, are absolutely not minor works. They are, after all, what established Bolano as a writer to be reckoned with and that made the later books possible.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Perhaps Wood’s elevation of By Night in Chile to the status of Bolano’s “best” was a reflection of the reviewer’s unconscious sympathy with its reactionary narrator.
ha!