Quantcast

The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

  • Max: Henry, it seems a little odd to say that Proust and Kafka an
  • Mike: I agree with much of this discussion, though I'm not sure wh
  • S: This outpouring has been pretty wide-spread indeed. To be ho
  • Will: Salman rushdie is a microscopic crapule on the asshole of th
  • Henry: I think the fireworks may come from the fact that these auth
  • Paul: Vanessa Place's 'La Medusa' seems like an American authored
  • Lance: I agree with you about the state of American fiction and I b

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Buddenbrooks: My Final Thoughts

Just to get a little closure on this huge book, I wanted to take a minute and talk about how the whole thing struck me. Scott, I hope to hear your thoughts on the matter, as well.

First of all, the "Cultural Context" post was helpful, even if I read it after finishing Mann's novel. Mainly it illuminated what Mann was doing with the social aspect of his book, an aspect that I felt slightly let down by once I got into it. By opening Buddenbrooks with the lavish dinner scene, introducing all the leitmotifs with color . . . continue reading, and add your comments

Buddenbrooks: A Little Cultural Context

Now that we've gotten acquainted with Buddenbrooks' major characters and their arcs, I thought it would be good to pull back a little bit and look at some of the social and historical forces that Buddenbrooks is playing out against.

The Buddenbrooks themselves are something of a bridge between two major components of society that co-existed in Austria-Hungary and the Germanic lands during the 19th century. On the one hand was the landed aristocracy, conservative and still ridiculously rich but in decline as the cities gained prominence; on the other hand was the business class, liberal and on . . . continue reading, and add your comments

Buddenbrooks’ Contribution to the Ebook Debate

I've been reading and enjoying Ted Striphas's The Late Age of Print, and I intend to write more about it soon. For now, though, I'd like to pull this Heidegger quote that Striphas mentions while discussing language's progression from the mouth to the pen to the typewriter to the computer to the ________.

Mechanical writing deprives the hand of its rank in the realm of the written word and degrades the word to a means of communication. In addition, mechanical writing provides this "advantage," that is conceals the handwriting and thereby the character. The typewriter makes everyone look the . . . continue reading, and add your comments

On Mann and Music

This is a rich, rich subject that we should return to again, but I just wanted to respond briefly to John's remarks re: Hanno, Thomas Mann, and classical music. John writes:

Similarly, after reading Mann's beautiful rendering of Hanno's musical experiences in Part 8, I'm interested to learn more about the role of music in the writer's life. Scott, having enjoyed Doctor Faustus so much, perhaps you've read about Mann's musical background. Was he a musician himself, or was his understanding more scholarly? He seems to grasp the unspeakable aspects of musical communication with enough depth that I . . . continue reading, and add your comments

Faulkner and Music

One of the most intriguing things I've learned while reading (and reading about) Buddenbrooks is that it was supposedly Faulkner's favorite novel. (This is an unattributed statement in the book's Wikipedia entry, yes, although I've encountered the sentiment elsewhere.)

Granted, Lowe-Porter's translation of Buddenbrooks didn't appear until 1924, so I can't say if Faulkner read it before or during his work on The Sound and the Fury, but I'm willing to believe that's the case based on some similarities in themes and characterizations. In particular, the relationship between Tony and Tom in Mann's novel seems like an influence on . . . continue reading, and add your comments

Buddenbrooks: Serious Inquiries and Bad Credit

Since we're all currently disgusted with smooth-talking bankers, bad loans, and the whole ethic of overlooking certain facts that we'd rather not know about, I thought it would be good to discuss how a very important bad loan in Buddenbrooks very closely mirrors our own subprime situation.

First a little stage-setting: you'll remember that Tony Buddenbrook, in a sudden burst of family loyalty, has decided to go ahead and marry the rather distasteful Herr Grünlich. Of course, she isn't only doing this for family: as the wife of a rich businessman, Tony will be able to live quite . . . continue reading, and add your comments

From Buddenbrooks to Mann’s Future

Sacha pulls a great quote in his recent post on Buddenbrooks. I agree with Sacha that it's a worthwhile quote for what it shows about the evolution of Tom Buddenbrook from a man who once bought in to the idea of a rational, accessible world to a man who approaches life with a philosophy that is nearly existential.

But there's another reason I like this quote. It tells us about Mann, the author. For multiple reasons, Buddenbrooks is commonly regarded as different from Mann's later works, which are not only different stylistically but also have a much more . . . continue reading, and add your comments

Buddenbrooks: Why We Care

Scott asked a valuable question: Why should we care about these people?

He cited the passage on p. 154 regarding Tony's experience with the family history, which I agree is Mann's first explicit answer to the issue. We care because this family is convinced of its own standing and importance, and not in a self-important or ironic way. Scott's right that Tony's experience in this scene is touching and illuminating, for her and for us.

And this got me thinking about Buddenbrooks' structure. I believe Mann makes us care because, in the first third of the novel, . . . continue reading, and add your comments

Buddenbrooks and Translation

I just wanted to briefly jump into the fray regarding the Buddenbrooks translation discussion. Sacha and John both seem to conclude that Mann in translation is necessarily diminished Mann:

Sacha: "As smoothly as Woods handles the speech of, say, Herr Permaneder, and as much as I understand that his character is supposed to be a parody of Bavarian culture, I wonder what nuances my lack of access to the German is denying me. . . . Questions like the ones my experience with Buddenbrooks are making me ask prompt the recognition that even the best translation loses something." . . . continue reading, and add your comments

Buddenbrooks: Concerning Death, etc.

Late in Buddenbrooks (p. 633 in the Woods translation), family patriarch Thomas has an epiphany while reading a casually acquired book:

He was filled with an unfamiliar sense of immense and grateful contentment.  He felt the incomparable satisfaction of watching an enormously superior intellect grab hold of life, of cruel, mocking, powerful life, in order to subdue and condemn it.  What he felt was the satisfaction of a sufferer who has always known only shame and the bite of conscience for hiding the suffering that cold, hard life brings, and who now, suddenly, from the hand of a great . . . continue reading, and add your comments