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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Some Critical Thoughts on Nine by Andrzej Stasiuk

Andrzej Stasiuk’s novel Dziewięć (Nine) came to me heavily recommended. Stasiuk is a bonafide celebrity in his native Poland and is one of the few contemporary authors form that country to generate a significant amount of international acclaim. Critics have made favorable comparisons to Sarte, Camus, Hamsun, and even Kafka. The book uses a highly fragmented, highly oblique approach that has generally been hailed as modernistic in the best sense of the word. It is also said to grippingly portray the realities of the post-communism generation in Poland.

I think there is a fair amount . . . continue reading, and add your comments

Bolano and Imperfection

After breezing through the first hundred pages of 2666, I had the feeling that I’d finish the book in a week. I read By Night in Chile in a single sitting, Amulet in two, and Distant Star in perhaps three at most, so by extrapolating out, a week seemed perfectly reasonable.

2666 turned out to be a much slower read than I anticipated.

I think, probably, if it was like a 1,000-page version of By Night in Chile, I would have read the book in a week; but I’m not even sure what I just . . . continue reading, and add your comments

2666: First Impressions

Now that I’ve knocked off a good inch of 2666, I feel like it’s time to say a little about my reactions to it.

At this point, I can’t say I’m very much reminded of The Savage Detectives (other than in terms of some very general themes that seem to be present in every book Bolano wrote); that book was about youth and what happens to youth as it grows old and forgotten. It focused on people above society–by that I mean it was about rendering a certain kind of emotional response to a life gone awry. . . . continue reading, and add your comments

Friday Column: Mann, Faustus, and the Modernist Morality

(When I decided to discuss Thomas Mann’s novel Doctor Faustus on this blog, it quickly became clear that I could expend thousands and thousands of words without nearly exhausting everything there is to discuss in this book. Thus, I’m going to break up my discussion of Faustus into a number of pieces taking on certain of th book’s themes and ideas. This is the first.

Note that all quotes are from the original 1948 translation made by H.T. Lowe-Porter. There is a more recent one made by John E. Woods, which I have some reason to believe is a . . . continue reading, and add your comments

Greek Romances = Action Movies?

I’ve been reading Bakhtin’s long essay on the chronotopic (that’s his word for time and space) in the novel. Basically, in this essay he’s laying out how the use of time and space has changed since the first novel-like books appeared.

As the earliest novel precusors, Bakhtin identifies the Greek romances. What happens here is that there’s a man who falls in love with a woman, but before the marriage can be achieved something happens, leading to an array of adventures which cumulate in the successful marriage.

Now, a lot of other novelistic genres also use this form, but . . . continue reading, and add your comments

Doctor Faustus

I’ve been slowly making my way through Thomas Mann’s Doctor Faustus. Despite recently reading proust, Grass, and Kenzaburo Oe, I can pretty easily say that this is the most challenging read I’ve embarked on in a long time. I’ve found myself retreating to the safe harbor of Bakhtin just to take on something a little less bracing.

Other than a too-early read of Death in Venice, this is the first Mann I’ve read, and I’m wondering if all of his books are this intellectual. By that I mean that here Mann is pretty explicitly working out . . . continue reading, and add your comments

Friday Column: Manuel Puig and the Performance of Ourselves

It has been said repeatedly, and I think correctly, that in this heavily ironized, mediated era we are each method actors performing ourselves. That is, TV, movies, and other mass media surrounds us with role models for any conceivable identity we may want to inhabit, and our well-developed consumer economy offers us everything we need to wear and own to be the person we think we are. From an early age we are sent off on a search to find ourselves—because, after all, postmodern society makes each of us feel the center of the world—and on this . . . continue reading, and add your comments

Friday Column: How Should the First-Person Be Written?

Ford Madox Ford’s The Good Soldier seems to me to possess precisely those virtues to which the novel narrated in the first-person is best suited. Often in first-person novels, the narrator is magically able to relate her story with the polish and skill of a novelist, and no effort is ever made to address why an otherwise ordinary person possesses such sharp storytelling abilities. The Good Soldier strikes me as such an accomplishment because Ford does not only provide us with a narrator whose storytelling skills are realistically diminished; he also integrates the narrator’s diminished capacity into . . . continue reading, and add your comments

The Ministry of Special Cases by Nathan Englander

The Ministry of Special Cases is not a great novel. It is, however, a pretty good novel that could have been great and certainly shows signs of greatness. It’s author, Nathan Englander, is worthy of your attention.

Let’s try, for instance, this passage from page 93. Here’s the set-up: 1976, Buenos Aires. The military has just taken power, and in true paranoid style it’s been rounding up teenagers. Kaddish has been having intense arguments with his son, Pato, over burning his books before some Fascist decides they’re subversive. Now Kaddish has up . . . continue reading, and add your comments

Life A User's Manual

Something tells me Georges Perec would find all this ruckus over plagiarism silly.

From Life A User’s Manual:

. . . and Moriane with its alabaster gates transparent in the sunlight, its coral columns supporting pediments encrusted with serpentine, its villas all of glass, like aquariums where the shadows of dancing girls with silvery scales swim beneath medusa-shaped chandeliers.

From Italo Calvino’s Invisible Cities:

When you have forded the river, when you have crossed the mountain pass, you suddenly find before you the city of Moriana, its alabaster gates transparent in the sunlight, its coral columns supporting . . . continue reading, and add your comments