The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Some Critical Thoughts on Nine by Andrzej Stasiuk

Andrzej Stasiuk’s novel Dziewięć (Nine) came to me heavily recommended. Stasiuk is a bonafide celebrity in his native Poland and is one of the few contemporary authors form that country to generate a significant amount of international acclaim. Critics have made favorable comparisons to Sarte, Camus, Hamsun, and even Kafka. The book uses a highly fragmented, highly oblique approach that has generally been hailed as modernistic in the best sense of the word. It is also said to grippingly portray the realities of the post-communism generation in Poland.

I think there is a fair amount . . . continue reading, and add your comments

Bolano and Imperfection

After breezing through the first hundred pages of 2666, I had the feeling that I’d finish the book in a week. I read By Night in Chile in a single sitting, Amulet in two, and Distant Star in perhaps three at most, so by extrapolating out, a week seemed perfectly reasonable.

2666 turned out to be a much slower read than I anticipated.

I think, probably, if it was like a 1,000-page version of By Night in Chile, I would have read the book in a week; but I’m not even sure what I just . . . continue reading, and add your comments

2666: First Impressions

Now that I’ve knocked off a good inch of 2666, I feel like it’s time to say a little about my reactions to it.

At this point, I can’t say I’m very much reminded of The Savage Detectives (other than in terms of some very general themes that seem to be present in every book Bolano wrote); that book was about youth and what happens to youth as it grows old and forgotten. It focused on people above society–by that I mean it was about rendering a certain kind of emotional response to a life gone awry. . . . continue reading, and add your comments

Friday Column: Mann, Faustus, and the Modernist Morality

(When I decided to discuss Thomas Mann’s novel Doctor Faustus on this blog, it quickly became clear that I could expend thousands and thousands of words without nearly exhausting everything there is to discuss in this book. Thus, I’m going to break up my discussion of Faustus into a number of pieces taking on certain of th book’s themes and ideas. This is the first.

Note that all quotes are from the original 1948 translation made by H.T. Lowe-Porter. There is a more recent one made by John E. Woods, which I have some reason to believe is a . . . continue reading, and add your comments

Greek Romances = Action Movies?

I’ve been reading Bakhtin’s long essay on the chronotopic (that’s his word for time and space) in the novel. Basically, in this essay he’s laying out how the use of time and space has changed since the first novel-like books appeared.

As the earliest novel precusors, Bakhtin identifies the Greek romances. What happens here is that there’s a man who falls in love with a woman, but before the marriage can be achieved something happens, leading to an array of adventures which cumulate in the successful marriage.

Now, a lot of other novelistic genres also use this form, but . . . continue reading, and add your comments

Doctor Faustus

I’ve been slowly making my way through Thomas Mann’s Doctor Faustus. Despite recently reading proust, Grass, and Kenzaburo Oe, I can pretty easily say that this is the most challenging read I’ve embarked on in a long time. I’ve found myself retreating to the safe harbor of Bakhtin just to take on something a little less bracing.

Other than a too-early read of Death in Venice, this is the first Mann I’ve read, and I’m wondering if all of his books are this intellectual. By that I mean that here Mann is pretty explicitly working out . . . continue reading, and add your comments

Friday Column: Manuel Puig and the Performance of Ourselves

It has been said repeatedly, and I think correctly, that in this heavily ironized, mediated era we are each method actors performing ourselves. That is, TV, movies, and other mass media surrounds us with role models for any conceivable identity we may want to inhabit, and our well-developed consumer economy offers us everything we need to wear and own to be the person we think we are. From an early age we are sent off on a search to find ourselves—because, after all, postmodern society makes each of us feel the center of the world—and on this . . . continue reading, and add your comments

Friday Column: How Should the First-Person Be Written?

Ford Madox Ford’s The Good Soldier seems to me to possess precisely those virtues to which the novel narrated in the first-person is best suited. Often in first-person novels, the narrator is magically able to relate her story with the polish and skill of a novelist, and no effort is ever made to address why an otherwise ordinary person possesses such sharp storytelling abilities. The Good Soldier strikes me as such an accomplishment because Ford does not only provide us with a narrator whose storytelling skills are realistically diminished; he also integrates the narrator’s diminished capacity into . . . continue reading, and add your comments

The Ministry of Special Cases by Nathan Englander

The Ministry of Special Cases is not a great novel. It is, however, a pretty good novel that could have been great and certainly shows signs of greatness. It’s author, Nathan Englander, is worthy of your attention.

Let’s try, for instance, this passage from page 93. Here’s the set-up: 1976, Buenos Aires. The military has just taken power, and in true paranoid style it’s been rounding up teenagers. Kaddish has been having intense arguments with his son, Pato, over burning his books before some Fascist decides they’re subversive. Now Kaddish has up . . . continue reading, and add your comments

Life A User's Manual

Something tells me Georges Perec would find all this ruckus over plagiarism silly.

From Life A User’s Manual:

. . . and Moriane with its alabaster gates transparent in the sunlight, its coral columns supporting pediments encrusted with serpentine, its villas all of glass, like aquariums where the shadows of dancing girls with silvery scales swim beneath medusa-shaped chandeliers.

From Italo Calvino’s Invisible Cities:

When you have forded the river, when you have crossed the mountain pass, you suddenly find before you the city of Moriana, its alabaster gates transparent in the sunlight, its coral columns supporting . . . continue reading, and add your comments