The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

Ranking the DeLillo

Apropos of last week’s post on the worst DeLillo, I was pointed to this somewhat tongue-in-cheek ranking of DeLillo’s books.

So here’s my take on their take:

1) Kinda ballsy to put The Names in the “classics” category. White Noise and Libra are kind of easy picks for the “classics,” and I’m not sure that Libra qualifies (though it did drive George Will into a fit of pissy rage, and that deserves credit). (Also check out that new Penguin Classics White Noise package w/the Powers intro. Didn’t notice that one when it came out . . . continue reading, and add your comments

Against the Short Novel, Even When Don DeLillo Is the Author

Lately I’ve been pushing Cesar Aira on people, which means I’m having a lot of conversations these days about how Americans don’t respect short novels. They’re insubstantial. They offend our sense of value, always measured by the gross poundage we get per dollar. Let’s just go ahead and say it: they feel European, like one of those pathetic little smart cars.

Cesar Aira seems almost designed to refute these culturally wired reactions against the short novel. Yes, his novels can be read quickly, but they’re so intricately crafted and clever in their ambiguity that any good reader will . . . continue reading, and add your comments

The T & G Backfield

Was reminded of this today, from DeLillo’s 1972 novel End Zone. People forget how hilarious DeLillo used to be:

“Gary, I like flair. I like freak appeal .I like any kind of charisma. When I was an access coordinator for the phone company, I got together a specialty act in my spare time. Two sword-swallowers on a trampoline. You got to daze people. You got to climb inside their mouth. Gary, I’ll stick up for you all the way. Next season we make it big. The T and G backfield. I sure do like the sound of that. . . . continue reading, and add your comments

Literary Concentrate

One thing I’ve been noticing about the reviews of Point Omega is that just about everyone is calling the book extremely dense. To wit, from the latest review I’ve read:

I’m not a slow reader, not usually, especially not with regard to fiction, but it took me ages to finish Don DeLillo’s slim new novel Point Omega. It is a short, intense burst of literary fireworks by a living master,

This does seem very in keeping with DeLillo’s writing after Underworld. It’s almost as though he wanted to get this last burst of profusion out of his system . . . continue reading, and add your comments

Greil Marcus on Point Omega

Looks like we’re starting to see the deluge of Point Omega reviews. Here’s Marcus’s at the Barnes & Noble Review:

This is the territory that Don DeLillo has been working in since the terrorist attacks on New York City in 2001 — in Cosmopolis in 2003, Falling Man in 2007, and in the new Point Omega. What state of mind, DeLillo has been asking, might a cataclysmic, shared event — the sort of event that immediately produces its own, where-were-you language, a language that then turns into a dynamic new form of speech or is forgotten — . . . continue reading, and add your comments

DeLillo Character Reviews David Foster Wallace

A character from multiple DeLillo novels, has written a critique of Wallace’s work. The author is Jay Murray Siskind, probably best-known as the professor in White Noise:

Anyone familiar with White Noise should recognize the clues that the supposed reviewer is DeLillo’s character and not some real live scholar with the same name: there’s the fictional Blacksmith College (which, while not the college portrayed in White Noise, is a name of one of the neighboring towns); there are the fake footnotes in the review referring to other characters and details from . . . continue reading, and add your comments

Friday Column: Real Connections

James Wood interviewed in the Kenyon Review.

I then began to think of Smith’s novel in relation to a number of other large books: Underworld by Don DeLillo, Pynchon’s recent book Mason and Dixon, David Foster Wallace’s large book Infinite Jest, and so on. Was there some kind of genre here in which the cartoonish was displacing the real? In which the machinery of plot was also blocking out in some way a greater simplicity? I also thought perhaps there was an interesting borrowing from Dickens: It seems to me that if you look at a book . . . continue reading, and add your comments

Friday Column: Best List? No Way.

When Sam Tanenhaus came on board as editor the New York Times Book Review, word was that nonfiction would take the lion’s share of the coverage. Two years later, if anyone doubts that Tanenhaus is giving short shrift to fiction, the recently published list of the best works of American fiction in the last 25 years should change their mind. This is a list that–with the resources and influence of The New York Times–could have been awesome. Instead what we have is a list that shows signs of poor planning, and that ultimately is uninteresting.

Thus far, . . . continue reading, and add your comments

Noise

From a good feature on Don DeLillo’s White Noise at PopMatters.

One of the funniest scenes occurs in the beginning of the book when Jack and Babette are in the grocery store (a location a lot of the book takes place in). Out of the blue, DeLillo alerts us to a woman who falls into a rack of paperbacks at the front of the store. It’s just something that happens in the background while Jack and Babette are shopping, but the weird depiction is dropped into the narrative so suddenly, you can’t help but bust up. You . . . continue reading, and add your comments

Top 10 Books of 2004: #2

#2 — Underworld — Don DeLillo

Underworld is a book that sifts through 50 years of Cold War America and ends up proving that a Cold War-less America is  a rudderless America. However, if Underworld were simply a polemic with no greater point than teaching this lesson, it would have been made obsolete by 9/11 and no one, other than professional historians, would care much about reading it.

This is not the case for many reasons, but I’d like to focus on just three.

First off, in its structure and feel, Underworld captures something essential about the . . . continue reading, and add your comments