The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. 
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Available now from Amazon, Barnes & Noble, and direct from this site:
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Looks like publishers are getting dinged for outsourcing ebooks to third-parties who do shoddy jobs:
Needless to say, poor quality e-books are becoming something of an embarrassment for publishers trying to convince readers to pay a premium for downloads (as Kassia Kroszer recently pointed out in Publishing Perspectives: it is hard to justify higher e-book prices when the product simply isn’t up to scratch), and clearly it’s an issue publishers need to address sooner rather than later if they want win this argument.
The problem of substandard e-books partially stems from the fact that many publishers currently lack . . . continue reading, and add your comments
You try telling Jonathan Franzen his next novel isn’t actually being printed:
What also gets squeezed, or I should say what gets squeezed the most, is the ability of publishers to continue printing books on paper. As Crain says, “It may not be possible for a single company to publish e-books at that price and also retain the infrastructure necessary to publish ink-on-paper books.” I added the emphasis, but I think it’s pretty obvious that it has to be there: as I noted above, one of the forms of control at stake in this haggling over price points . . . continue reading, and add your comments
(This post is from John Thornton of Seven Stories Press. Seven Stories has just published The Old Garden, by Korean author Hwang Sok-yong (which I discussed here). Hwang has engaged in some interesting online experiments in writing novels, and this is what Thornton discusses in this post.)
Seven Stories Press is currently serializing our English translation of The Old Garden, the 2000 novel by Korean author Hwang Sok-yong. There are a number of reasons why we’re doing this—not least of which is our personal belief in the book and in our translation of it, despite . . . continue reading, and add your comments
Yesterday, Amazon remotely erased hundreds of copies of 1984 and Animal Farm from users' Kindles, according to the NY Times. The books in question were deemed unlicensed copies, and Amazon erased them without permission and credited users' accounts.
These actions appear to break Amazon's own terms of use, according to the Times. The terms "grant customers the right to keep a 'permanent copy of the applicable digital content.'" The Times also reports that this is not the first time Amazon has stripped Kindles.
Beyond the obvious concerns here, this dramatizes why readers should not consider ebooks . . . continue reading, and add your comments
The patents are here and here.
Speculation thereof here:
Before everyone gets in a huff, let’s consider Amazon’s intentions with these patent applications. Surely they would never allow advertisements to be placed in books which you have purchased legitimately at full price, so let’s put that out of our heads. But what if you could take a few bucks off the cover price at the cost of a few contextual ads relating (if possible) to the book’s content? Personally, I wouldn’t mind — partially because I don’t use a Kindle or intend to any . . . continue reading, and add your comments
NYT:
In a move that could blunt some of the criticism of Google for its settlement of a lawsuit over its book-scanning project, the company signed an agreement with the University of Michigan that would give some libraries a degree of oversight over the prices Google could charge for its vast digital library. . . .
Under Google’s plan for the collection, public libraries will get free access to the full texts for their patrons at one computer, and universities will be able to buy subscriptions to make the service generally available, with rates based on their . . . continue reading, and add your comments
Bryan Gilmer generated some instant publicity for his novel Felonious Jazz by radically discounting the Kindle edition:
My Kindle edition went live last Monday at $7.99, so I announced it on a couple of Kindle message boards online. By Wednesday, I'd sold one copy. One! Message board replies said, "If you want us to try a new author, give us a really low price. It'll generate sales and reviews." So I marked it down to $1.99 Thursday morning and posted the price change on the same boards. What happened next was remarkable:
As of 5 p.m. . . . continue reading, and add your comments
Publishers Weekly confirms something I've long suspected:
Currently, publishers make as much money on Kindle editions as print editions, since Amazon, the largest e-book retailer, pays the same discount for e-book editions as it does for print—off the same list price, whether bound book or e-book. (An Amazon spokesperson would not comment on the discount issue, but a number of publishers confirmed that Amazon pays the standard discount—which is, with some fluctuation among houses, about 50% off list price—for Kindle editions.)
Amazon, which sets the price for everything it sells, is, as many people . . . continue reading, and add your comments
It's no secret that newspapes have hastened their own downfall with poor decisions and some ridiculous, even illegal ideas (like massive price collusion).
But, they might now be getting into the act. The Wall Street Journal reports that they're exploring a Kindle knock-off designed to read newspapers and magazines:
Hearst Corp., which publishes the San Francisco Chronicle and Houston Chronicle as well as magazines including Cosmopolitan, is backing a venture with FirstPaper LLC to create a software platform that will support digital downloads of newspapers and magazines. The startup venture . . . continue reading, and add your comments
Ellen at the UNC Press blog is worried that digital-only catalogs are just the first step:
The tough (and painful) budget crunching happening throughout the publishing industry right now coincides with new technologies that can allow us to do more online and less in print. Here at UNCP, we are not quite at the point of getting rid of our print catalog and going all online, as HarperCollins has done, but who knows what we’ll be doing next time around. Personally, I wonder, if I can’t hold it, will it still feel like a completed project? I’m talking . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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The Novels of Kim Young-ha
Graphs, Maps, Trees
The Names by Don DeLillo (1982)
The Box Man by Kobo Abe (1973, English 1974)
Head in Flames by Lance Olsen (2009)
Agaat by Marlene van Niekerk (2006, English 2010)
The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)
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