Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

Shoddy eBooks

Looks like publishers are getting dinged for outsourcing ebooks to third-parties who do shoddy jobs:

Needless to say, poor quality e-books are becoming something of an embarrassment for publishers trying to convince readers to pay a premium for downloads (as Kassia Kroszer recently pointed out in Publishing Perspectives: it is hard to justify higher e-book prices when the product simply isn’t up to scratch), and clearly it’s an issue publishers need to address sooner rather than later if they want win this argument.

The problem of substandard e-books partially stems from the fact that many publishers currently lack . . . continue reading, and add your comments

You Really Want to Be an eBook-Only Author?

You try telling Jonathan Franzen his next novel isn’t actually being printed:

What also gets squeezed, or I should say what gets squeezed the most, is the ability of publishers to continue printing books on paper. As Crain says, “It may not be possible for a single company to publish e-books at that price and also retain the infrastructure necessary to publish ink-on-paper books.” I added the emphasis, but I think it’s pretty obvious that it has to be there: as I noted above, one of the forms of control at stake in this haggling over price points . . . continue reading, and add your comments

Seven Stories: Blurring the Lines Between Electronic and Print Publishing

(This post is from John Thornton of Seven Stories Press. Seven Stories has just published The Old Garden, by Korean author Hwang Sok-yong (which I discussed here). Hwang has engaged in some interesting online experiments in writing novels, and this is what Thornton discusses in this post.)

Seven Stories Press is currently serializing our English translation of The Old Garden, the 2000 novel by Korean author Hwang Sok-yong. There are a number of reasons why we’re doing this—not least of which is our personal belief in the book and in our translation of it, despite . . . continue reading, and add your comments

Books Erased from Kindles by Amazon

Yesterday, Amazon remotely erased hundreds of copies of 1984 and Animal Farm from users' Kindles, according to the NY Times. The books in question were deemed unlicensed copies, and Amazon erased them without permission and credited users' accounts.

These actions appear to break Amazon's own terms of use, according to the Times. The terms "grant customers the right to keep a 'permanent copy of the applicable digital content.'" The Times also reports that this is not the first time Amazon has stripped Kindles.

Beyond the obvious concerns here, this dramatizes why readers should not consider ebooks . . . continue reading, and add your comments

Amazon Applies for Patent to Advertise in Your Kindle

The patents are here and here.

Speculation thereof here:

Before everyone gets in a huff, let’s consider Amazon’s intentions with these patent applications. Surely they would never allow advertisements to be placed in books which you have purchased legitimately at full price, so let’s put that out of our heads. But what if you could take a few bucks off the cover price at the cost of a few contextual ads relating (if possible) to the book’s content? Personally, I wouldn’t mind — partially because I don’t use a Kindle or intend to any . . . continue reading, and add your comments

Google Gives Libraries Price Oversight

NYT:

In a move that could blunt some of the criticism of Google for its settlement of a lawsuit over its book-scanning project, the company signed an agreement with the University of Michigan that would give some libraries a degree of oversight over the prices Google could charge for its vast digital library. . . .

Under Google’s plan for the collection, public libraries will get free access to the full texts for their patrons at one computer, and universities will be able to buy subscriptions to make the service generally available, with rates based on their . . . continue reading, and add your comments

A Crime Novelist Experiments With The Kindle

Bryan Gilmer generated some instant publicity for his novel Felonious Jazz by radically discounting the Kindle edition:

My Kindle edition went live last Monday at $7.99, so I announced it on a couple of Kindle message boards online. By Wednesday, I'd sold one copy. One! Message board replies said, "If you want us to try a new author, give us a really low price. It'll generate sales and reviews." So I marked it down to $1.99 Thursday morning and posted the price change on the same boards. What happened next was remarkable:

As of 5 p.m. . . . continue reading, and add your comments

Amazon Is Losing Money on Each $9.99 Ebook

Publishers Weekly confirms something I've long suspected:

Currently, publishers make as much money on Kindle editions as print editions, since Amazon, the largest e-book retailer, pays the same discount for e-book editions as it does for print—off the same list price, whether bound book or e-book. (An Amazon spokesperson would not comment on the discount issue, but a number of publishers confirmed that Amazon pays the standard discount—which is, with some fluctuation among houses, about 50% off list price—for Kindle editions.)

Amazon, which sets the price for everything it sells, is, as many people . . . continue reading, and add your comments

Newspapers Making a Kindle-Killer?

It's no secret that newspapes have hastened their own downfall with poor decisions and some ridiculous, even illegal ideas (like massive price collusion).

But, they might now be getting into the act. The Wall Street Journal reports that they're exploring a Kindle knock-off designed to read newspapers and magazines:

Hearst Corp., which publishes the San Francisco Chronicle and Houston Chronicle as well as magazines including Cosmopolitan, is backing a venture with FirstPaper LLC to create a software platform that will support digital downloads of newspapers and magazines. The startup venture . . . continue reading, and add your comments

Digital Catalogs: Gateway Drugs?

Ellen at the UNC Press blog is worried that digital-only catalogs are just the first step:

The tough (and painful) budget crunching happening throughout the publishing industry right now coincides with new technologies that can allow us to do more online and less in print. Here at UNCP, we are not quite at the point of getting rid of our print catalog and going all online, as HarperCollins has done, but who knows what we’ll be doing next time around. Personally, I wonder, if I can’t hold it, will it still feel like a completed project? I’m talking . . . continue reading, and add your comments