Quantcast

The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Favorite Reads of 2010: Wonder by Hugo Claus

All my favorite reads of 2010 collected here.

Quoting myself, Wonder book is a little more difficult to write up in short form than some of the other titles I’ve discussed lately because there isn’t really a dazzling conceit to the book. It’s simply about a man driven insane by the Nazi legacy in Belgium. (And it’s interesting to note that this is the second straight year the BTB longlist features a European title that deals centrally with collaborationist war guilt; last year was The Darkroom of Damocles, a fine book in its own . . . continue reading, and add your comments

Favorite Reads of 2010: About a Mountain by John D'Agata

My reading divides into 3 kinds of books: 1) the books I just don’t care for; 2) the books that are pleasing but ultimately forgettable; and 3) the books that force me to reckon with them. Of the three kinds, the third is indisputably the best. Even when the ultimate reckoning does not come out in their favor, these are books that have seduced me to live in their world, and I will not forget them easily. . . . continue reading, and add your comments

Favorite Reads of 2010: Prose by Thomas Bernhard

If you come to my house and look at my bookshelves, you can very quickly and easily distinguish the gods from the demigods and lesser beings. The gods simply take up more space, and they do so in the shape of rows of books with their names on them. Thomas Bernhard is a god, and right now he has a 7-book tract of shelf that will surely grow very, very soon. . . . continue reading, and add your comments

Favorite Reads of 2010: Mimesis by Erich Auerbach

Mimesis is one of those titles that everybody talks about so much that you begin to get the idea that to not have read it is some horrible mark against you, like having a third eyeball, or, even worse, a copy of Shift: A Novel (Gate of Orpheus Trilogy) in your hand. But then you actually look at this brick of literary criticism, and you begin to think that it’s one of those books that people more often claim to have read than actually read. But no. While I’m not going to go so far as Borges did . . . . . . continue reading, and add your comments

Favorite Reads of 2010: Atlas of the European Novel 1800-1900 by Franco Moretti

If you pick up Atlas of the European Novel 1800-1900 and flip through it, it’ll look like something you might see in The Believer. Your eye will be drawn to all these interesting diagrams with suggestive titles like “Colonial wealth in British sentimental novels.” First you’ll ponder those, and then when you sit down to actually read this book, you will find that it is literary criticism, albeit literary criticism of the best kind possible–genuinely innovative and genuinely readable. (And in fact, Moretti has something rare in an academic critic–a fresh, engaging prose style.) So what is this book? Well, let me tell you. Franco Moretti is an unabashed lover of the 19th-century novel (he says he favorite book of al is Old Goriot by Balzac). That’s great for a lot of reasons, but . . . continue reading, and add your comments

Favorite Reads of 2010: All Souls by Javier Marias

You could actually put just about all of Marias’ books in this spot. (I’ve read 5 of them this year, counting Your Face Tomorrow as one novel and counting Manana en la batalla piensa en mi, which I’m 2/3 through and must be the longest Spanish-language book I’ve ever read.) I’ve come to love the work of Javier Marias this year, but if I were to ding him for something it’d have to be that his style can be a little loose at times. Part of this is, I think, just a matter of differences of opinion–Marias likes that maximalist kind of prose where he lets his words stream on for pages and pages, and I prefer novels that pare back to a nice arid essentiality. . . . continue reading, and add your comments

Favorite Reads of 2010: Correction by Thomas Bernhard

Thomas Bernhard does a strange kind of realism. His books tend to be extremely intense character studies of 2 – 3 people, yet they are told entirely through the obsessive monologue of a single character, so everything about all of the characters studied in his books is flattened into a single narrative voice. (And, in fact, all of Bernhard’s books sound similar, so really everything is flattened even further into Bernhard’s prose style.) . . . continue reading, and add your comments

Favorite Reads of 2010: Tablet & Pen: Literary Landscapes from the Modern Middle East, edited by Reza Aslan

When was the last time you read an anthology cover to cover? What about a 700-page one? For me the last–and the first–was Tablet & Pen. I read this anthology cover to cover, and in fact I did most of that reading in 8-hour bouts of extreme concentration while on a transatlantic flight. Any book that can induce that kind of concentration in that kind of circumstance is doing something incredibly right. . . . continue reading, and add your comments

Favorite Reads of 2010: The Culture Industry by Theodor Adorno

This is essentially Adorno’s book-length definition and dissection of the culture industry—how capitalistic society creates and sells popular entertainment and lifestyles to pretty much every single person within its purview. That is the culture industry and that is what it does, and make no mistake, it is out to colonize every last second of your “free time” (and speaking of, Adorno’s essay on “free time” in this book is wonderful). . . . continue reading, and add your comments

Favorite Reads of 2010: The Literary Conference by Cesar Aira

aira-literary-conference

If I could be King for one year, what I’d do is call together 10 or 15 of the best Spanish-language translators I could find, and I’d set ‘em loose on Cesar Aira. Between the translators’ skills, Aira’s naturally beautiful writing, and the fact that his novels tend to be very short, with any luck we’d get through a good quarter of the 80+ Aira titles that remain to be translated into English. . . . continue reading, and add your comments