Category Archives: favorite reads 2010

Favorite Reads of 2010: The Golden Age by Michal Ajvaz

Here we go. For the month of December, I’m going to be talking about my favorite reads of the year. This first he first one. I’ll collect all the posts at this thread.

The Golden Age really, really surprised me. I selected this book for my translated literature book club at local indie bookstore The Booksmith, pretty much sight unseen, and hoped for the best. Every single person in the club liked it, a-lot-a-lot. It was possibly the best discussion of a book we had all year.

That’s saying something, in particular since The Golden Age doesn’t have anything resembling a plot for its first half; and then the second half only has a plot by virtue of a crazy fantasy story that the narrator relates as part of a book he recounts. It’s not the easiest book to cozy up to, and yet it compelled me–I think all of us–from the very first page.

The Golden Age has some incredible prose, an almost limitless imagination, and some of the most amazing images I read all year. The book is about a man who visits a far-away island and basically writes about the island and its extremely strange culture. The first half is something like an enthnological study of the islanders, who have walls made of water, rivers that flow through their home, a language made from stains, caves build into their homes from which they mine gems (wait till Ajvaz discusses their food).

Eventually the narrative becomes absorbed by the island’s one Book, which all of the islanders contribute to, sort of like a paper and pen Wikipedia. Its this continually collapsing story of intrigue between kings and queens, with each story pitfalling into another, even more incredible story within in.

The island culture that Ajvaz builds up around this idea is both brilliant in its conception and rigorous in its execution. We learn all about the islanders’ philosophy of property and time, their habits, their way of life, their economy . . . everything. And it all coheres in an immensely satisfying way. Eventually you come to see that the book is an exploration into what language is, how it works, what it is for, the gap between it and objects, as well as an exploration of who we are and what we are doing here.

THE SURRENDER

The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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