The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Okay, time to finish this stuff up.
24. The Mezzanine by Nicholson Baker. The first thing to note is the construction of narrative voice and character, which is accomplished in a very unostentatious but extremely true to life manner. (Which is to say, I could see this guy, he was counterpointed into a 3-D being in my head, and his voice remained consistent throughout.) It was a sympathetic voice, though not without its flaws and idiosyncrasies. Then there is the unity of the metaphors: Baker deconstructs objects from everyday life, staplers, trains, shoelaces, popcorn–he brilliantly defamiliarizes them, . . . continue reading, and add your comments
19. The Tanners by Robert Walser: You can read my review here. I’ll just say here that for most of this book I had a superficial sense of what it was about–romanticism, obviously–but I had little sense of what it was really about–where it started from, where it was headed, why it took the path it did. That’s usually a disorienting and even alienating experience in a book, but each subsection The Tanners was such a compelling experience in and of itself, that to a large extent broader questions were immaterial to simply enjoying the experience of this . . . continue reading, and add your comments
13. The She-Devil in the Mirror by Horacio Castellanos Moya: In my opinion, Castellanos Moya is one of the most interesting Latin American authors to emerge in English translation in the past few years. Legend has it that Castellanos Moya was one of three authors Francisco Goldman urged New Directions to translate (Bolano being one of the others, though I've forgotten the third). Senselessness was a great choice for a first translation in that I immediately wanted to read anything else written by its author. The She-Devil in the Mirror was #2, and in fact they make . . . continue reading, and add your comments
7. Buddenbrooks by Thomas Mann – You don't really need me to tell you that Buddenbrooks is a great book. For those new to Mann, it's the most approachable of his major novels that I've read. It's also the closest to good old 19th-century realism. A highly sardonic, unforgiving tale of a family that just isn't going to make it. Read it with someone you love.
8. Suttree by Cormac McCarthy – I read (or re-read) all of McCarthy this year, but I'm not going to subject anyone to tedious recommendations of most of his works, . . . continue reading, and add your comments
I'm determined to run down my favorite reads of 2009 on this blog, but I think it might take a few posts. So this is the first, in grand hopes that I'll make it to the last.
In the order in which they were read:
1. The Darkroom of Damocles: The plot of this detective fiction is just a hair less convoluted than that of The Big Sleep, but Damocles is making more of a point with its madness. The book follows an ordinary Dutch man brought into the ranks of the resistance during World War II. He's . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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