The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
  • Literary AdvocatesLiterary Advocates

    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Favorite Reads of 2011: The Blind Owl by Sadegh Hedayat

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The Blind Owl might be described as a cross between Kafka and Poe—there’s a definite creepy/Gothicness, but there’s also the sense of the void at the center of the modern world. It’s just a short book, but it has many outstanding features, and author Sadegh Hedayat is excellent at working his various motifs together like a musical composition. . . . continue reading, and add your comments

Favorite Reads of 2011: The Notebooks of Malte Laudris Brigge by Rainer Maria Rilke

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I think out of everything I read in 2011, The Notebooks of Malte Laudris Brigge would have to be my single most favorite thing. I could tell that I was in for an exceptional experience when certain trusted reader friends of mine, seeing that I had picked up the book at San Francisco Public’s annual huge book sale, spoke of the book in the kind of reverential tones that are only elicited by books of the highest quality. The book is composed of what I suppose you would call “entries” in Brigge’s notebooks, but there’s really very little . . . continue reading, and add your comments

Favorite Reads of 2011: The Melancholy of Resistance by Laszlo Krasznahorkai

melancholy-of-resistance

Laszlo Krasznahorkai is one of the few authors I can seriously regard as today carrying on the work of the great modernists. The Melancholy of Resistance is a very hard book to pin down, but if anything it is about the energy, terror, seduction, and appeal of fascism. The book is about a Leviathan-like whale that comes to a town in Hungary, and how the spectacle of it exerts power over the masses and is used by the powers that be. Krasznahorkai’s long sentences are frequently remarked on, and they are great, but this book also includes a . . . continue reading, and add your comments

Favorite Reads of 2011: Suicide by Edouard Leve

suicide

To introduce Suicide, here’s what I wrote at the top of my interview with the book’s translator:

Without a doubt, one of the best things I’ve read this year is a small book called Suicide. It was written by the contemporary French writer Edouard Levé, who, ten days after delivering the manuscript, in fact did commit suicide, but the book is not so much a suicide note or explanation as it is an exactingly wrought object.

It was only on a second reading that I was able to truly appreciate how precise the prose is, and how . . . continue reading, and add your comments

Favorite Reads of 2011: The Blood Oranges by John Hawkes

blood-oranges

How to explain the relative neglect of John Hawkes, beloved by both Leslie Fiedler and William H. Gass? His prose style is simply unmistakable, his grasp of structure constantly surprises you. I’ll quote Gass, who introduced me to Hawkes:

This is the effect of Hawkes’s fiction: It sees the world from just inside its surface, a surface at which it looks back the way Orpheus so dangerously did, thereby returning an unlamenting Eurydice to Hades. It is as if a wall were examining, from its steadfastly upright state, the slow peel of its paint. The position is unprecedented. And . . . continue reading, and add your comments

Favorite Reads of 2011: Never Any End to Paris by Enrique Vila-Matas

never-any-end

I’m thrilled that New Directions seems to be investing in Enrique Vila-Matas. After bringing out a couple of his novels in 2007, this year they published the excellent Never Any End to Paris, and next year will see the publication of his Dubliesque, his most recent novel in Spanish. (One hopes after this they’ll start digging further into his rich backlist.)

Anyway, I’m going to outsource this recommendation to myself, since I already spent quite a bit of time this year writing about what a great book this is. First, from my review of . . . continue reading, and add your comments

Favorite Reads of 2011: The Sleepwalker by Margarita Karapanou

sleepwalker

Earlier this year I exhorted everyone to read Margarita Karapanou. And now I’m doing it again. The Sleepwalker is an amazing little book, certainly one of the leanest, most interesting pieces of writing you will have the pleasure of reading. (And huge praise to translator Karen Emmerich for the work she did with this author’s Greek.)

Let me offer two quotes to describe this book to you. First, from the Greek author Amanda Michalopoulou:

I was 19 years old, a student of French literature, when I read The Sleepwalker. I realized then that books can trap . . . continue reading, and add your comments

Favorite Reads of 2011: The Man of Feeling by Javier Marias

man-feeling-javier-marias-paperback-cover-art

When I was working on my half of Lady Chatterley’s Brother earlier this year, I read a whole lot of Javier Marias. And while I could easily recommend to you A Heart So White or Tomorrow in the Battle Think on Me, I’m going to put in for The Man of Feeling, because I get the idea that it’s often neglected vis a vis Marias’ later works. This is the first book of what I’ve come to call Marias’ “mature phase” as a writer, and though it’s much smaller than the books that would come later . . . continue reading, and add your comments

Favorite Reads of 2011: The Master Switch by Tim Wu

master-switch

The premise that The Master Switch is dedicated to demonstrating is that the Internet is not such an unprecedented democratization of expression as we customarily believe: in fact, the TV, radio, and film media were all at one time considered to offer similar potential as the Internet now does, and each was subsequently straitjacketed by a consortia of powerful media players. In The Master Switch, Columbia Law School professor Tim Wu makes the case that each of these media have more or less conformed to a cycle of initial promise and openness to closure and consolidation, which the . . . continue reading, and add your comments

Favorite Reads of 2011: My Two Worlds by Sergio Chejfec

I already mentioned this one in a “favorite reads” post I did for The Millions. My Two Worlds is truly large, and deep, and expansive, even though it’s just over 100 pages long. It felt so new and unpinnable that I had a hard time writing about it, even though I also felt that the book had much in it that could be written about. In my opinion, that’s a sign of something potent.

I eventually did write about it, right here.

My Two Worlds is a dance, a seduction that draws us right up to . . . continue reading, and add your comments