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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Favorite Reads of 2011: The Blind Owl by Sadegh Hedayat

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The Blind Owl might be described as a cross between Kafka and Poe—there’s a definite creepy/Gothicness, but there’s also the sense of the void at the center of the modern world. It’s just a short book, but it has many outstanding features, and author Sadegh Hedayat is excellent at working his various motifs together like a musical composition. . . . continue reading, and add your comments

Favorite Reads of 2011: The Notebooks of Malte Laudris Brigge by Rainer Maria Rilke

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I think out of everything I read in 2011, The Notebooks of Malte Laudris Brigge would have to be my single most favorite thing. I could tell that I was in for an exceptional experience when certain trusted reader friends of mine, seeing that I had picked up the book at San Francisco Public’s annual huge book sale, spoke of the book in the kind of reverential tones that are only elicited by books of the highest quality. The book is composed of what I suppose you would call “entries” in Brigge’s notebooks, but there’s really very little . . . continue reading, and add your comments

Favorite Reads of 2011: The Melancholy of Resistance by Laszlo Krasznahorkai

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Laszlo Krasznahorkai is one of the few authors I can seriously regard as today carrying on the work of the great modernists. The Melancholy of Resistance is a very hard book to pin down, but if anything it is about the energy, terror, seduction, and appeal of fascism. The book is about a Leviathan-like whale that comes to a town in Hungary, and how the spectacle of it exerts power over the masses and is used by the powers that be. Krasznahorkai’s long sentences are frequently remarked on, and they are great, but this book also includes a . . . continue reading, and add your comments

Favorite Reads of 2011: Suicide by Edouard Leve

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To introduce Suicide, here’s what I wrote at the top of my interview with the book’s translator:

Without a doubt, one of the best things I’ve read this year is a small book called Suicide. It was written by the contemporary French writer Edouard Levé, who, ten days after delivering the manuscript, in fact did commit suicide, but the book is not so much a suicide note or explanation as it is an exactingly wrought object.

It was only on a second reading that I was able to truly appreciate how precise the prose is, and how . . . continue reading, and add your comments

Favorite Reads of 2011: The Blood Oranges by John Hawkes

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How to explain the relative neglect of John Hawkes, beloved by both Leslie Fiedler and William H. Gass? His prose style is simply unmistakable, his grasp of structure constantly surprises you. I’ll quote Gass, who introduced me to Hawkes:

This is the effect of Hawkes’s fiction: It sees the world from just inside its surface, a surface at which it looks back the way Orpheus so dangerously did, thereby returning an unlamenting Eurydice to Hades. It is as if a wall were examining, from its steadfastly upright state, the slow peel of its paint. The position is unprecedented. And . . . continue reading, and add your comments

Favorite Reads of 2011: Never Any End to Paris by Enrique Vila-Matas

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I’m thrilled that New Directions seems to be investing in Enrique Vila-Matas. After bringing out a couple of his novels in 2007, this year they published the excellent Never Any End to Paris, and next year will see the publication of his Dubliesque, his most recent novel in Spanish. (One hopes after this they’ll start digging further into his rich backlist.)

Anyway, I’m going to outsource this recommendation to myself, since I already spent quite a bit of time this year writing about what a great book this is. First, from my review of . . . continue reading, and add your comments

Favorite Reads of 2011: The Sleepwalker by Margarita Karapanou

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Earlier this year I exhorted everyone to read Margarita Karapanou. And now I’m doing it again. The Sleepwalker is an amazing little book, certainly one of the leanest, most interesting pieces of writing you will have the pleasure of reading. (And huge praise to translator Karen Emmerich for the work she did with this author’s Greek.)

Let me offer two quotes to describe this book to you. First, from the Greek author Amanda Michalopoulou:

I was 19 years old, a student of French literature, when I read The Sleepwalker. I realized then that books can trap . . . continue reading, and add your comments

Favorite Reads of 2011: The Man of Feeling by Javier Marias

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When I was working on my half of Lady Chatterley’s Brother earlier this year, I read a whole lot of Javier Marias. And while I could easily recommend to you A Heart So White or Tomorrow in the Battle Think on Me, I’m going to put in for The Man of Feeling, because I get the idea that it’s often neglected vis a vis Marias’ later works. This is the first book of what I’ve come to call Marias’ “mature phase” as a writer, and though it’s much smaller than the books that would come later . . . continue reading, and add your comments

Favorite Reads of 2011: The Master Switch by Tim Wu

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The premise that The Master Switch is dedicated to demonstrating is that the Internet is not such an unprecedented democratization of expression as we customarily believe: in fact, the TV, radio, and film media were all at one time considered to offer similar potential as the Internet now does, and each was subsequently straitjacketed by a consortia of powerful media players. In The Master Switch, Columbia Law School professor Tim Wu makes the case that each of these media have more or less conformed to a cycle of initial promise and openness to closure and consolidation, which the . . . continue reading, and add your comments

Favorite Reads of 2011: My Two Worlds by Sergio Chejfec

I already mentioned this one in a “favorite reads” post I did for The Millions. My Two Worlds is truly large, and deep, and expansive, even though it’s just over 100 pages long. It felt so new and unpinnable that I had a hard time writing about it, even though I also felt that the book had much in it that could be written about. In my opinion, that’s a sign of something potent.

I eventually did write about it, right here.

My Two Worlds is a dance, a seduction that draws us right up to . . . continue reading, and add your comments