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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

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  • Will: Salman rushdie is a microscopic crapule on the asshole of th
  • Henry: I think the fireworks may come from the fact that these auth
  • Paul: Vanessa Place's 'La Medusa' seems like an American authored
  • Lance: I agree with you about the state of American fiction and I b

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

How Many Times Must an Author Write the Same Book?

(Today we have a guest column from Christina Thompson. She is the editor of Harvard Review. Her essays and articles have appeared in numerous journals, including American Scholar, the Journal of Pacific History, Australian Literary Studies, and in the 1999, 2000, and 2006 editions of Best Australian Essays. Her new book, Come on Shore and We Will Kill and Eat You All, is reviewed in the New York Times Book Review this weekend.)

This spring, as the publication date of my book approached, my publisher suggested I get myself a website. I had never had a . . . continue reading, and add your comments

Why the Siege of Krishnapur Stays Stuck in My Mind the Way a Chicken Bone Stays Stuck in My Throat

The voting is done, the tallies are in, and the super/meta/ultimate-Booker–or whatever you call it–has not gone to J.G. Farrell’s novel of imperial decay, The Siege of Krishnapur. (Predictably, some guy with a cleric problem has taken the honor.)

Let us pause momentarily to appreciate the coincidence that an Indian-British novelist’s book about postcolonial India, a book that captures the essence of postmodern play and hystericism, has beat out a British novelist’s book about colonial India, a book that, though published in 1973, looks back to the realist conventions of an earlier style of crafting a . . . continue reading, and add your comments

Is Google Making Us Read Worse?

Friday Column: Is Google Making Us Read Worse?

I tried very hard to take seriously Nicholas Carr’s article in The Atlantic, which has the provocative, and lately rather fashionable, thesis that the Internet is changing the way we read. Google is making us all info-snackers in search of the quick answer; there’s so much content at hand that we can barely stand to get halfway through something before we’re jumping off to the next thing.

I’ll admit, certain aspects of Carr’s argument feel intuitively correct. And I’m seeing an awful lot of books lately about how . . . continue reading, and add your comments

Friday Column: Rewriting Motherhood: Why Career and Home Do Balance (at Least, for Me)

(Today we have a guest column from novelist Jennifer Epstein. Her first novel is The Painter from Shanghai, recently published by W.W. Norton.)

To say the last seven years have been eventful for me is to master the understatement. Over that span of time, I’ve had two daughters, completed my MFA in fiction, written several freelance pieces, perfected my forearmstand, and (just about) made it to the ten-year-mark in my marriage.

Oh, and I wrote a novel. A 400-plus-page historical epic set in China and Paris, at the cusp of World War II.

  OK—I’ll . . . continue reading, and add your comments

Friday Column: Manuel Puig and the Performance of Ourselves

It has been said repeatedly, and I think correctly, that in this heavily ironized, mediated era we are each method actors performing ourselves. That is, TV, movies, and other mass media surrounds us with role models for any conceivable identity we may want to inhabit, and our well-developed consumer economy offers us everything we need to wear and own to be the person we think we are. From an early age we are sent off on a search to find ourselves—because, after all, postmodern society makes each of us feel the center of the world—and on this . . . continue reading, and add your comments

Friday Column: How Should the First-Person Be Written?

Ford Madox Ford’s The Good Soldier seems to me to possess precisely those virtues to which the novel narrated in the first-person is best suited. Often in first-person novels, the narrator is magically able to relate her story with the polish and skill of a novelist, and no effort is ever made to address why an otherwise ordinary person possesses such sharp storytelling abilities. The Good Soldier strikes me as such an accomplishment because Ford does not only provide us with a narrator whose storytelling skills are realistically diminished; he also integrates the narrator’s diminished capacity into . . . continue reading, and add your comments

Friday Column: When Is It Okay to Read About an Author’s Private Life?

I recently learned that, as a middle-aged man, the blind Borges would have young boys read books to him in his apartment in Buenos Aires. This is, apparently, how the man imbibed most of his literature after the blindness set in.

I learned this odd fact which reading the short memoir With Borges. Written by the somewhat well-known chronicler of reading, Alberto Manguel, who was actually one of the young boys who read to Borges, the book is a hodgepodge of anecdotes about the man and some of his friends.

I . . . continue reading, and add your comments

Friday Column: The Root of All Sources

Just a short while ago I finished Gunter Grass’s novel The Tin Drum, a book whose Christ imagery is at points so unequivocal that it is apparent to even a Bible dolt such as myself. Though many of the Biblical references were far too obvious even for me to miss, I had my suspicions that many more were flying right by.

The Tin Drum brought to mind a thought that I find myself entertaining from time to time: I really should read the Bible. No, I haven’t suddenly gotten religious on you. Nor do I . . . continue reading, and add your comments

Friday Column: Overcoming Your James Wood Habit

With the publication of James Wood’s new book in England, we can already see the beginnings of the coverage that will soon attend its publication over here. In other words, more attention for the one literary critic in America who actually gets attention.

To me this seems unfair. Yes, Wood rightly deserves some attention, but he certainly doesn’t deserve this de facto coronation as the only thing going. Moreover, focusing on one critic to the exclusion of others is contrary to the idea of literary criticism, which thrives on a polyphonic chorus of competing voices.

In that . . . continue reading, and add your comments

Friday Column: Prodigious Writers

To get us started, a couple familiar Frenchmen. Honore de Balzac wrote well over 100 novels and plays. The great majority of them went to his monumental cycle The Human Comedy. Emile Zola, no laggard is nonetheless diminished by comparison: he was only the author of 30-some books, although it undoubtedly would have been more if he hadn’t died of a carbon monoxide poisoning that many believe was an assassination. Similar to Balzac, the heft of his oeuvre consists in a cycle of novels—Les Rougon-Macquart (the name of a family) in this case, and there are . . . continue reading, and add your comments