The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

How Many Times Must an Author Write the Same Book?

(Today we have a guest column from Christina Thompson. She is the editor of Harvard Review. Her essays and articles have appeared in numerous journals, including American Scholar, the Journal of Pacific History, Australian Literary Studies, and in the 1999, 2000, and 2006 editions of Best Australian Essays. Her new book, Come on Shore and We Will Kill and Eat You All, is reviewed in the New York Times Book Review this weekend.)

This spring, as the publication date of my book approached, my publisher suggested I get myself a website. I had never had a . . . continue reading, and add your comments

Why the Siege of Krishnapur Stays Stuck in My Mind the Way a Chicken Bone Stays Stuck in My Throat

The voting is done, the tallies are in, and the super/meta/ultimate-Booker–or whatever you call it–has not gone to J.G. Farrell’s novel of imperial decay, The Siege of Krishnapur. (Predictably, some guy with a cleric problem has taken the honor.)

Let us pause momentarily to appreciate the coincidence that an Indian-British novelist’s book about postcolonial India, a book that captures the essence of postmodern play and hystericism, has beat out a British novelist’s book about colonial India, a book that, though published in 1973, looks back to the realist conventions of an earlier style of crafting a . . . continue reading, and add your comments

Is Google Making Us Read Worse?

Friday Column: Is Google Making Us Read Worse?

I tried very hard to take seriously Nicholas Carr’s article in The Atlantic, which has the provocative, and lately rather fashionable, thesis that the Internet is changing the way we read. Google is making us all info-snackers in search of the quick answer; there’s so much content at hand that we can barely stand to get halfway through something before we’re jumping off to the next thing.

I’ll admit, certain aspects of Carr’s argument feel intuitively correct. And I’m seeing an awful lot of books lately about how . . . continue reading, and add your comments

Friday Column: Rewriting Motherhood: Why Career and Home Do Balance (at Least, for Me)

(Today we have a guest column from novelist Jennifer Epstein. Her first novel is The Painter from Shanghai, recently published by W.W. Norton.)

To say the last seven years have been eventful for me is to master the understatement. Over that span of time, I’ve had two daughters, completed my MFA in fiction, written several freelance pieces, perfected my forearmstand, and (just about) made it to the ten-year-mark in my marriage.

Oh, and I wrote a novel. A 400-plus-page historical epic set in China and Paris, at the cusp of World War II.

  OK—I’ll . . . continue reading, and add your comments

Friday Column: Manuel Puig and the Performance of Ourselves

It has been said repeatedly, and I think correctly, that in this heavily ironized, mediated era we are each method actors performing ourselves. That is, TV, movies, and other mass media surrounds us with role models for any conceivable identity we may want to inhabit, and our well-developed consumer economy offers us everything we need to wear and own to be the person we think we are. From an early age we are sent off on a search to find ourselves—because, after all, postmodern society makes each of us feel the center of the world—and on this . . . continue reading, and add your comments

Friday Column: How Should the First-Person Be Written?

Ford Madox Ford’s The Good Soldier seems to me to possess precisely those virtues to which the novel narrated in the first-person is best suited. Often in first-person novels, the narrator is magically able to relate her story with the polish and skill of a novelist, and no effort is ever made to address why an otherwise ordinary person possesses such sharp storytelling abilities. The Good Soldier strikes me as such an accomplishment because Ford does not only provide us with a narrator whose storytelling skills are realistically diminished; he also integrates the narrator’s diminished capacity into . . . continue reading, and add your comments

Friday Column: When Is It Okay to Read About an Author’s Private Life?

I recently learned that, as a middle-aged man, the blind Borges would have young boys read books to him in his apartment in Buenos Aires. This is, apparently, how the man imbibed most of his literature after the blindness set in.

I learned this odd fact which reading the short memoir With Borges. Written by the somewhat well-known chronicler of reading, Alberto Manguel, who was actually one of the young boys who read to Borges, the book is a hodgepodge of anecdotes about the man and some of his friends.

I . . . continue reading, and add your comments

Friday Column: The Root of All Sources

Just a short while ago I finished Gunter Grass’s novel The Tin Drum, a book whose Christ imagery is at points so unequivocal that it is apparent to even a Bible dolt such as myself. Though many of the Biblical references were far too obvious even for me to miss, I had my suspicions that many more were flying right by.

The Tin Drum brought to mind a thought that I find myself entertaining from time to time: I really should read the Bible. No, I haven’t suddenly gotten religious on you. Nor do I . . . continue reading, and add your comments

Friday Column: Overcoming Your James Wood Habit

With the publication of James Wood’s new book in England, we can already see the beginnings of the coverage that will soon attend its publication over here. In other words, more attention for the one literary critic in America who actually gets attention.

To me this seems unfair. Yes, Wood rightly deserves some attention, but he certainly doesn’t deserve this de facto coronation as the only thing going. Moreover, focusing on one critic to the exclusion of others is contrary to the idea of literary criticism, which thrives on a polyphonic chorus of competing voices.

In that . . . continue reading, and add your comments

Friday Column: Prodigious Writers

To get us started, a couple familiar Frenchmen. Honore de Balzac wrote well over 100 novels and plays. The great majority of them went to his monumental cycle The Human Comedy. Emile Zola, no laggard is nonetheless diminished by comparison: he was only the author of 30-some books, although it undoubtedly would have been more if he hadn’t died of a carbon monoxide poisoning that many believe was an assassination. Similar to Balzac, the heft of his oeuvre consists in a cycle of novels—Les Rougon-Macquart (the name of a family) in this case, and there are . . . continue reading, and add your comments