Lady Chatterley’s Brother The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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This is my translation. El tunel, Ernesto Sabato (Seix Barral, 1948):
"My theory," he explained, "is as follows: in the 20th century, the political novel represents what the chivalry novel did in Cervantes’s time. Moreover: I think you could make something equivalent to Don Quixote: a satire of political novels. Imagine an individual who has passed his life reading political novels and has become crazy with the belief that the world functions like a novel by Nicholas Blake or Ellery Queen. Imagine that at length this poor sap finally sets out to discover crimes and proceeds through life . . . continue reading, and add your comments
From Jorge Luis Borges’s "Prologue" to The Invention of Morel by Adolfo Bioy Casares, trans. Ruth L.C. Simms (University of Texas Press, 1964; republished by NYRB Classics, 2003):
There are pages, there are chapters in Marcel Proust that are unacceptable as inventions, and we unwittingly resign ourselves to them as we resign ourselves to the insipidity and the emptiness of each day. The adventure story, on the other hand, does not propose to transcribe reality: it is an artificial object, no part of which lacks justification. It must have a rigid plot if it is not to succumb . . . continue reading, and add your comments
Edith Wharton, A Backward Glance, (London, 1972), p. 173 as quoted in Wayne Booth, A Rhetoric of Irony, (Chicago, 1974) p. 13:
Perhaps it was our common sense of fun that first brought about our understanding. The real marriage of true minds is for any two people to possess a sense of humour or irony pitched in exactly the same key, so that their joint glances at any subject cross like interarching search-lights. I have had good friends between whom and myself that bond was lacking, but they were never really intimate friends; and in that sense Henry . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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