The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

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  • Andrija F.: And don't forget to add Elfriede Jelinek, my favorite among
  • Richard: If you search for this Chris Roberts, God being on Amazon (y
  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Life Big Read Question Thread 2

perec-stamp

Give me your questions, your answers for this week’s reading. And I’d like to pull this from last week’s question thread . . . . . . continue reading, and add your comments

Life Big Read: A Better Mousetrap

mousetrap

As I read this week’s section, I felt that what was most coming though was the idea of quests that become traps. I first noticed this in that quote about Bartlebooth that I mentioned earlier this week and which I will reproduce here:

That’s what struck Valene the most, his gaze which did not manage to meet his own, as if Bartlebooth had sought to look behind his head, had wanted to pierce his head to reach beyond it in the neutral asylum of the stairwell with it’s trompe-loeil decorations mimicking old marbling and its staff skirting board made to resemble wood panelling. There was in that avoiding look something more violent than a void, something that was not merely pride or hatred, but almost panic, something like a mad hope, like an appeal for help, like a signal of distress. [142]

We also see this trope in the quest-stories that Perec tells, most notably in the utterly bizarre one about the nanny . . . . . . continue reading, and add your comments

Life Big Read: Surfaces

puzzle-surfaces

manual-big-read-schedule/”>this week’s section, with some more fully fleshed thoughts to come later in the week, once we’ve all had a fair chance to get through to the end. We’ve already been talking a great deal about things and descriptions, so now it’s time to talk about surfaces. I’m thinking specifically in terms of Sherwood’s Tale, in which he purchases what he believes to be the Holy Grail but is in fact scammed by crooks [pp. 96 - 109]. It is one of those elaborate confidence scams where a person is shown one small piece of evidence after another to slowly build up trust in what is ultimately a big, unbelievable falsehood . . . . . . continue reading, and add your comments

THe Rise of Daily Life in French Lit

The new Words Without Borders blog has shot out of the box with their ongoing Perec coverage. The latest piece is an excellent, lengthy interview between Martin Riker of the Dalkey Archive Press and Perec-scholar Warren Motte.

Here’s a little taste:

MR: This is something else I wanted to ask you about, the role of daily life in recent French fiction, and the role Perec played in creating this literary climate. I’m particularly interested in how often in recent French fiction this interest overlaps with a sense of playfulness–the ludic–and whether that’s an inevitable overlap.

WM: It . . . continue reading, and add your comments

Perec's Unfinished Books

Even wonder what Georges Perec would have written if he hadn’t died of cancer at 45? At Words Without Borders Laird Hunt gives some idea of literature’s loss:

In December 1976 Georges Perec, who wrote, both copiously and brilliantly as it occurred, put a remarkable document into the hands of Paul Otchakovsky-Laurens, founder of the wonderful independent French house P.O.L. In it, Perec had set down not just the works he was in the process of writing and/or would write, but also those he planned to write and wouldn’t. . . .

What was in this document? . . . continue reading, and add your comments

Publishing Georges Perec

(Godine is publishing a new, corrected edition of Life A User's Manual and the first-ever English edition of Perec's essays collected in Thoughts of Sorts. I recently spoke with Susan Barba, an editor at Godine who worked on both of these books.)

Scott Esposito: My first question has to do with what's new in this edition of Life A User's Manual. The original translation by David Bellos was published in 1987, and in the ensuing 20-some years there's been considerable attention devoted to both the original and Bellos's translation. What kind of changes have . . . continue reading, and add your comments

Machine by Georges Perec Rev’d at Complete Review

Michael Orthofer reviews "The Machine," a radio play written by Geroges Perec and published for the first time in English in the recent all-Perec issue of the Review of Contemporary Fiction.

I've read this piece in my copy of the RCF, and it's great. Here are some of Michael's thoughts:

Perec takes the poem and subjects it to a number of operations — protocols that are, essentially, Oulipian constraints. And, as he explains:

To the attentive listener it may become clear that this play about language not only describes the functioning . . . continue reading, and add your comments

Special Perec Issue of the RCF

Via the Dalkey Archive's monthly newsletter. I'll be looking forward to this:

Spring RCF…

The Spring Review of Contemporary Fiction is a special issue on Georges Perec, updating our previous Perec issue, with an updated introduction by David Bellos and including a never-before-published Perec radio play.

Georges Perec’s Movie

Via RSB, I find this nice report from The Auteurs on Georges Perec’s 1974 movie Un Homme Qui Dort. The movie is based on Perec’s early novella of the same name (published in English by Godine as A Man Asleep.)

The occasion of this report is Dort’s release on DVD (although currently unavailable through Amazon U.S. Based on The Auteurs’s description (and some of the stills), Dort sounds somewhat similar to Robbe-Grillet’s experimental film, Last Year at Marienbad:

In the early ’70s Perec and his friend Bernard Queysanne, a . . . continue reading, and add your comments

Life A User's Manual

Something tells me Georges Perec would find all this ruckus over plagiarism silly.

From Life A User’s Manual:

. . . and Moriane with its alabaster gates transparent in the sunlight, its coral columns supporting pediments encrusted with serpentine, its villas all of glass, like aquariums where the shadows of dancing girls with silvery scales swim beneath medusa-shaped chandeliers.

From Italo Calvino’s Invisible Cities:

When you have forded the river, when you have crossed the mountain pass, you suddenly find before you the city of Moriana, its alabaster gates transparent in the sunlight, its coral columns supporting . . . continue reading, and add your comments