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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

  • Max: Henry, it seems a little odd to say that Proust and Kafka an
  • Mike: I agree with much of this discussion, though I'm not sure wh
  • S: This outpouring has been pretty wide-spread indeed. To be ho
  • Will: Salman rushdie is a microscopic crapule on the asshole of th
  • Henry: I think the fireworks may come from the fact that these auth
  • Paul: Vanessa Place's 'La Medusa' seems like an American authored
  • Lance: I agree with you about the state of American fiction and I b

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

My Infinite Summer: Part II Of Westward the Course of Empire Takes Its Way, from Girl With Curious Hair

Last week I discussed David Foster Wallace's important novella, "Westward the Course of Empire Takes Its Way." I thought it had a number of flaws–in fact, I'd say that on the whole the novella doesn't work for me. Although last week I did mention that the piece is still worth reading, especially as a bridge between his early writing and his masterpiece, Infinite Jest. Now I'd like to write a little about why I think that is.

Several years after reading Infinite Jest, one of the things I still most admire about that book is Wallace's . . . continue reading, and add your comments

My Infinite Summer: Westward the Course of Empire Takes Its Way, from Girl With Curious Hair

Given the author's own thoughts on it, it's difficult to read David Foster Wallace's novella "Westward the Course of Empire Takes Its Way" without bias:

Larry McCaffery: Why is meta-metafiction a trap? Isn’t that what you were doing in "Westward"?

David Foster Wallace: That’s a Rog. And maybe "Westward"’s only real value’ll be showing the kind of pretentious loops you fall into now if you fuck around with recursion. My idea in "Westward" was to do with metafiction what Moore’s poetry or like DeLillo’s "Libra" had done with other mediated myths. I wanted to get the Armageddon-explosion, the . . . continue reading, and add your comments

Contra Infinite Summer

Valve bloger Scott Eric Kaufman offers what must be among the dumber reasons for not reading Infinite Jest:

Am I alone in finding the whole idea of Infinite Summer a little morbid? The renewed interest in David Foster Wallace’s Infinite Jest is an obvious Good Thing—a first step toward popular as well as academic canonization—but having lived through the recent Michael Jackson Media Event, I can’t help but wonder whether the desire to read Wallace’s novel is akin downloading Thriller because Some Important Someone died. Do I sound like I’m thwacking some straw man with shovel? . . . continue reading, and add your comments

Observation vs Research in David Foster Wallace’s Writing

I like what Andrew has to say about Infinite Jest's "research":

Specialized knowledges pervade the book—tennis, recreational drug use, optics, burglary, even punting (surely the most narrowly specialized position in football). But one of the more (in)famous elements of "research" in the novel is the filmography Wallace includes in endnote 24. In the age of IMDb, we might be apt to forget that the filmography is (or was) actually a highly specialized and intensely laborious feat of archival research, but the almost eight-and-a-half pages of James O. Incandenza's collected works should surely remind us . . . continue reading, and add your comments

Infinite Summer

There's a website dedicated to reading Infinite Jest this summer. Lots of interesting material (e.g. How to Read Infinite Jest)

I, of course, am a huge, huge partisan of this book, so I hereby exhort you all to grab a copy of IJ and read it this summer.

I read Infinite Jest back in 2004, and it remains one of the most memorable reading experiences in the past 5 years. (There is actually a large amount of Jest-related material available on this blog, both from my own reading and that of other . . . continue reading, and add your comments

IJ Review

In honor of the Infinite Jest 10 year reissue, the TLS has given the book another look. It’s a good take.

For all its many branching offshoots, the structure of Infinite Jest is built on a narrative foundation that recalls James Joyce’s Ulysses, an ancestor text that is specifically evoked in Wallace’s use of the famous Joycean compound "scrotumtightening". Both texts have one foot in Hamlet, and both are organized around two narrative arcs that set a youthful prodigy who has problems with his father, next to an older man, who is less well educated but more humane . . . continue reading, and add your comments

Infinite Jest, Digested: Part Two

Last time, I mentioned that the two main hurdles I had to
deal with in reading Infinite Jest were how to deal with the length and how to
deal with the endnotes. I yammered on about the length last time, but I forgot
to yammer about the endnotes. So here goes.*

Continue reading Infinite Jest, Digested: Part Two

The Addiction of Infinite Jest

Barrett, whom we’ll be hearing more from on other books he reads in the future, is currently talking about Infinite Jest. In his first post on the book, he got into a little meta-discussion by mentioning a number of good sites with IJ criticism. I’ve visited several of those myself, and I think many other readers of this book have too, because IJ is a novel that leaves you with a number of dangling threads. Not dangling as in David Foster Wallace did a bad job of cleaning up after himself, but dangling as in purposely left unsolved . . . continue reading, and add your comments

Infinite Jest, Digested: Part One

In one of my first posts last fall, I talked about Infinite Jest not as a work of literature—I hadn’t read it yet—but as an objet d’art, as a physical artifact in and of itself, a lapful of pages that was about to be reissued in paperback to celebrate its tenth anniversary.

Well now, these few months later, I have actually read the indomitable Jest, and I’m here with a report, a sort of reader’s response/diary of how I climbed the infinite Everest. In the spirit of open endings and fragmented narration and incomplete circles, I’ll break these posts up onto various themes or subjects, as not to go on to bloggingly long, though I will no doubt repeat myself horribly before I get good into the second post.

Continue reading Infinite Jest, Digested: Part One

Friday Column: Give A Book

In 1995 in The New York Review of Books, Brad Leithauser was fortunate enough to have the opportunity to adulate his favorite book ever in the pages of one of the widest-read and most respected literary periodicals in the nation.

Leithauser left little doubt as to the place this book held in his heart:

There are good books and there are great books and there may be a book that is something still more: it is the book of your life. If you’re quite lucky, you may at some point chance upon a novel which inspires so close a . . . continue reading, and add your comments