The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

Six Questions for Katherine Silver on The Miracle Cures of Dr. Aira

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Katherine Silver is one of the most talented, interesting, and dedicated translators working from Spanish today. She recently translated Cesar Aira’s novel(la) The Miracle Cures of Dr. Aira, her second Aira translation (it joins The Literary Conference) though definitely not her last (read on).

I asked her six questions about the particular challenges of translating Aira, her own interpretations of his oeuvre-in-progress, her discovery of Aira, and what lies ahead for Aira-fans in the English language. In addition to Aira, Silver has translated Almost Never by Daniel Sada (with two more Sada novels . . . continue reading, and add your comments

Six Questions for Margaret B. Carson on Sergio Chejfec’s My Two Worlds

Without a doubt, one of the most interesting new books I read last year was My Two Worlds by Sergio Chejfec. The book raises quite legitimate comparisons to authors like Sebald and Walser, and its brief 100 pages are made expansive by intricate, precise prose. The book concerns the reflections made by its unnamed narrator over the course of a short walk through a park in some unnamed Brazilian city. What is perhaps most striking about this walk is the haze of thought that Chejfec creates within it. Reading, we sense some sort of meaning . . . continue reading, and add your comments

Nine Questions for Natasha Wimmer on The Third Reich by Roberto Bolaño

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The Third Reich was unpublished at the time of Bolaño’s death, but there are indications that he meant it to be published one day: he had begun typing it up, as he did with earlier unpublished novels that were eventually published in his lifetime. The book follows the transformation of one Udo Berger, a German tourist in Spain’s Costa Brava as he plays a board game called The Third Reich. Wimmer corresponded with me on the actual board game that inspired The Third Reich, reading fast for pleasure vs reading slow for translation, the role of creativity in the process of translation, and readings and misreadings of Roberto Bolaño. . . . continue reading, and add your comments

Six Questions for Rosalie Knecht on Cesar Aira’s Seamstress and the Wind

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By now, readers of this blog (and I would hope readers in general) need no introduction to Cesar Aira, one of the most exciting authors to be making his way into English. Over the past couple of years, New Directions has done amazing work with Aira, publishing novel after novel. I think they’re beginning to make some headway in developing the kind of audience that this writer deserves. They have just published The Seamstress and the Wind . . . . . . continue reading, and add your comments

Seven Questions for Ottilie Mulzet on Animalinside

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Perhaps no other author has grown in my estimation over the past 12 months as much as László Krasznahorkai. An author known for his challenging grammar and long, complex sentences, he has previously published two novels in English translation, both by New Directions–War and War and The Melancholy of Resistance. Animalinside, his third book in English, has taken a circuitous route, first being published in Paris as part of Sylph Editions’ Cahiers series . . . . . . continue reading, and add your comments

Seven Questions for Lynne Tillman

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I’m no specialist on the relative reputations of contemporary U.S. authors, but I would classify Lynne Tillman as “greatly underappreciated.” Over a long and fruitful career she has worked in numerous genres to numerous ends, the one underlying quality seeming to be, simply, quality. Her latest book, a collection of short fiction called Someday This Will Be Funny, has just been published by Red Lemonade . . . . . . continue reading, and add your comments

Seven Questions for Translator Tim Mohr

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I don’t say things like this a whole lot, but I feel relatively safe in saying that if Tim Mohr wasn’t translating, our image of contemporary German literature would be quite different. His first two translations were two of the most notable and noted books to emerge into English from Germany in the ‘00s: Guantanamo by Dorothea Dieckmann and Wetlands by Charlotte Roche. He followed up those two with two novels for Europa Editions by Alina Bronsky, who has quickly built a name for herself as a writer to be reckoned with in English. Prior to coming on the translation scene in 2004 with Guantanamo, Mohr worked as an editor with Playboy . . . . . . continue reading, and add your comments

Five Questions with Marius Kociejowski, Author of The Pigeon Wars of Damascus

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This is an interview by editor Eric Ormsby an editor with the press Biblioasis: The Pigeon Wars of Damascus by Marius Kociejowski. I’m presenting it here for two reasons: first, having published the work of author Ray Smith (have a look at Century), Horacio Castellanos Moya, and others, as well as having an international fiction series edited by Stephen Henighan, the press has distinguished itself in my mind for quality literature. The second reason is that the book in question, The Pigeon Wars of Damascus, is a work that fits into the genre of “atypical travel literature,” and as such might resonate with the readers of this site who have enjoyed authors like Jean Rolin, W.G. Sebald, etc. . . . continue reading, and add your comments

Seven Questions for Translator Jan Steyn on Edouard Leve’s Suicide

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Without a doubt, one of the best things I’ve read this year is a small book called Suicide. It was written by the contemporary French writer Edouard Levé, who, ten days after delivering the manuscript, in fact did commit suicide, but the book is not so much a suicide note or explanation as it is an exactingly wrought object. It was only on a second reading that I was able to truly appreciate how precise the prose is, and how enigmatically this small book opens up to envelop you as a reader. If the suicide on the face of this book leads you to assume that only one interpretation of this book is impossible, everything in the book stands to refute it. After reading Suicide, it’s clear to me that Levé was a major talent. Already, Dalkey will follow up Suicide with a second Levé book, Autoportrait, to be translated by Lorin Stein and published in early 2012, and I expect Levé’s final two books will not be long in following. I interviewed Suicide’s translator, Jan Steyn, for more about this intriguing book and its author . . . . . . continue reading, and add your comments

Four Questions for Kate Briggs on Roland Barthes’ Preparation of the Novel

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Last December Columbia University Press published a posthumous work by Roland Barthes titled The Preparation of the Novel. The book consists of lectures for a series of courses on the writing of a novel, lectures which were among the last Barthes delivered before his sudden death in 1980. At the time of the lectures many speculated that they were a run-up to a project many had long hoped Barthes would take on: the writing of his own novel, provisionally titled “Vita Nova.” Although Barthes never did write a novel, the lectures provide both an idea of how Barthes might have approached this unique task, as well as his typically profound thoughts on numerous aspects of the novel. I interviewed the book’s translator, Kate Briggs, on this capacious text. The Times Literary Supplement praised Briggs’ translation, saying in part “Kate Briggs’s wonderful translation finally makes available in English a most unusual book by one of the most significant literary figures of the twentieth century.” . . . continue reading, and add your comments