The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

The Body Writer

coetzee-standing

I’m very much intrigued by the intersection of literature, identity, and the human body. That is probably at least one reason why I enjoy reading J.M. Coetzee so much. The current issue of the TLS has a hugely interesting essay on Coetzee as a writer of the physical body (which I would wholeheartedly agree with). Here’s a taste . . . continue reading, and add your comments

Obviously Novels Are Constructed

Stephen Mitchelmore offers my first reasons to want to read Summertime and Diary of a Bad Year:

The Complete Review offers another curious judgement: “Coetzee is an incredibly talented writer and a master craftsman — and, yes, this is a meticulously crafted book, and one of [Summertime's] weaknesses is that it is so obviously a construct.” The key words here being “so obviously”. Perhaps the schism then is between those who are troubled by fiction as a construct and those who are not. One has to ask the question begged: how might this novel have . . . continue reading, and add your comments

Coetzee on Walser

Writing in 2000 on Jakob von Gunten:

As a literary character, Jakob von Gunten is without precedent. In the pleasure he takes in picking away at himself he has something of Dostoevsky’s Underground Man and, behind him, of the Jean-Jacques Rousseau of the Confessions. But—as Walser’s first French translator, Marthe Robert, pointed out—there is in Jakob, too, something of the hero of the traditional German folk tale, of the lad who braves the castle of the giant and triumphs against all odds. Franz Kafka, early in his career, admired Walser’s work (Max Brod records with . . . continue reading, and add your comments

Summertime Excerpt Watch

Another one just popped up ($$$) in Harper's. This one takes the form of a mock interview with a woman whom a man referred to as "Coetzee" once propositioned, the woman declining because "Coetzee" seemed "soft."

Movie Trailer: Disgrace by JM Coetzee

Oddly enough, they've made a movie of what is probably JM Coetzee's most popular novel, Disgrace. And odder yet, it stars John Malkovich as the philandering professor Lurie. The trailer:

Looks almost decent, doesn't it? Although, I have my doubts . . . bad book = good movie, and vice versa.

For more on how Coetzee fits into the fiction of post-apartheid South Africa, see Matt Cheney's essay at The Quarterly Conversation.

Related Posts

Waiting for the Barbarians

Summertime by JM Coetzee

Moving into prolific author territory, J.M. Coetzee will be publishing his 20th book in late summer, the aptly titled Summertime. Hat tip to the Literary Saloon for the head’s-up.

The book doesn’t yet have a U.S. Amazon webpage, although it is listed on the Wikipedia J.M. Coetzee page, where it has been grouped with Coetzee’s previous memoirs, Boyhood and Youth. So, looks like this will be the third installment of Coetzee’s reflections on a provincial upbringing.

Coetzee and Crossreferencing

Matthew Cheney:

And then I realized that I was marking up my teaching copy of Michael K. as if I were marking up a poem.  I looked, then, at my teaching copy of Disgrace, from when I used it in a class a few years ago. The same thing. Lots of circled words, lots of "cf."s referring me to words and phrases in other parts of the book. Lots of sounds building on sounds, rhythms on rhythms in a way that isn’t particularly meaningful in itself, but that contributes to an overall tone-structure, a scaffold of utterance to . . . continue reading, and add your comments

Friday Column: Overcoming Your James Wood Habit

With the publication of James Wood’s new book in England, we can already see the beginnings of the coverage that will soon attend its publication over here. In other words, more attention for the one literary critic in America who actually gets attention.

To me this seems unfair. Yes, Wood rightly deserves some attention, but he certainly doesn’t deserve this de facto coronation as the only thing going. Moreover, focusing on one critic to the exclusion of others is contrary to the idea of literary criticism, which thrives on a polyphonic chorus of competing voices.

In that . . . continue reading, and add your comments

Coetzee on Nooteboom

I enjoy few novelists as critics as much as when JM Coetzee steps in to contribute on essay. He’s already written eloquently on Cees Nooteboom in the past, and here he is again, discussing the recently translated Lost Paradise.

Do angels exist? Does God exist? It is not only in the universe of postmodern fiction that such questions have a quaint, old-fashioned—that is to say, pre-postmodern and perhaps even pre-modern—air. In tolerant, post-Enlightenment societies we are free to make up answers to them as we choose, without risk of punishment. Indeed, in its advanced form the principle of . . . continue reading, and add your comments

The Immoralist

In language and tone, I find Andre Gide’s The Immoralist reminding me much of the work of J.M. Coetzee, specifically Disgrace. Both authors use a very pared down, austerely beautiful language; in a translator’s note, Richard Howard calls Gide’s voice "raised almost to the tension of the lyre," which seems about as good a description as can be given. Thematically, both books are wrestling with the following idea, quoted from Gide: "The capacity to get free is nothing; the capacity to be free, that is the task."

Like Disgrace, The Immoralist’s protagonist eventually evolves into an amoral state (despite . . . continue reading, and add your comments