The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


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    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

The Body Writer

coetzee-standing

I’m very much intrigued by the intersection of literature, identity, and the human body. That is probably at least one reason why I enjoy reading J.M. Coetzee so much. The current issue of the TLS has a hugely interesting essay on Coetzee as a writer of the physical body (which I would wholeheartedly agree with). Here’s a taste . . . continue reading, and add your comments

Obviously Novels Are Constructed

Stephen Mitchelmore offers my first reasons to want to read Summertime and Diary of a Bad Year:

The Complete Review offers another curious judgement: “Coetzee is an incredibly talented writer and a master craftsman — and, yes, this is a meticulously crafted book, and one of [Summertime's] weaknesses is that it is so obviously a construct.” The key words here being “so obviously”. Perhaps the schism then is between those who are troubled by fiction as a construct and those who are not. One has to ask the question begged: how might this novel have . . . continue reading, and add your comments

Coetzee on Walser

Writing in 2000 on Jakob von Gunten:

As a literary character, Jakob von Gunten is without precedent. In the pleasure he takes in picking away at himself he has something of Dostoevsky’s Underground Man and, behind him, of the Jean-Jacques Rousseau of the Confessions. But—as Walser’s first French translator, Marthe Robert, pointed out—there is in Jakob, too, something of the hero of the traditional German folk tale, of the lad who braves the castle of the giant and triumphs against all odds. Franz Kafka, early in his career, admired Walser’s work (Max Brod records with . . . continue reading, and add your comments

Summertime Excerpt Watch

Another one just popped up ($$$) in Harper's. This one takes the form of a mock interview with a woman whom a man referred to as "Coetzee" once propositioned, the woman declining because "Coetzee" seemed "soft."

Movie Trailer: Disgrace by JM Coetzee

Oddly enough, they've made a movie of what is probably JM Coetzee's most popular novel, Disgrace. And odder yet, it stars John Malkovich as the philandering professor Lurie. The trailer:

Looks almost decent, doesn't it? Although, I have my doubts . . . bad book = good movie, and vice versa.

For more on how Coetzee fits into the fiction of post-apartheid South Africa, see Matt Cheney's essay at The Quarterly Conversation.

Related Posts

Waiting for the Barbarians

Summertime by JM Coetzee

Moving into prolific author territory, J.M. Coetzee will be publishing his 20th book in late summer, the aptly titled Summertime. Hat tip to the Literary Saloon for the head’s-up.

The book doesn’t yet have a U.S. Amazon webpage, although it is listed on the Wikipedia J.M. Coetzee page, where it has been grouped with Coetzee’s previous memoirs, Boyhood and Youth. So, looks like this will be the third installment of Coetzee’s reflections on a provincial upbringing.

Coetzee and Crossreferencing

Matthew Cheney:

And then I realized that I was marking up my teaching copy of Michael K. as if I were marking up a poem.  I looked, then, at my teaching copy of Disgrace, from when I used it in a class a few years ago. The same thing. Lots of circled words, lots of "cf."s referring me to words and phrases in other parts of the book. Lots of sounds building on sounds, rhythms on rhythms in a way that isn’t particularly meaningful in itself, but that contributes to an overall tone-structure, a scaffold of utterance to . . . continue reading, and add your comments

Friday Column: Overcoming Your James Wood Habit

With the publication of James Wood’s new book in England, we can already see the beginnings of the coverage that will soon attend its publication over here. In other words, more attention for the one literary critic in America who actually gets attention.

To me this seems unfair. Yes, Wood rightly deserves some attention, but he certainly doesn’t deserve this de facto coronation as the only thing going. Moreover, focusing on one critic to the exclusion of others is contrary to the idea of literary criticism, which thrives on a polyphonic chorus of competing voices.

In that . . . continue reading, and add your comments

Coetzee on Nooteboom

I enjoy few novelists as critics as much as when JM Coetzee steps in to contribute on essay. He’s already written eloquently on Cees Nooteboom in the past, and here he is again, discussing the recently translated Lost Paradise.

Do angels exist? Does God exist? It is not only in the universe of postmodern fiction that such questions have a quaint, old-fashioned—that is to say, pre-postmodern and perhaps even pre-modern—air. In tolerant, post-Enlightenment societies we are free to make up answers to them as we choose, without risk of punishment. Indeed, in its advanced form the principle of . . . continue reading, and add your comments

The Immoralist

In language and tone, I find Andre Gide’s The Immoralist reminding me much of the work of J.M. Coetzee, specifically Disgrace. Both authors use a very pared down, austerely beautiful language; in a translator’s note, Richard Howard calls Gide’s voice "raised almost to the tension of the lyre," which seems about as good a description as can be given. Thematically, both books are wrestling with the following idea, quoted from Gide: "The capacity to get free is nothing; the capacity to be free, that is the task."

Like Disgrace, The Immoralist’s protagonist eventually evolves into an amoral state (despite . . . continue reading, and add your comments