Conversational Reading

Even More Walser
Two more of the Berlin Stories are available online, and Susan Bernofksy is interviewed. RIBBLE: Are there translation... »
Problems with Reviews Today
I'm not too bothered about the backscratching, logrolling, etc that goes on in reviewing. If people are skeptical enough when... »
On Joining Oulipo by Accident
From Harry Mathews' excellent, engaging Paris Review interview. Is that when you found out about the Oulipo? MATHEWS... »
Letter Killers Club by Sigizmund Krzhizhanovsky
My review of The Letter Killers Club by Sigizmund Krzhizhanovsky runs today in The National. Krzhizhanovsky falls under the... »
Lifespan of a Fact
Harper's serializes a little of John D'Agata's latest book, Lifespan of a Fact. Though I had some serious reservations about... »
Your Day of Gaddis
A ton of Gaddis links right here on the eve of the republication of The Recognitions and JR by the Dalkey Archive. They... »
Patience (After Sebald) Trailer
Because I'm very curious about this film ... »
Reliably Bad Roiphe
The always cranky (and just as often on-target) Steve Donoghue takes apart the word salad that is Katie Roiphe's latest attempt... »
Cronenberg on Genre
From his interview with the Los Angeles Review of Books. The difference between approaching themes in art and in genre... »
The Omission of Desire
From Charles Baxter's review of The Angel Esmeralda: This omission of any markers of the narrator’s desire is one of the... »

In Red by Magdalena Tulli December 5, 2011
In Red is Tulli's most conventional novel—which is not to say it could finally be described as a conventional work of fiction. Still, to the extent it does offer individuated characters, some degree of plot "movement," and a strongly delineated setting, readers hesitant to commit to one of the novels that seems formidably experimental might fi […]
Show Up, Look Good by Mark Wisniewski December 5, 2011
Early in Show Up, Look Good, Mark Wisniewski’s second novel, newly single Michelle meets up with an old friend, Barb, from the Midwest. Michelle has already been portrayed as a woman who attracts all variations of awkwardness and bad luck: she’s awakened to find her ex, Thom, “having his way, well, with a marital aid,” agreed to bathe an old woman as part of […]
An Ermine in Czernopol by Gregor von Rezzori December 5, 2011
Gregor von Rezzori’s fictitious city Czernopol exists at the edge of civilization, on the border of memory and invention, lying “somewhere in the godforsaken southeastern part of Europe.” In reality it is Czernowitz, in the region known as the Bukovina, ceded by the Ottoman Empire to the Austro-Hungarian Empire in 1775, then after World War I part of Romania […]
1Q84 by Haruki Murakami December 4, 2011
The publication of 1Q84, Haruki Murakami’s biggest, most ambitious novel to date, seems to have brought his career full-circle. This is not simply because the book has widely been posited as Murakami’s Brothers Karamazov—that is, an attempt to write a meganovel summing up his life’s writing—but even more because of the trajectory Murakami has taken as a writ […]
Ordinary Sun by Matthew Henriksen December 4, 2011
Ordinary Sun at times feels like listening to confession in a parallel universe, a world with all the guts displayed on the outside, and the underworld on top. Make no mistake though: there is no otherworld. Henriksen’s world is this world. Who doesn’t recognize her own kind in lines like these, from “Corolla in the Midden”: “I do not dream. I just watch / f […]
Selected Poems by Jaan Kaplinski December 4, 2011
Though sometimes referred to as a Modernist, Kaplinski’s poetry often has the feel of a classical, and older, poetics. The poems have a gravitas; they do not mock, toy, or play with the reader. They invite the reader to eavesdrop on the thoughts, remembrances, and philosophy of a person as they flicker and flow. This contemplative, philosophic strain is pres […]
Joseph Brodsky: A Literary Life by Lev Loseff December 4, 2011
A martyr is not necessarily a saint, in any case, and those who knew him didn’t turn to him for saintliness. He was spellbinding, an electrical jolt for the psyche. An encounter with him, as a colleague or as a mentor, could be life-changing and endlessly rewarding. Warts and all, the real man carries far more interest than the photoshopped one Loseff gives […]
From Fiona and Ferdinand by Josef Haslinger December 4, 2011
On the day of Bachmaier’s funeral there were two messages from my mother waiting for me on the answering machine. In the first one she asked me to call her back, in the second she said that the village was in an uproar: I was to come at once. Calls from my mother were rare. […]
Self-Portrait of an Other by Cees Nooteboom and Max Neumann December 4, 2011
As hard as you look at it, Max Neumann’s paintings don’t reveal much about his method, but two recent English-language publications imply that he must enjoy collaborating with luminaries of world literature. AnimalInside, reviewed in The Quarterly Conversation's issue 25 by Christiane Craig, brought Neumann together with László Krasznahorkai, the presti […]
Learning to Pray in the Age of Technique by Gonçalo M. Tavares December 4, 2011
Someone once noted that it’s easy to have virtue when facing adversity but the real test of character comes when one is given power. To test this aphorism, one need look no further than Gonçalo M. Tavares’ novel Learning to Pray in the Age of Technique for evidence of how power corrupts and attracts the corrupt. Tavares is a prolific writer from Portugal who […]

Coetzee's Question

Taking advantage of a "captive audience" of international vice-chancellors at the Association of Commonwealth Universities Conference of Executive Heads in Adelaide, Coetzee challenged delegates to consider the role of the schools of humanities and social sciences.

"Should we be worried that the graduating students are equipped to write novels and stories and plays for today's literary market but not well informed about the history of these forms or about what has been achieved in the forms in the past?" Coetzee asked.

"If I asked the corresponding question . . . continue reading, and add your comments

I have too much respect for JM Coetzee as a novelist and a critic to dismiss his two Elizabeth Costello novels as self-indulgent metaphysical hoohaw. Still, even though I think Elizabeth Costello and Slow Man are strong works, I also think they pale in comparison to Disgrace. First off, the latter book simply tells a more engaging story than the other two; beyond that, Disgrace contains a couple scenes of such genuine intensity that I reacted emotionally and physically while reading. (Quite a feat for a man known . . . continue reading, and add your comments

JM Coetzee on Translation

Good article.

ARE my books easy or hard to translate? Sentence by sentence, my prose is generally lucid, in the sense that the syntactic relations among words, and the logical force of constructions, are as clear as I can make them.

On the other hand, I sometimes use words with the full freight of their history behind them, and that freight is not easily carried across to another language. My English does not happen to be embedded in any particular sociolinguistic landscape, which relieves the translator of one vexatious burden; on the other hand, I do . . . continue reading, and add your comments

A Fine Week for Coetzee Essays

This piece by Pankaj Mishra must be the best criticism of Slow Man I've yet read.

More acutely than any other contemporary novelist, Coetzee has been aware of the aesthetic difficulty and moral conceit of turning man-made suffering into art. Certainly, his confession of inadequacy is far from the bold assumption Naipaul and Rushdie share even as they argue about what literary form is likely to capture best a vital and diverse human world: the assumption that the individual author has the intellectual and spiritual resources to describe a human condition larger than his own, . . . continue reading, and add your comments

Slow Man

In this week's The New Republic, John Banville turns in a pretty good review of Coetzee's Slow Man.

The interesting thing about the reviews of Coetzee's new book is that whether or not the reviewer liked Slow Man, the reviews all pretty much end with "let Elizabeth Costello die." I concur.

Elizabeth Costello’s Slow Man

The Complete Review pens the first thing that actually makes me want to read Slow Man (and with me being such a big fan as I am of Coetzee, that really says something about how negative the review coverage has been so far).

So, for those who haven’t been following this, here’s the deal. The first 1/3 of Slow Man is your typical, realist Coetzee. Great stuff. Then on page 79, Elizabeth Costello comes into things. She is, of course, the title character of Coetzee’s previous novel (another metafictional, love it/hate it book). (I also harbor suspicions that . . . continue reading, and add your comments

The Names by Don DeLillo (1982)

DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.

The Box Man by Kobo Abe (1973, English 1974)

The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.

Head in Flames by Lance Olsen (2009)

Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.

Agaat by Marlene van Niekerk (2006, English 2010)

Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.

The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)

A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.

Lady Chatterley’s Brother

Translate This Book!

Spring 2011 Group Read

Book Lists

You Say

Popular Posts

Shop though these links = Support this site

Interviews from Conversational Reading

Group Reads

Reader Picks

Recommended Books

Archives

Categories