The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

The Javier Marias Roadmap

Ever since the Your Face Tomorrow group read, I’ve made it a project to read through as much Javier Marias as I can get my hands on. There are two books I’ve read since YFT; the first is All Souls, which is essentially a book about Jacobo Deza when he was an Oxford professor, about 15 years before Your Face Tomorrow (although he is never identified by name in the book and probably would have remained nameless had Marias not written YFT). . . . continue reading, and add your comments

YFTS: Immersion

I threw the syllabus into the slow-moving river as soon as Deza was swept into Tupra’s world of shifting identities, translation, interpretation, fever, spears, and, ultimately, poison. There’s a section in the first book, when Deza describes his surveillance where I did indeed feel like I was under some feverish spell, from which I didn’t recover–if indeed I am recovered–until the final page of the third book. So why did I enter this book so thoroughly? . . . continue reading, and add your comments

YFTS: A Dance to the Music of Time

The scene takes place right in the middle of YFT (Volume II pages 185-201) which I don’t think is at all coincidental, and it is the one where Deza looks out his window at his neighbour dancing with the two women, then starts to dance himself, eventually realizing the trio are in turn observing him and copying his dance with the newspaper. They signal to Deza to join them and he, embarrassed, backs away. At first I was in the spell of how breathtakingly beautiful the image was–that section contains some of the best writing in the whole novel–but I think it serves a much more important narrative function. And it’s all to do with the fact that Deza refuses to join in the dance. . . . continue reading, and add your comments

YFTS: To Peter Wheeler who may know better

As I thought about this, I kept coming back to the very big hero looming over Deza’s strange adventure–James Bond. Bond is unequivocally a hero, the best spy ever, the man that saved the world over and over again. Yes, he specialized in incredible violence. Yes, he seduced every woman in his path. But the end justified his means. However, in YFT, James Bond is a hero of the past. The world has changed. MI6 is a different institution. To me, one of the essential themes in this novel is who becomes the James Bond of the modern world, how does he operate and with what responsibilities? . . . continue reading, and add your comments

YFTS: Marias on Terrorism

In light of our ongoing discussion of history, politics, and terror in Your Face Tomorrow, I found this 2004 editorial by Marias very interesting. It was published in The New York Times just after the train terror bombing that many claimed “swung” the Spanish elections, an assertion that Marias clearly has no tolerance for. . . . continue reading, and add your comments

YFTS: A Confession, Deza's Descent, and Shadow

I must begin this with a confession: as I suspect many of you have already, I went drastically ahead of schedule in my YFTS reading. It’s a testament to Marias’ abilities as a storyteller that after 1,000 pages of this book I am more hooked than ever (and that’s saying something, as YFT is certainly not a book that flagged for me very often). I do have some critiques of this book, but I will say that more than anything I’ve read lately, YFT has satisfied hugely on the level of plot, something I seem to be finding less and less often in literary fiction.

But anyway, onto the blogging!

. . . continue reading, and add your comments

YFTS: Turning Points

The first thing I’d like to remark about on our current section of Your Face Tomorrow (we’re in Week 13) is this was the first moment in the book where I distinctly felt that Deza’s “fever” had ended. In fact, I can pinpoint the exact line where this happened.

Deza’s fever, as he refers to it again and again (and again) . . .

. . . continue reading, and add your comments

YFTS: A Pestilence: Notes on the Reading for Week 12

I’m excited to have this chance to write a post for Week 12’s reading, and just want to begin by thanking Scott for putting this group read together. It’s been tremendously fun. And so now we come to the root of the title of this section: “Poison.” I found so much of weight in these 57 pages that I will go through a few of them in mini-chapters.

Co-Fornication (or Faces, or The Beast With One Back)

. . . continue reading, and add your comments

YFTS: Some Thoughts on Finishing Volume 2 of Your Face Tomorrow by Javier Marias

Depending on your point of view, the opening scene to volume 2 of Your Face Tomorrow is arguably a red herring: the scene involves Deza and his former wife Luisa (the only one so far, I believe, in which we actually see these estranged lovers together), plus a gypsy woman whom Luisa gives help to once by granting a seemingly minor request that in fact turns out to be hugely significant: she buys a cake for the son of this destitute woman.

Plotwise, the story has nothing to do with what has happened in volume 1 and what will happen in volume 2; yet themewise, to see its relevance we need look no further than the book’s opening words: “Let us hope that no one ever asks us for anything . . .”

At first this must seem a great advance over volume 1, which began with an admonition to never say anything at all to anybody–now the narrator is only admonishing against one small part of conversation. But really, how much of a step forward is this? Continue reading YFTS: Some Thoughts on Finishing Volume 2 of Your Face Tomorrow by Javier Marias

YFTS: Cleaning House

I also think that now is an appropriate time to talk about the covers, which, frankly, at first mystified me but now I believe I have come up with a theory about. First, let’s recall that these are in fact the covers that Marias chose to grace these three books. (Unlike the vast majority of authors, he was given the honor of being allowed to choose his books’ covers, and thus we can consider them part of the overall composition.) So let’s have a look at them together. . . . continue reading, and add your comments