The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • OopsOops

    But, fortunately, probably not as good as Kafka. Take the example of Casimir Adamowitz-Kostrowicki, born in Paris in... »
  • The Other MitteleuropeanThe Other Mitteleuropean

    The New York Review covers the latest book from the one many prefer to Stefan Zweig. Hitler was named Reich chancellor... »
  • The Wallcreeper by Nell ZinkThe Wallcreeper by Nell Zink

    You really have to hand it to indie press people: leave it to us to collectively hyperventilate and continually apologize for a... »
  • Back to the FutureBack to the Future

    I'm not exactly sure why we need Jennifer Weiner to rehash the whole "blogs versus critics" thing. Here's an idea: if some... »
  • Sacred TearsSacred Tears

    My contribution to Music & Literature Issue 5 is a long essay on Stig Saeterbakker that began in my reading of his essays. For... »
  • Translating ModianoTranslating Modiano

    Mark Polizzotti on translating Patrick Modiano. His translation of Suspended Sentences comes out next month from Yale... »
  • Beckett’s Letters, Part IIIBeckett’s Letters, Part III

    Another review for Volume 3 of Samuel Beckett's Letters. The Independent. The success of Waiting for Godot is still warm and... »
  • If You Don’t Know About Publishing . . .If You Don’t Know About Publishing . . .

    Busy day today, so I don't have the time to catalog all the absurdities here, but needless to say Matthew Yglesias should stick... »
  • There Is Only One Way to ReadThere Is Only One Way to Read

    I know that people like Farhad Manjoo get paid to be techno-utopians, but I still don't quite understand why they seem to think... »
  • Two New CavinosTwo New Cavinos

    Collection of Sand has just been published in English in the U.S., as has the Complete Cosmicomics. More Calvino in the world... »

You Say

  • Gilly: Just finished it, it is an astonishing book.
  • Arielle: The title of the article has a typo!
  • Patrick O'Donnell: Irony abounds: when I clicked to take a quick look at this
  • Richard: That article is ridiculous. I can't even reply, except to sa
  • Andrija F.: And don't forget to add Elfriede Jelinek, my favorite among
  • Richard: If you search for this Chris Roberts, God being on Amazon (y
  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

The Javier Marias Roadmap

Ever since the Your Face Tomorrow group read, I’ve made it a project to read through as much Javier Marias as I can get my hands on. There are two books I’ve read since YFT; the first is All Souls, which is essentially a book about Jacobo Deza when he was an Oxford professor, about 15 years before Your Face Tomorrow (although he is never identified by name in the book and probably would have remained nameless had Marias not written YFT). . . . continue reading, and add your comments

YFTS: Immersion

I threw the syllabus into the slow-moving river as soon as Deza was swept into Tupra’s world of shifting identities, translation, interpretation, fever, spears, and, ultimately, poison. There’s a section in the first book, when Deza describes his surveillance where I did indeed feel like I was under some feverish spell, from which I didn’t recover–if indeed I am recovered–until the final page of the third book. So why did I enter this book so thoroughly? . . . continue reading, and add your comments

YFTS: A Dance to the Music of Time

The scene takes place right in the middle of YFT (Volume II pages 185-201) which I don’t think is at all coincidental, and it is the one where Deza looks out his window at his neighbour dancing with the two women, then starts to dance himself, eventually realizing the trio are in turn observing him and copying his dance with the newspaper. They signal to Deza to join them and he, embarrassed, backs away. At first I was in the spell of how breathtakingly beautiful the image was–that section contains some of the best writing in the whole novel–but I think it serves a much more important narrative function. And it’s all to do with the fact that Deza refuses to join in the dance. . . . continue reading, and add your comments

YFTS: To Peter Wheeler who may know better

As I thought about this, I kept coming back to the very big hero looming over Deza’s strange adventure–James Bond. Bond is unequivocally a hero, the best spy ever, the man that saved the world over and over again. Yes, he specialized in incredible violence. Yes, he seduced every woman in his path. But the end justified his means. However, in YFT, James Bond is a hero of the past. The world has changed. MI6 is a different institution. To me, one of the essential themes in this novel is who becomes the James Bond of the modern world, how does he operate and with what responsibilities? . . . continue reading, and add your comments

YFTS: Marias on Terrorism

In light of our ongoing discussion of history, politics, and terror in Your Face Tomorrow, I found this 2004 editorial by Marias very interesting. It was published in The New York Times just after the train terror bombing that many claimed “swung” the Spanish elections, an assertion that Marias clearly has no tolerance for. . . . continue reading, and add your comments

YFTS: A Confession, Deza's Descent, and Shadow

I must begin this with a confession: as I suspect many of you have already, I went drastically ahead of schedule in my YFTS reading. It’s a testament to Marias’ abilities as a storyteller that after 1,000 pages of this book I am more hooked than ever (and that’s saying something, as YFT is certainly not a book that flagged for me very often). I do have some critiques of this book, but I will say that more than anything I’ve read lately, YFT has satisfied hugely on the level of plot, something I seem to be finding less and less often in literary fiction.

But anyway, onto the blogging!

. . . continue reading, and add your comments

YFTS: Turning Points

The first thing I’d like to remark about on our current section of Your Face Tomorrow (we’re in Week 13) is this was the first moment in the book where I distinctly felt that Deza’s “fever” had ended. In fact, I can pinpoint the exact line where this happened.

Deza’s fever, as he refers to it again and again (and again) . . .

. . . continue reading, and add your comments

YFTS: A Pestilence: Notes on the Reading for Week 12

I’m excited to have this chance to write a post for Week 12’s reading, and just want to begin by thanking Scott for putting this group read together. It’s been tremendously fun. And so now we come to the root of the title of this section: “Poison.” I found so much of weight in these 57 pages that I will go through a few of them in mini-chapters.

Co-Fornication (or Faces, or The Beast With One Back)

. . . continue reading, and add your comments

YFTS: Some Thoughts on Finishing Volume 2 of Your Face Tomorrow by Javier Marias

Depending on your point of view, the opening scene to volume 2 of Your Face Tomorrow is arguably a red herring: the scene involves Deza and his former wife Luisa (the only one so far, I believe, in which we actually see these estranged lovers together), plus a gypsy woman whom Luisa gives help to once by granting a seemingly minor request that in fact turns out to be hugely significant: she buys a cake for the son of this destitute woman.

Plotwise, the story has nothing to do with what has happened in volume 1 and what will happen in volume 2; yet themewise, to see its relevance we need look no further than the book’s opening words: “Let us hope that no one ever asks us for anything . . .”

At first this must seem a great advance over volume 1, which began with an admonition to never say anything at all to anybody–now the narrator is only admonishing against one small part of conversation. But really, how much of a step forward is this? Continue reading YFTS: Some Thoughts on Finishing Volume 2 of Your Face Tomorrow by Javier Marias

YFTS: Cleaning House

I also think that now is an appropriate time to talk about the covers, which, frankly, at first mystified me but now I believe I have come up with a theory about. First, let’s recall that these are in fact the covers that Marias chose to grace these three books. (Unlike the vast majority of authors, he was given the honor of being allowed to choose his books’ covers, and thus we can consider them part of the overall composition.) So let’s have a look at them together. . . . continue reading, and add your comments