The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

New Toussaint Coming from Dalkey

In a couple of weeks Dalkey will publish the latest Toussaint translation, Self-Portrait Abroad, coming in at a whopping 80 pages. This one sounds a bit more Running Away than Television.

It’s described by its translator, John Lambert, at Words Without Borders (which also includes an excerpt) as consisting:

of glimpses, less essays than reminiscences, of places Jean-Philippe Toussaint has traveled, often for readings or as the literary member in a group of French cultural emissaries. These locales, which include Kyoto, Hanoi, Prague, and Berlin, among others, serve as occasions for the author to sketch . . . continue reading, and add your comments

About 5,000 Reasons to Read Jean-Philippe Toussaint

That’s roughly what you’ll find in Tom McCarthy’s excellent LRB essay on the author. Placing Toussaint into the context of post-nouveaux roman authors (though McCarthy notes that Toussaint claims to find Robbe-Grillet unreadable), he offers excellent readings of most of Toussaint’s works, including untranslated ones:

Born in 1957, Toussaint was out of the blocks quickly: by the age of 35 he’d published four novels. It’s the last of these, the so far untranslated La Réticence, which most blatantly betrays his generation’s haunting by its predecessor. With its setting in an off-season fishing village, its quasi-repeating narrative loops that . . . continue reading, and add your comments

Review of Running Away

Nice to see a review of Jean Philippe Toussaint’s Running Away at Words Without Borders, although the general cold-shouldering of this author continues to baffle me (well, not really . . .):

This brief summary leaves out the feelings that form the real unity of the book; a dramatic plot is clearly not the main organizing principal of this novel. Toussaint makes use of the devices of a plot-based narrative, yet he consistently leaves mysteries unresolved and continuously deflates any dramatic tension that may have built up. From the beginning, the generic elements of a thriller . . . continue reading, and add your comments

CR Readers’ Picks

Based on Amazon purchases made through links on this website, the following are the "picks" of Conversational Reading’s readers for 2008:

#1

By a large margin, The Invention of Morel was the most popular purchase among readers of this blog. Obviously, my sincere praise of this book helped move it along, but I’m convinced that not nearly as many copies would have been purchased if this wasn’t a great book, and if Borges wasn’t Bioy’s literary collaborator. A great read, and if you haven’t had a chance to yet, definitely pick it up.

#2

Not really a surprise, . . . continue reading, and add your comments

Publishing Toussaint at Dakley

Dalkey Archive editor and Quarterly Conversation contributor Martin Riker has a piece at the Semininary Co-Op Blog about how Dalkey came to publish three Jean-Philippe Toussaint works in the same year.

There’s something very exciting about publishing several of an author’s books together. Instead of putting a single work out into the world, you’re putting into the world a whole way of seeing. You’re saying: This is not just about a book. Here’s a writer who is doing something beyond mere temporary curiosity. This is the real thing, an actual innovation, literature finding a new way to . . . continue reading, and add your comments

Toussaint at Splice Today

Quarterly Conversation contributor John Lingan writes on Jean-Philippe Toussaint at Splice Today.

This is the philosophical thrust of Toussaint’s early work. The books’ aloof protagonists and unadorned language recall The Stranger, but Toussaint makes his larger points stylistically where Camus made his narratively; Meursault’s actions lead him to prison where his best coping mechanism is the resigned existentialism that Camus espoused. The Bathroom, Monsieur, and Camera more closely resemble The Crying of Lot 49’s shaggy, ultimately directionless structure, but without Pynchon’s mock-epic ambitions and paranoia. Rather, Toussaint’s everymen are trapped in their author’s own purposeful form. Their . . . continue reading, and add your comments

Toussaint Reviews

The Complete Review reviews the two new Dalkey books by Jean-Philippe Toussaint. As a reminder, The Bathroom is a reissue of the original English translation of Toussaint’s first published novel, and Camera is an original translation of one of Toussaint’s earlier novels. I believe Camera was his 3rd, but don’t quote me on that.

In my opinion, both of these books are worth reading. Though they’re short, you should really read them twice if you’re to make anything of them, so instead of two, 70-page lengthy novellas, it’s more like two, 140-page short novels.

I would agree . . . continue reading, and add your comments

Television

Scott McLemee looks at what sounds like the antecedent to Jean-Philippe Toussaint’s short novel Television.

Odd and nonlinear “Within the Context of No Context” itself certainly is. It is short, consisting of a number of brief sections. They range from a single sentence to several paragraphs, and each section has a title. While brief, the text actually takes a while to read. The relationships among the parts are oblique, and some of the prose has the strange feel that you would probably get from a translation of Schopenhauer done by Gertrude Stein.

“Within the Context of No . . . continue reading, and add your comments