The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Recent readers to this site know that I’ve been evangelizing for John Williams since I read his novel Stoner.
This year I’m planning to read his novel Butcher’s Crossing (which I’ve been told is even better than Stoner, though I hardly believe that’s possible), and now I see that Revolutionary Road director Sam Mendes is adapting it for film. Say what you will about Revolutionary Road (I thought it worked fairly well as a film, though it approached the material with with too much of a now-we-know-better smugness), this can only be a . . . continue reading, and add your comments
I've been on a bit of a Stoner crusade since I read this book back in October. It really is that good, and given that it was out of print for a good 30 years until NYRB published their edition in 2006, I figured it must be fairly overlooked.
Well, looks like it may not be quite as overlooked . . . continue reading, and add your comments
For a long time now I’ve meant to read the mid-century American novel Stoner by John Williams. NYRB Classics publishes two of Williams’ books (Stoner and the National Book Award winner Butcher’s Crossing), and Scott Bryan Wilson, a very trusted fellow reader, has long recommended the book.
I finally got around to Stoner while in Canada, and it was an absolute pleasure. Simply put, the book is about nothing more and nothing less than a human life. You can get a sense of the novel’s aims in its very first paragraph, which reads:
. . . continue reading, and add your comments
Given that my literary tastes run towards big, ambitious, hyperactive novels, it wouldn’t seem that Butcher's Crossing and Stoner, the second and third novels (of four) from John Williams, would both be in my all-time favorite list (top twenty-five*): both are written in a hardworking, "plain" style–beautifully written in that style, if that makes any sense–and tell quiet, introspective stories of loners. Butcher’s Crossing must have been one of the first literary or "revisionist" westerns (Oakley Hall’s Warlock came out in 1958), one that operated without all the cliches and predictability . . . continue reading, and add your comments
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say