The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
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    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

A New Literary Approach to the Holocaust

In an essay examining The Kindly Ones in the context of other Holocaust literature, Garth Risk Hallberg nails the reason why this book is so polarizing:

But it is Littell who, by writing a 975-page novel from the point-of-view of a sexually damaged S.S. officer, has invited the burdens he must now carry. His work can achieve its totalizing ambitions only to the extent that it exhausts every facet of its monstrous subject. That Littell manages to embody so completely the difficulties of finding a new literary approach to his subject thus testifies, . . . continue reading, and add your comments

A Book Must Be the Axe for the Frozen Sea Inside Us

Steve Mitchelmore's review of The Kindly Ones starts out by citing Beckett on Les 120 journées de Sodome, and then Steve quotes Kafka on writing ("the reward for serving the devil"). Anyone at all familiar with Littell's book can see what a great set-up this is, and I don't think I've seen this particular bit of context yet applied to The Kindly Ones.

Of course go and read the entire piece. Here's one particular point that I believe hasn't been made before:

While searching for a cure or an answer, Aue expresses admiration for the capacity . . . continue reading, and add your comments

Next Time, Get It in the Contract Before You Give a $1 Million Advance

Jonathan Littell's recently released uber-novel The Kindly Ones may be running aground against American critics' puritanism, but don't expect Littell to care much. MobyLives reports that he recently told WSJ journalist Jeffrey A. Trachtenberg that coming to America for a book tour isn't his business.

To Plumb the Nazi Psyche

At RSB Carey Harrison has a nice post on The Kindly Ones. Carey takes into account Daniel Mendelsohn's lengthy, considered review in the NYRB, and both Carey and Daniel try to understand why Littell has made his book so dirty.

Here's some of Carey's take:

Mendelsohn’s conclusion grants The Kindly Ones a majestic, honourable defeat in pursuit of the indescribable. To my knowledge, he is the only reviewer so far to have seriously tried to assess how the hero’s ghastly secret crimes, and . . . continue reading, and add your comments

UK Review of The Kindly Ones

The Guardian provides the first UK review I've seen of Jonathan Littell's The Kindly Ones.

This is a decidedly positive review, and it provides some extra-literary info that I was not aware of:

The first significant work of Jonathan Littell, Francophone son of American spy author Robert, it was an entirely unexpected success. Gallimard, the publisher, originally printed 5,000 copies. Within months, Les Bienveillantes had sold 300,000 copies, had been welcomed by critics as the most important book for 50 years and had won the Goncourt and Femina prizes. Stupendous sums were paid for its . . . continue reading, and add your comments

Littell on Blanchot: Writing Is What It Is

This Space has made available in English the text of a commentary on Maurice Blanchot written by The Kindly Ones author Jonathan Littell.

Its an intriguing piece that starts with a simple question:

how to write in the wake of this thinking [Blanchot's] without being carried away by its language? No one, to my knowledge, has managed it (except perhaps Foucault, Levinas: frightening predecessors) . . .

Littell then begins what he considers an almost impossible task by considering the nature of literature, as understood by Blanchot:

The first thing one could say about it is . . . continue reading, and add your comments

The Kindly Ones Reviewed at The Complete Review

My copy of this brick arrived this week, and while I intend to give it a fair hearing and read it in full, things like this are complicating my plans:

This massive (just short of a thousand pages in the English (and original French) edition), prix Goncourt-winning epic was certainly one of the most anticipated-by-us titles of 2009, and while we’re not sorry that we worked our way through it — it will be much discussed and reviewed in the months to come (yes, even Sam Tanenhaus and the NYTBR won’t be able to avoid this one), . . . continue reading, and add your comments

First Review of The Kindly Ones by Jonathan Littell

If you know just one thing about translated literature in 2009, it’s probably that French mega-novel Les Bienveillantes (The Kindly Ones) is publishing in English this year. Expectations are high, especially after 2666 has primed us for enormous novels in translation.

Bookforum (which continues to snub 2666 without explanation) gets in an early review of The Kindly Ones, and although the review is positive in tone, there’s not much here to convince me that I need to wade through these 992 pages. Reviewer Leland de la Durantaye duly states that the plot is "brilliantly organized and . . . continue reading, and add your comments

Les Bienveillantes

Something worth keeping an eye on.

After a languid intercontinental auction that stretched for more than a week, the American rights to Jonathan Littell’s novel “Les Bienveillantes,” which became a publishing sensation in France, have been sold to HarperCollins, the publisher confirmed yesterday. . . .

“Les Bienveillantes,” which translates as “The Kindly Ones,” is a 903-page novel written in French by an American author with a defiant Nazi SS officer as its hero. It captivated the publishing industry this month at the Frankfurt Book Fair, where publishers speculated that the American and British rights could fetch . . . continue reading, and add your comments