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They've just published the 500-page collection of miscellaneous Cortazar material and Ñ has an interview with the editors. Inevitably, the issue of to publish or not to publish comes up:
Los libros póstumos siempre plantean la pregunta de hasta dónde es correcto editar material que el autor no llegó a publicar en vida.
Ese va a ser seguro uno de los temas que se van a debatir ahora, y yo ya lo preví en el prólogo. Allí digo que en este caso el debate no tiene sentido, porque Cortázar le dio a Aurora . . . continue reading, and add your comments
It turns out that there’s a lot more than three unpublished stories from Julio Cortazar. As Ñ reports, a 450-page book containing collected stories, poems, and other writings will be published:
Durante el lanzamiento de la edición única -y ya polémica por lo costosa- de los flamantes cronopios, el director de Contenidos de la editorial Alfaguara, Juan González, le confirmó a Clarín que entre abril y mayo, el sello español publicará un volumen de cerca de 400 páginas con muchísimo material desconocido de Cortázar. El directivo de la editorial anticipó que habría desde fragmentos de Rayuela y . . . continue reading, and add your comments
We can be glad that Roberto Bolano’s widow is not as tightfisted as Julio Cortazar’s widow, or else we all might have paid thousands of dollars to read 2666.
Notas Moleskine:
Esta sí que es una noticia bomba: Aurora Bernárdez, ex esposa de Julio Cortázar, ha cedido los derechos de tres relatos inéditos de Julio Cortázar, que pertenecieron a Historias de Cronopios y Famas. Está claro que Cortázar no decidió publicarlos en su momento por considerarlos equívocos, pero no importa, nadie espera demasiado de esos textos, lo interesante es el legado. Eso sí, el libro será . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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