The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

What Happens When You Play Suburban Malaise Too Close — AM Homes and Music for Torching

One wants to like Music for Torching by AM Homes, a book that I read at the insistence of some people after asking for recommendations of worthwhile English-language authors. Suburban decay is a lovely theme for a novel by an American about America, and Homes' first chapter is worth the big deal everyone's made about it. (Briefly: an ungrateful, completely unhappy suburban couple with two young boys attempts to burn down their house. It only partly succeeds. Novel goes from there.) Yet I never fully felt that this novel had captured my interest.

Homes . . . continue reading, and add your comments

Anthologies Are Kafka’s Spot in Publishing

JC Hallman is still blogging up a storm about his book over at the Tin House blog. (And, for about the 18th time, we've published an adapted version of his intro to the book that I think everyone should check out.)

Hallman has stopped poking the ribs of the academic community on the Tin House blog and is now discussing the nightmare that is trying to publish a profitable anthology.

The problem with The Story About the Story was multi-fold. When we write about reading, we want to cite things, to use examples—these become permissions issues, . . . continue reading, and add your comments

Re-Thinking The Trial

Lots of interesting thoughts on The Trial by Frank Kafka at this post of Andrew’s.

This one in particular struck me:

And while The Trial has never, I think, been read in these terms of indomitable human wills, etc., what I do think is the case is that Kafka’s writings have been homogenized (so that the tone of some of the stories is taken to be Kafka’s only tone) and that the product of that homogenization was employed as the necessary complement of the project to restore the human will: reading Kafka . . . continue reading, and add your comments

Kobo Abe Is Pretty Great, So Far

If you know Kobo Abe, it's probably as the guy who wrote the book that became the movie about a Japanese businessman trapped into a giant hole in the desert, where he is forced to shovel sand and eventually comes to see his prison as his home.

I watched The Woman in the Dunes not too long ago, and now I've gotten on an Abe kick. I'm currently working through The Broken Map, which shares a lot of themes with Dunes: a pervasive sense of futility; the almost imperceptibly gradual but profound . . . continue reading, and add your comments

Aharon Appelfeld and Kafka

Dan Green has an interesting post on the Israeli novelist Aharon Appelfeld. The post touches on a number of points related to his novel All Whom I Have Loved, but I wanted to quote Dan's take on Appelfeld vis a vis Kafka:

Appelfeld is often enough compared to Kafka, but this comparison in turn generally assumes that Kafka's fiction is allegorical in a more or less overt way. But of course Kafka created narratives that appear to incorporate an allegorical level of meaning only to complicate and ultimately to deny that meaning. Kafka's world purports to . . . continue reading, and add your comments

Kafkaesque Criticism

Writing on Franz Kafka: The Office Writings in The New Republic, Louis Begley makes Kafka criticism sound a little, well, Kafkaesque:

Thus was constituted the trove of Kafka's painfully personal papers that has since been ransacked by scholars looking for the sources of his inspiration, for the materials that he put to use in his fiction. They have battened by preference on scraps of paper: unconnected pages in his notebooks, for example, of which there are many. Stanley Corngold, one of the editors of The Office Writings, repeats in his contribution to the volume, as though they . . . continue reading, and add your comments

Feel the Strangulation!

This essay on several recent books by or about Kafka turns up this gem from the ossified Austro-Hungarian empire:

At the fin de siècle, the state bureaucracy already held considerable sway over people’s lives and selves, and Kafka wrote from the center of the age’s contradictions and anxieties. When he assumed his position at the Insurance Institute in 1908, after having spent a dismal year in the employ of Assicurazioni Generali, an Italian insurer, the Dual Monarchy was groaning under a superabundance of paperwork. Legislation enacted in the 1880s had ushered in the European welfare state, and its . . . continue reading, and add your comments

The Next Village

This Space points me to The Next Village, a blog that invites writers and artists to respond to a very short short story of Kafka’s. (It’s about 50 words long.)

An interesting way to spread your affection for a piece of literature.

Kirsch on Kafka

On the heels of the new translation of Kafka’s novel Amerika, the NTYBR publishes a short essay on it by Adam Kirsch.

Kirsch spends some time situating the work in Kafka’s oeuvre and discusses the provenance of the titular k:

The [previous] translator Michael Hofmann, whose English version of the book appeared in 1996, correctly called it “the least read, the least written about and the least ‘Kafka’ ” of his three novels. Now Schocken Books, which has been the main publisher of Kafka’s works since the 1930s, hopes to reintroduce his first novel to the world . . . continue reading, and add your comments

This Is Not How I Pictured Kafka’s Infernal Machine

The disco ball really screws it up.