The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
  • How They ThinkHow They Think

    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
  • FlamethrowersFlamethrowers

    It's kind of amazing that the NYRB published Frederick Seidel's lazy review of The Flamethrowers by Rachel Kushner, one of last... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

What Happens When You Play Suburban Malaise Too Close — AM Homes and Music for Torching

One wants to like Music for Torching by AM Homes, a book that I read at the insistence of some people after asking for recommendations of worthwhile English-language authors. Suburban decay is a lovely theme for a novel by an American about America, and Homes' first chapter is worth the big deal everyone's made about it. (Briefly: an ungrateful, completely unhappy suburban couple with two young boys attempts to burn down their house. It only partly succeeds. Novel goes from there.) Yet I never fully felt that this novel had captured my interest.

Homes . . . continue reading, and add your comments

Anthologies Are Kafka’s Spot in Publishing

JC Hallman is still blogging up a storm about his book over at the Tin House blog. (And, for about the 18th time, we've published an adapted version of his intro to the book that I think everyone should check out.)

Hallman has stopped poking the ribs of the academic community on the Tin House blog and is now discussing the nightmare that is trying to publish a profitable anthology.

The problem with The Story About the Story was multi-fold. When we write about reading, we want to cite things, to use examples—these become permissions issues, . . . continue reading, and add your comments

Re-Thinking The Trial

Lots of interesting thoughts on The Trial by Frank Kafka at this post of Andrew’s.

This one in particular struck me:

And while The Trial has never, I think, been read in these terms of indomitable human wills, etc., what I do think is the case is that Kafka’s writings have been homogenized (so that the tone of some of the stories is taken to be Kafka’s only tone) and that the product of that homogenization was employed as the necessary complement of the project to restore the human will: reading Kafka . . . continue reading, and add your comments

Kobo Abe Is Pretty Great, So Far

If you know Kobo Abe, it's probably as the guy who wrote the book that became the movie about a Japanese businessman trapped into a giant hole in the desert, where he is forced to shovel sand and eventually comes to see his prison as his home.

I watched The Woman in the Dunes not too long ago, and now I've gotten on an Abe kick. I'm currently working through The Broken Map, which shares a lot of themes with Dunes: a pervasive sense of futility; the almost imperceptibly gradual but profound . . . continue reading, and add your comments

Aharon Appelfeld and Kafka

Dan Green has an interesting post on the Israeli novelist Aharon Appelfeld. The post touches on a number of points related to his novel All Whom I Have Loved, but I wanted to quote Dan's take on Appelfeld vis a vis Kafka:

Appelfeld is often enough compared to Kafka, but this comparison in turn generally assumes that Kafka's fiction is allegorical in a more or less overt way. But of course Kafka created narratives that appear to incorporate an allegorical level of meaning only to complicate and ultimately to deny that meaning. Kafka's world purports to . . . continue reading, and add your comments

Kafkaesque Criticism

Writing on Franz Kafka: The Office Writings in The New Republic, Louis Begley makes Kafka criticism sound a little, well, Kafkaesque:

Thus was constituted the trove of Kafka's painfully personal papers that has since been ransacked by scholars looking for the sources of his inspiration, for the materials that he put to use in his fiction. They have battened by preference on scraps of paper: unconnected pages in his notebooks, for example, of which there are many. Stanley Corngold, one of the editors of The Office Writings, repeats in his contribution to the volume, as though they . . . continue reading, and add your comments

Feel the Strangulation!

This essay on several recent books by or about Kafka turns up this gem from the ossified Austro-Hungarian empire:

At the fin de siècle, the state bureaucracy already held considerable sway over people’s lives and selves, and Kafka wrote from the center of the age’s contradictions and anxieties. When he assumed his position at the Insurance Institute in 1908, after having spent a dismal year in the employ of Assicurazioni Generali, an Italian insurer, the Dual Monarchy was groaning under a superabundance of paperwork. Legislation enacted in the 1880s had ushered in the European welfare state, and its . . . continue reading, and add your comments

The Next Village

This Space points me to The Next Village, a blog that invites writers and artists to respond to a very short short story of Kafka’s. (It’s about 50 words long.)

An interesting way to spread your affection for a piece of literature.

Kirsch on Kafka

On the heels of the new translation of Kafka’s novel Amerika, the NTYBR publishes a short essay on it by Adam Kirsch.

Kirsch spends some time situating the work in Kafka’s oeuvre and discusses the provenance of the titular k:

The [previous] translator Michael Hofmann, whose English version of the book appeared in 1996, correctly called it “the least read, the least written about and the least ‘Kafka’ ” of his three novels. Now Schocken Books, which has been the main publisher of Kafka’s works since the 1930s, hopes to reintroduce his first novel to the world . . . continue reading, and add your comments

This Is Not How I Pictured Kafka’s Infernal Machine

The disco ball really screws it up.