The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Whither Soft Skull?

Where's Soft Skull headed now that Denise Oswald has taken over for Richard Nash? Over at The Quarterly Conversation I talk to her about the press's future, which, Oswald says, will definitely include translations.

PEN Honors Chinese Dissident Liu Xiaobo

With the recent English-language publication of books like Yu Hua’s Brothers and Wang Gang’s English, Western readers might perceive a thaw ongoing in China. After all, these books and others like them were originally published in China, and they offer a frank portrayal of some of the worst excesses of the Cultural Revolution.

Make no mistake, however, not all Chinese writers are free to write and publish what they please.

That point was driven home on April 29, 2009 when the PEN American Center honored the Chinese poet and . . . continue reading, and add your comments

Dalkey Archive Becomes a Client Publisher of Norton

The Dalkey Archive Press has closed a deal to become a client publisher of WW Norton, which will distribute and sell Dalkey's books. This is similar to the arrangement that Norton already has in place with literary publishers New Directions and Verso.

Martin Riker, Associate Director of Dalkey, characterized the deal this way:

We remain an autonomous entity; we do our own editorial, production, design, and marketing/publicity. It will get our books into more stores and into more countries. We're all excited to be working with a place as wonderful as Norton, and to be in league with independent . . . continue reading, and add your comments

The Complete Cosmicomics: Full Contents and Details On Seven Newly Translated Stories

(This story is also available at The Quarterly Conversation.)

Later this year, Penguin U.K. will publish a "complete Cosmicomics." The volume will bring together short stories by Italo Calvino which had previously been spread our across several volumes, or which were untranslated.

According to Rachel Love, Editorial Coordinator at Penguin Classics and Reference, the forthcoming book, titled The Complete Cosmicomics, will include:

The 12 stories that appear in Cosmicomics 7 newly translated by Martin McLaughlin (first time in English)  The 11 stories that comprise Time and the Hunter (published in the . . . continue reading, and add your comments

The “Complete” Cosmicomics: No U.S. Edition from Penguin

Last week I reported on a new volume of Italo Calvino's Cosmicomics, purporting to collect 7 stories previously untranslated. I noted that although a UK edition is imminent, there was no mention of a U.S. edition anywhere.

I've gotten in touch with one Rachel Love, an editorial coordinator with Penguin Classics and Reference in the UK, and she has confirmed that there is currently no U.S. edition of this book forthcoming from Penguin. The Wylie Agency has the rights, meaning that there probably will be a U.S. edition eventually, although who knows.

I'm still trying to track . . . continue reading, and add your comments

Reading and Publishing in Print’s Late Age: An Interview with Ted Striphas

Ted Striphas is an assistant professor of media and cultural studies and director of film and media at Indiana University. His book, The Late Age of Print, has just been published by Columbia University Press.

Scott Esposito: Your overarching argument is that books—their production, consumption, and dissemination—have been developing alongside capitalism, and in fact are very emblematic of capitalism. And just as we’re in what's known as "late capitalism" we're also in the "late age of print." Could you briefly explain what you mean by the late age of print?

Ted Striphas: “The late . . . continue reading, and add your comments

Graywolf to Publish Daniel Sada’s “Almost Never”

I've just heard from Graywolf that they've acquired the rights to Mexican novelist Daniel Sada's book Casi Nunca ("Almost Never"). The book is scheduled for U.S. publication in 2010 or 2011. You can read a review of Casi nunca at Letras Libres.

This is great news, as it marks the first English translation of a major contemporary Mexican author, a man often compared to the likes of Juan Rulfo and even Roberto Bolano.

Sada was among the authors selected for Dalkey's recent anthology, Best of Contemporary Mexican Fiction, and I found Sada's contribution . . . continue reading, and add your comments

Interview: Fran Toolan of NetGalley

Advance review copies seem to be one aspect of the book business that has a lot to gain from the increasing digitization of publishing. After all, ARCs are meant to be disposable (all those "not for resale" warnings), and every publicist I've ever talked to has had the experience of shipping them out by the hundreds with little actual result.

So, when I discovered a new service that wants to make electronic galleys available to reviewers, journalists, librarians, and other people, I wanted to know more. To find out, I conducted this interview with Fran Toolan of NetGalley.

(for . . . continue reading, and add your comments

How to Publish in a Recession: Godine’s David R. Godine

David R. Godine: Looking around at the scene in Boston, and especially at what seems to be happening at Houghton/Harcourt, I would say the scene is gloomy. But I suspect much f the problem there derives from the pressures coming from the Irish owners, and not from the sales of books per se. I very much doubt that with a backlist as strong as Houghton's and Harcourt's', not to mention the excellence of their respective children's divisions, that some formula could not be worked out for their survival. . . . continue reading, and add your comments

How to Publish in a Recession: Coffee House Press’s Allan Kornblum

Allan Kornblum: Publishing is in a huge state of flux right now, but then again, it has continually changed since the days of the oral tradition. While the distant past may not be germane, we do have to go back to the middle years of the twentieth century. At that time, publishing was certainly a business, as it is today, but it was a business that had accepted a low rate of return on investment, in exchange for the thrill (and it is a thrill) of being part of the cultural life of the country, and indeed, the world. But in the 1980s and 1990s, bigger publishers began gobbling up smaller publishers, and then multinational corporations swallowed up the bigger publishers. Suddenly these houses needed to service the debt involved in buyouts, on top of the relatively modest six-to-eight percent return on investment that Bennett Cerf and Alfred Knopf had once been happy to receive. . . . continue reading, and add your comments