The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Shigekuni sums up a lot of what I felt for The Interrogative Mood: A Novel?, Padgett Powell book composed of nothing but questions. As he says, it isn’t a book that tries to fit a clearly atypical form on a typically novelistic story. No, quite to the contrary, Powell happily embraces the form he’s devised for himself and jettisons everything you thought a novel should be:
The Interrogative Mood is an interesting kind of novel (and why not run with it and call it that). On the surface, there is no plot, there are no characters, . . . continue reading, and add your comments
Am reading Padgett Powell’s The Interrogative Mood: A Novel? right now and it’s actually very good, in spite of (or because of) its appalling constraint.
And Rick Moody’s review thereof is a good read as well:
Yes, it’s true. Padgett Powell’s new “novel” is a highly allusive prose work composed entirely of questions. Many reviewers of this book, I suspect, will attempt to admonish the questioner with further questions, wondering at the gumption of the thing. But it might be useful instead to answer some of the questions posed. In this regard I have chosen questions . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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