The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
  • How They ThinkHow They Think

    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
  • FlamethrowersFlamethrowers

    It's kind of amazing that the NYRB published Frederick Seidel's lazy review of The Flamethrowers by Rachel Kushner, one of last... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

How to Publish in a Recession: Godine’s David R. Godine

David R. Godine: Looking around at the scene in Boston, and especially at what seems to be happening at Houghton/Harcourt, I would say the scene is gloomy. But I suspect much f the problem there derives from the pressures coming from the Irish owners, and not from the sales of books per se. I very much doubt that with a backlist as strong as Houghton's and Harcourt's', not to mention the excellence of their respective children's divisions, that some formula could not be worked out for their survival. . . . continue reading, and add your comments

How to Publish in a Recession: Coffee House Press’s Allan Kornblum

Allan Kornblum: Publishing is in a huge state of flux right now, but then again, it has continually changed since the days of the oral tradition. While the distant past may not be germane, we do have to go back to the middle years of the twentieth century. At that time, publishing was certainly a business, as it is today, but it was a business that had accepted a low rate of return on investment, in exchange for the thrill (and it is a thrill) of being part of the cultural life of the country, and indeed, the world. But in the 1980s and 1990s, bigger publishers began gobbling up smaller publishers, and then multinational corporations swallowed up the bigger publishers. Suddenly these houses needed to service the debt involved in buyouts, on top of the relatively modest six-to-eight percent return on investment that Bennett Cerf and Alfred Knopf had once been happy to receive. . . . continue reading, and add your comments

How to Publish in a Recession: Chelsea Green’s Margo Baldwin

Margo Baldwin: It needs to reinvent itself: get rid of returns and huge advances and all the waste inherent in the system. Amazon has perfected the ordering to demand systems and other booksellers need to do the same. It’s no longer feasible to push lots of books out and then take them all back; way too wasteful. E-books and digital content will continue to grow, but will remain relatively small compared to printed books for awhile. Bricks and mortar stores will need to reinvent themselves into community activist centers with a mission in order to keep their customers. Chains will become less important except for the megahits and brand name authors. Backlist will continue to migrate to the internet. . . . continue reading, and add your comments

How to Publish in a Recession: Soft Skull/Counterpoint’s Richard Nash

Richard Nash: There are several distinct things going on at once. The first is the macro-economic problem which is indeed giving cause for gloom as it has caused a serious drop on aggregate adult trade book sales, greater than any recession heretofore.

The second is the shift on what media consumers purchase, and how they consume it, occurring for books, music, television and film—because it is the smallest of those industries, and because its technology—the printed book—was the most robust and fine-tuned of the analog technologies, it is only know we’re starting to see the impact. And the impact is currently less on the industry itself; it’s more that the cumulative effect of the changes from other industries, chiefly the amount of content consumed online, is drawing people away from the printed book format. The shift can be cause for gloom if you’re of the handwringing temperament, but it is far more an opportunity to rid the publishing business of a lot of cant and laziness and arrogance.

The third is the effect of all the other, non-consumer-facing change sin technology, especially that of supply chain management, in combination with the above two trends.

. . . continue reading, and add your comments

How to Publish in a Recession: Unbridled Books’ Fred Ramey

Fred Ramey: I believe that things are unbearably gloomy for conglomerated publishers whose business model is based on bringing significant numbers of readers to those books that have cost the most to acquire and that have been given the lion’s share of the marketing outlay—that is, the books the conglomerates are “banking” on.  Although, as you know, statistics are extraordinarily difficult to come by, it appears to me that there might be a change in behaviors of readers (which may, I think, be masked by the economic downturn). If instead of buying the book they’re told to buy, readers are heading toward books that are hand-sold to them or that their online friends recommend, toward books they find links to on Amazon/Powell’s/etc., then what has previously appeared to conglomerated publishers as the surest thing will become much less so. It’s not hard to see how that would impact the entirety of a too-large list with imbalanced acquisition costs and high corporate overhead. But it would have a different effect on independent publishers. . . . continue reading, and add your comments

Layoffs Hit University Presses

In other news from beyond the sphere of Random House et al., Publisher’s Lunch tells me that some university presses are now experiencing layoffs. Cambridge University Press in the UK:

Cambridge University Press is laying off almost 160 people in the UK. Chief executive Stephen Bourne says: "We know that this is an incredibly difficult time for those staff that are affected and we will be doing all we can to support them through these changes." He added, "This has been a very hard decision to make. There are parts of the business doing very well and a . . . continue reading, and add your comments

How to Publish in a Recession: New Directions’ Declan Spring

Declan Spring: I’d say pretty gloomy, but like many industries, publishing’s only starting to see the results of the economic collapse. What’s nerve-wracking is the uncertainty. I believe book sales have fallen industry-wide 7 to 12% since October. The big eye-opener for us was the Houghton/Harcourt merger last summer, and their announced buying freeze in November. I’ve been hearing about lay-offs at all the big New York houses, places like FSG and Henry Holt; and it’s not just the publishers. Barnes & Noble reported a big drop in Christmas sales, and everyone knows Borders is in big trouble. The really strong independents, the big ones I mean, that have always managed to show profits saw major losses this fall. The closing of Stacey’s in San Francisco is an indication of bad times for bookstores as well as publishers. . . . continue reading, and add your comments