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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

  • Max: Henry, it seems a little odd to say that Proust and Kafka an
  • Mike: I agree with much of this discussion, though I'm not sure wh
  • S: This outpouring has been pretty wide-spread indeed. To be ho
  • Will: Salman rushdie is a microscopic crapule on the asshole of th
  • Henry: I think the fireworks may come from the fact that these auth
  • Paul: Vanessa Place's 'La Medusa' seems like an American authored
  • Lance: I agree with you about the state of American fiction and I b

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Garrison Keillor on Publishing Dying

I read the Keillor op-ed that everyone is talking about and pretty much thought it was too dumb to merit responding to. A man just reaches a point where he can’t bother to shoot down any more “publishing is dying” straw men, no matter how (unaccountably) respected is the person saying it or the venue printing it. . . . continue reading, and add your comments

The Internet and Your Ability to Read

Okay all you people who think the Internet is turning you into attention-deficit twitchers (in which case, why the hell are you reading this?! save yourself!). Nicholas Carr, who wrote an essay in The Atlantic titled “Is Google Making Us Stupid?” (my response here; short answer: “no”) has lengthened that essay into a book called The Shallows.

Laura Miller has commented on the book at Salon. Here’s the money quote for everyone who signs on to these theories:

. . . continue reading, and add your comments

It's Not Really Translation That They Hate . . .

Chad Post writes: “It’s not that the literary scene is anti-foreigners, it’s that the marketplace is anti-language.” He’s right. Here’s why. . . . continue reading, and add your comments

Stop the Editor Hating!

Okay, okay, I know . . . I’ve done it, you’ve done it. At one point in the past five years or so, each and every one of us has blamed big commercial New York editors for promoting a blockbuster model of publishing that’s killing literary fiction.

Which, true, has a fair amount of truth to it, but enough already. That’s more or less how I felt when I was reading Jay Baron Nicorvo’s essay in Guernica, pitched as a response to Ted “Write More Relevant Books You Navel Gazing Hacks” Genoways.

For what it’s worth, I . . . continue reading, and add your comments

Sven Birkerts on Reading in a Digital Age

Sven Birkerts has a worthwhile essay on what it means to be a reader today. Although. I don’t think he’s covering any new territory so much as adding some nuance to what are, at this point, well-worn arguments. . . . continue reading, and add your comments

When Translations Happen to the Wrong Writers

I don’t want to give this more attention than it deserves since the book in question is pretty much forgettable, but I was surprised to see such an unnecessarily angry and condescending attack against University of Nebraska Press (of all places) come from Cameroonian author Léonora Miano, whose book, L’intérieur de la nuit, it has recently translated into English.

Miano’s beef is that U of Nebraska mishandled the translation of her book by making a change to the title and adding a foreword. Now I can completely understand an author’s feeling of ownership over her work and a . . . continue reading, and add your comments

Making Bookstores Relevant for the 21st Century

Some interesting ideas on how to make bookstores destinations here.

Hint: “Real” books is point III, right after figuring out how to make customers purchase ebooks through your point of sale.

Hey Publishing Industry: Is Steve Jobs Really Your Friend?

Chad Post, today:

To recap: A huge part of the grand hope in the Apple “magical” (how many times did this come up in the Apple presentation? Like a million? And since when is technology magical? What kind of paradoxical shit is that?) is that suddenly, thanks to the vision of Steve Jobs and the genius of Apple designers, an audience will be created that suddenly craves books. This is some god-like shit going down. From the barren landscape of gamers will rise a whole new generation of book nerds. Uh, OK.

Steve Jobs, January 2008:

It . . . continue reading, and add your comments

The NYT's Pay Wall and Newsday's 35 Subscriptions

Levi Asher isn’t believing the NYT’s declaration that it’s going to build a pay wall:

New York Times management knows that a web paywall is a bad business move right now. The market is not strong for paid content and there is no foreseeable way they will profit from this. Erick Schonfeld from TechCrunch ran the numbers, and his findings are quite conclusive. Even in the best case scenario, the added revenue from a few hundred thousand annual subscription fees will not add up to a significant amount on the New York Times balance sheet. And it . . . continue reading, and add your comments

The New Ways to Reach Readers

Kevin Smokler has an excellent op-ed at Publishing Perspectives on how authors and publishers need to think in order to reach readers. I don’t agree with all of it, but the basic message is right on target: “Don’t ask readers to buy a book based on trust. Find a compelling way to preview it for them, and mass produce that.”

What we need is the equivalent of an “MP3 format” for fiction: a modest snack-sized dabble of new books and stories, capable of the same ubiquity that the MP3 has brought to recorded sound. Say what you . . . continue reading, and add your comments