The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
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    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Lance Olsen and Ingo Schulze @ TQC

We start your week off with an interview and an essay at The Quarterly Conversation.

The interview is my conversation with experimental novelist Lance Olsen, discussing his latest novel, Head in Flames, a book that will remind a lot of people of David Markson, and possibly Don DeLillo.

Olsen must be one of my favorite writers, both as a novelist and a critic, and I think you’ll find a lot of worth in our conversation. Here’s a quote:

I’ve always been interested in the two things fiction can do that film can’t: textured language and . . . continue reading, and add your comments

Wallace Shawn and White Privilege

At The Quarterly Conversation, Andrew Ervin ponders a writer’s responsibility to his privileged place in our society. And he does it in light of reading Wallace Shawn’s new play and book of essays:

Reading these Essays a couple times reminded me of the pressing need for white, male, middle- and upper-class authors like Shawn to think and write about race and class and all the issues our rich parents were too fucking polite to talk about in public. I can’t think of another American author more worthy of the Nobel Prize. He’s that good and that incendiary. In . . . continue reading, and add your comments

42 Years of Mark Strand

At TQC we’ve just published Donald Brown’s look at 42 years of American poet Mark Strand’s work, via his 2007 collected works, New Selected Poems.

Here’s a quote from the review:

Strand’s poems have always been inflected by a sense of words as symbolic more than descriptive. He’s about as far from being a nature poet, who yet describes a natural world, as could be. He’s also rather far removed from confessional verse, even though he does at times write about himself, or as himself. And that, to me, is the lesson of symbolist poetry: . . . continue reading, and add your comments

More Books You Won't Read in the U.S.

Lewis Manalo, the buyer for Idlewild Books in NYC, must be doing a good job. Though I’ve never been to the store, by all reports Idlewild has a great selection of world literature.

What’s more, Manalo has penned an op-ed where he describes his efforts to get books–often great works of world literature–that have never been published in the U.S. into the hands of his customers. At the very least, this is evidence against the claim that “culturally insular” Americans don’t want to read beyond their borders:

Telling your bookseller that you’ve tried every other shop in the . . . continue reading, and add your comments

Explaining the Difficult-to-Explain

We’re serializing John Domini’s essay “Against the ‘Impossible to Explain’: The Postmodern Novel and Society” in two parts, the first of which has just been published at The Quarterly Conversation.

The essay brings in a number of books and essays, and it covers three particular works in depth: Aureole by Carole Maso, Zeroville Steve Erickson, and Michael Martone by Michael Martone by Michael Martone. It’s a lengthy piece that’s a little difficult to summarize, but essentially Domini is writing against criticism that throws its hands up in the face of “difficult” books. Part of the . . . continue reading, and add your comments

Natasha Wimmer on Horacio Castellanos Moya, Name-Checks Quarterly Conversation

In The Nation.

Graciously, Wimmer sends some kind words toward The Quarterly Conversation:

El asco struck a nerve not just in El Salvador but across Latin America. Photocopies of it were circulated where the printed book wasn't available, and in an interview with Castellanos Moya (published in the online journal The Quarterly Conversation, which does an admirable job of covering literature in translation), Mauro Javier Cardenas notes that everyone in Mexico City seemed to be reading it in the late 1990s. More than ten years after its publication, it is taught in at least one Salvadoran . . . continue reading, and add your comments

New Review: Kamby Bolongo Mean River by Robert Lopez

New review of a really intriguing new book at The Quarterly Conversation. Published by Dzanc Books, it’s called Kamby Bolongo Mean River and it sounds part-New York Trilogy, part-Beckett, and part Wittgenstein. Here’s a taste:

In Kamby Bolongo Mean River our protagonist is confined in an observation cell containing only a bed and a telephone. Behind the two-way glass, white coated doctors observe the incarcerated narrator as he chooses to answer or not answer incoming calls. The sudden ringing of the phone occasionally terrorizes the man whose frequent masturbation spells may or . . . continue reading, and add your comments

Eugene Marten’s Waste Reviewed at TQC

Our latest review is of an intense little novel:

Eugene Marten’s Waste is blurbed up by the Lish School (including Lish himself) so I was expecting a quirkily written, intelligent effort more concerned with the structures of its sentences than narrative cohesion; what I got is a brutal, disturbing little novel that works beautifully both for those who read for story and those who read for the artistry—or at least those who read for those things but who can deal with a shocking amount of physical and psychological trauma . . .

The Other Half of Moby-Dick

Recently, the Review of Contemporary Fiction published a very odd text for its summer issue. It kind of looks like Moby-Dick, but it also looks like some kind of automatic poetry.

What it is, actually, is Damion Searls’ abridgment of Moby-Dick by automatic means. A couple of years ago Orion Books published Moby-Dick in Half the Time, a book that turned Meville’s bizarre masterpiece into something resembling a psychological novel. In other words, Moby-Dick without everything that makes it distinctive.

Well, Searls’ text is everything that got cut. It’s a very interesting project, and we discuss it at . . . continue reading, and add your comments

Fall Issue of The Quarterly Conversation

We’ve just published the 17th issue of The Quarterly Conversation. The TOC is below.

If you appreciate what we do and are in a position to donate something, please do. Even if it’s just one or two dollars, this money will go a long ways toward helping us meet our costs and continue on to issue 18, 19, and beyond.

And if you’d like to support us but feel like you can’t donate right now, have a look at our Support page for more ideas.

Now on to the issue.

Features From the Editors: On . . . continue reading, and add your comments