The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
  • How They ThinkHow They Think

    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
  • FlamethrowersFlamethrowers

    It's kind of amazing that the NYRB published Frederick Seidel's lazy review of The Flamethrowers by Rachel Kushner, one of last... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Lance Olsen and Ingo Schulze @ TQC

We start your week off with an interview and an essay at The Quarterly Conversation.

The interview is my conversation with experimental novelist Lance Olsen, discussing his latest novel, Head in Flames, a book that will remind a lot of people of David Markson, and possibly Don DeLillo.

Olsen must be one of my favorite writers, both as a novelist and a critic, and I think you’ll find a lot of worth in our conversation. Here’s a quote:

I’ve always been interested in the two things fiction can do that film can’t: textured language and . . . continue reading, and add your comments

Wallace Shawn and White Privilege

At The Quarterly Conversation, Andrew Ervin ponders a writer’s responsibility to his privileged place in our society. And he does it in light of reading Wallace Shawn’s new play and book of essays:

Reading these Essays a couple times reminded me of the pressing need for white, male, middle- and upper-class authors like Shawn to think and write about race and class and all the issues our rich parents were too fucking polite to talk about in public. I can’t think of another American author more worthy of the Nobel Prize. He’s that good and that incendiary. In . . . continue reading, and add your comments

42 Years of Mark Strand

At TQC we’ve just published Donald Brown’s look at 42 years of American poet Mark Strand’s work, via his 2007 collected works, New Selected Poems.

Here’s a quote from the review:

Strand’s poems have always been inflected by a sense of words as symbolic more than descriptive. He’s about as far from being a nature poet, who yet describes a natural world, as could be. He’s also rather far removed from confessional verse, even though he does at times write about himself, or as himself. And that, to me, is the lesson of symbolist poetry: . . . continue reading, and add your comments

More Books You Won't Read in the U.S.

Lewis Manalo, the buyer for Idlewild Books in NYC, must be doing a good job. Though I’ve never been to the store, by all reports Idlewild has a great selection of world literature.

What’s more, Manalo has penned an op-ed where he describes his efforts to get books–often great works of world literature–that have never been published in the U.S. into the hands of his customers. At the very least, this is evidence against the claim that “culturally insular” Americans don’t want to read beyond their borders:

Telling your bookseller that you’ve tried every other shop in the . . . continue reading, and add your comments

Explaining the Difficult-to-Explain

We’re serializing John Domini’s essay “Against the ‘Impossible to Explain’: The Postmodern Novel and Society” in two parts, the first of which has just been published at The Quarterly Conversation.

The essay brings in a number of books and essays, and it covers three particular works in depth: Aureole by Carole Maso, Zeroville Steve Erickson, and Michael Martone by Michael Martone by Michael Martone. It’s a lengthy piece that’s a little difficult to summarize, but essentially Domini is writing against criticism that throws its hands up in the face of “difficult” books. Part of the . . . continue reading, and add your comments

Natasha Wimmer on Horacio Castellanos Moya, Name-Checks Quarterly Conversation

In The Nation.

Graciously, Wimmer sends some kind words toward The Quarterly Conversation:

El asco struck a nerve not just in El Salvador but across Latin America. Photocopies of it were circulated where the printed book wasn't available, and in an interview with Castellanos Moya (published in the online journal The Quarterly Conversation, which does an admirable job of covering literature in translation), Mauro Javier Cardenas notes that everyone in Mexico City seemed to be reading it in the late 1990s. More than ten years after its publication, it is taught in at least one Salvadoran . . . continue reading, and add your comments

New Review: Kamby Bolongo Mean River by Robert Lopez

New review of a really intriguing new book at The Quarterly Conversation. Published by Dzanc Books, it’s called Kamby Bolongo Mean River and it sounds part-New York Trilogy, part-Beckett, and part Wittgenstein. Here’s a taste:

In Kamby Bolongo Mean River our protagonist is confined in an observation cell containing only a bed and a telephone. Behind the two-way glass, white coated doctors observe the incarcerated narrator as he chooses to answer or not answer incoming calls. The sudden ringing of the phone occasionally terrorizes the man whose frequent masturbation spells may or . . . continue reading, and add your comments

Eugene Marten’s Waste Reviewed at TQC

Our latest review is of an intense little novel:

Eugene Marten’s Waste is blurbed up by the Lish School (including Lish himself) so I was expecting a quirkily written, intelligent effort more concerned with the structures of its sentences than narrative cohesion; what I got is a brutal, disturbing little novel that works beautifully both for those who read for story and those who read for the artistry—or at least those who read for those things but who can deal with a shocking amount of physical and psychological trauma . . .

The Other Half of Moby-Dick

Recently, the Review of Contemporary Fiction published a very odd text for its summer issue. It kind of looks like Moby-Dick, but it also looks like some kind of automatic poetry.

What it is, actually, is Damion Searls’ abridgment of Moby-Dick by automatic means. A couple of years ago Orion Books published Moby-Dick in Half the Time, a book that turned Meville’s bizarre masterpiece into something resembling a psychological novel. In other words, Moby-Dick without everything that makes it distinctive.

Well, Searls’ text is everything that got cut. It’s a very interesting project, and we discuss it at . . . continue reading, and add your comments

Fall Issue of The Quarterly Conversation

We’ve just published the 17th issue of The Quarterly Conversation. The TOC is below.

If you appreciate what we do and are in a position to donate something, please do. Even if it’s just one or two dollars, this money will go a long ways toward helping us meet our costs and continue on to issue 18, 19, and beyond.

And if you’d like to support us but feel like you can’t donate right now, have a look at our Support page for more ideas.

Now on to the issue.

Features From the Editors: On . . . continue reading, and add your comments