The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. 
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Based on Amazon purchases made through links on this website, the following are the "picks" of Conversational Reading’s readers for 2008:
#1
By a large margin, The Invention of Morel was the most popular purchase among readers of this blog. Obviously, my sincere praise of this book helped move it along, but I’m convinced that not nearly as many copies would have been purchased if this wasn’t a great book, and if Borges wasn’t Bioy’s literary collaborator. A great read, and if you haven’t had a chance to yet, definitely pick it up.
#2
Not really a surprise, . . . continue reading, and add your comments
Zadie Smith has a fine essay on Kafka in the most recent New York Review, and something she mentions about literary executor Max Brod seems quite pertinent for a book jut published here in the U.S.:
If few readers of Kafka can be truly sorry for the existence of the works Kafka had consigned to oblivion, many regret the way Brod chose to present them. The problem is not solely Brod’s flat-footed interpretations, it’s his interventions in the texts themselves. For when it came to editing the novels, Brod’s sympathy for the theological would seem to have guided . . . continue reading, and add your comments
Now that New Directions’s edition of The Unfortunates is starting to get reviews, I wonder: Is everyone reading the same book?
The idea behind the book is that it’s a collection of unbound signatures that you pick from randomly and read in whatever order chance dictates (only the first and last ones are designated, and those you’re supposed to read as assigned).
So I wonder, is everyone here working with the same text?
I’ve so far seen two reviews of this book. Benjamin Lytal’s review has its virtues, but noticeably lacking is a consideration of what it . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Of Course, Calvino Was in Oulipo
Quarterly Conversation | Issue 32 | Summer 2013
The Names by Don DeLillo (1982)
The Box Man by Kobo Abe (1973, English 1974)
Head in Flames by Lance Olsen (2009)
Agaat by Marlene van Niekerk (2006, English 2010)
The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)
You Say