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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

TQC Favorites of 2012: Madeleine LaRue

Madeleine LaRue reviewed Maidenhair by Mikhail Shishkin in the Winter 2013 issue of The Quarterly Conversaiton.

The bleak, poetic universe of László Krasznahorkai’s Satantango absorbed me completely. I am continually in awe of the sense of urgency in Krasznahorkai’s books, and of the harsh beauty of his unstoppable sentences.

I was also hugely impressed with Mikhail Shishkin’s Maidenhair. Such an ambitious tangle of stories might easily have become unwieldy or simply irritating in the hands of a less masterful storyteller, but Shishkin proves himself a worthy heir to the best of his Russian predecessors.

Ivan . . . continue reading, and add your comments

TQC Favorites of 2012: Francois Monti

Francois Monti is the European Editor of The Quarterly Conversation.

2012 was the year life caught up with literature, but I’m still happy I managed to force some commitments to make way for a few great books. Here is a short selection, in chronological order of reading:

Yuri Herrera – Los Trabajos del Reino & Señales que precederan el fin del mundo: two fantastic short novels about two phenomenon that have a huge impact on both Mexico and the United States : the former deals with drug overlords, the latter with illegal immigration. Novel length prose narco-corrido and the . . . continue reading, and add your comments

TQC Favorites of 2012: Malcolm Forbes

Malcolm Forbes reviewed Greg Baxter’s The Apartment in Issue 30.

The first real stand-out read of the year was The Little Russian by Susan Sherman (Counterpoint), a debut novel which was so accomplished it felt like a mid-career high. Authors like Hilary Mantel and Emma Donoghue are doing wonders to re-galvanize interest in the historical novel, but Sherman’s contribution deserves merit for focusing on less well-trodden terrain, namely the Ukraine and its bloody suffering at the beginning of the last century. There are no real stylistic tricks on offer, simply good old-fashioned storytelling.

On the . . . continue reading, and add your comments

TQC Favorites of 2012: John Lingan

John Lingan wrote on concert films for the Fall 2012 issue of The Quarterly Conversation.

Little, Big by John Crowley and The Slave by Isaac Bashevis Singer: The former is an epic, almost gothic contemporary fantasy set mostly in a shape-shifting New England mansion that’s inhabited by fairies. The latter is a dark, two-character parable set in 17th-century rural Poland. But in their final pages, Little, Big and The Slave both ultimately expand into powerful metaphors for how myths arise and endure. Crowley’s prose is lush while Singer’s is hard and sparse, but both of these . . . continue reading, and add your comments

TQC Favorites of 2012: Taylor Davis-Van Atta

Taylor Davis-Van Atta contributed an essay on Stig Sæterbakken to the Winter 2013 issue of The Quarterly Conversation.

1. Barley Patch & A History of Books by Gerald Murnane I’ll package these two books as a single recommendation because Murnane wrote them more or less concurrently and they read as companion volumes or as a sort of hall of mirrors. Nobody I know of writes even remotely like Murnane, an author who is forever obsessed with the way in which his mind forms and re-forms (and re-forms over and over again) memories as patterns of images, . . . continue reading, and add your comments

TQC Favorites of 2012: Daniel Medin

Daniel Medin is the Senior Editor of The Quarterly Conversation.

Novels

1. László Krasznahorkai: Satantango (New Directions) I love Krasznahorkai’s dark discerning humor, and was delighted to discover that this novel retains its power – and savage funniness – after rereading. It also contains scenes of uncommon beauty. Refracted glory to George Szirtes for his translation: sentence for sentence, Satantango has to be one of the most striking books published in English in 2012.

2. Mahmoud Dowlatabadi: The Colonel (Melville House) Unspeakably dark history of a revolution that devoured – and continues to devour – its children. . . . continue reading, and add your comments

TQC Favorites of 2012: K.T. Kahn

K.T. Kahn reviewed Inland by Gerald Murnane in our fall 2012 issue.

1. Ice by Anna Kavan Kavan creates a world that is the stuff of nightmares, blending reality, dreams, and fantasy in an uncanny, unsettling way. Kavan certainly deserves a much wider audience.

2. Zazen by Vanessa Veselka A truly prescient novel that taps into many political, social, and personal anxieties prevalent in America today. Veselka’s prose is raw, unflinching, poetic: Zazen is a truly remarkable debut novel. Veselka has said that Zazen arose from her inability to process the 2004 school hostage crisis . . . continue reading, and add your comments

TQC Favorites of 2012: Scott Bryan Wilson

Scott Bryan Wilson is a contributing editor to The Quarterly Conversation.

*Death of a Hero (1929) – Richard Aldington – Penguin Classics is issuing a new edition of this next year; think Stoner-level bleak/intense about war

*The Keys to Tulsa (1991) – Brian Fair Berkey – the author completed this one novel before dying of a brain tumor; it’s incredibly funny and sharply written

*Crime and Punishment (1866) – Fyodor Dostoyevsky – you see, this guy commits a senseless murder OKAY I KNOW I KNOW I should have read this years ago

*Fathers and Sons . . . continue reading, and add your comments

TQC Favorites of 2012: Jeff Bursey

Jeff Bursey’s most recent review for The Quarterly Conversation was of My Struggle by Karl Ove Knausgaard in the Winter 2013 issue.

#1: My Struggle, by Karl Ove Knausgaard. This hit me where I write and in what I think of family relations. To the first: the play of ideas mixed with the recitation of events is powerful. Too few writers think that ideas can be exciting, and they belabour plot and character instead. To the second: the re-appraisal of family relations means more to me now than it might have five years go, for example, . . . continue reading, and add your comments

TQC Favorites of 2012: Erica Mena

Here are the 5 picks from TQC Poetry Editor Erica Mena.

1. The Keep by Emily Wilson This book demands to be consumed slowly, word by word. Each poem a dense wordscape that must be read and reread, immersed in and languished over. Its rich and lush and slow. Luxurious.

2. Voyager by Srikanth Reddy An immense work. Haunting, lyric, and perhaps the most successful erasure I’ve ever read. The three erasures construct three different takes on the horrors and strangeness of the twentieth century. The third, the bulk of the book, moves the fastest for me . . . continue reading, and add your comments