Another review for Volume 3 of Samuel Beckett’s Letters. The Independent.
The success of Waiting for Godot is still warm and he faces a world of admirers in new translators, writers, journalists (“the bastards”), actors and directors: “people, people, signatures, smiles, confusion of names”. These are the years when Harold Pinter first meets Beckett and Beckett first meets Buster Keaton, each to their heroes. Beckett marries his partner, Suzanne Deschevaux Dumesnil, and falls for his lifelong confidante to be, Barbara Bray.
The pull of two languages is mirrored by the pull of two private lives. Success has . . . continue reading, and add your comments
Busy day today, so I don’t have the time to catalog all the absurdities here, but needless to say Matthew Yglesias should stick to industries he understands. And he might want to learn to write like a grown-up.
Here’s a little real talk about the book publishing industry — it adds almost no value, it is going to be wiped off the face of the earth soon, and writers and readers will be better off for it.
The fundamental uselessness of book publishers is why I thought it was dumb . . .
What is indisputably true is . . . continue reading, and add your comments
I know that people like Farhad Manjoo get paid to be techno-utopians, but I still don’t quite understand why they seem to think that e-readers are an “all or nothing” proposition. It’s kind of like if you really like your blender and you go on an evangelical tear professing to all and everyone that THIS IS THE ONLY WAY TO BLEND MOTHERFUCKERS AND IF YOU DO NOT BLEND AS I BLEND YOU ARE A POOR FOOLISH LUDDITE!!!!!!!!
Kindles are a tool that people who love to read books can use. So are smartphones, iPads, Kobos, Nooks, print books, . . . continue reading, and add your comments
Collection of Sand has just been published in English in the U.S., as has the Complete Cosmicomics. More Calvino in the world is better.
Here is Ron Slate on Collection of Sand.
Collection of Sand comprises four sections. The first part, “Exhibitions – Explorations,” includes ten pieces that mainly deal with shows and exhibits he visited in Paris: an exhibition of “bizarre” collections (sands, cowbells, train-tickets, toilet-paper packaging, etc.), early maps of the New World, the recreation of an 1856 display of wax monstrosities in wax, cuneiform and hieroglyphics, on the making of Delacroix’s “Liberty Leading . . . continue reading, and add your comments
Best post-Nobel piece I’ve read on Patrick Modiano.
Modiano’s aim has been to place his own personal history against a broader social backdrop. He has called himself “a plant that grew out of a dung heap”, and, more directly, at least at first, “a product of the Occupation, the time when one could simultaneously be a trafficker of black market, a gestapiste of the Lauriston street and a pursued man. It is in this time when I met my father, a cosmopolitan Jew, and my mother, a comedian of Belgian origin, in the pre-war cinema”. (Modiano’s first language . . . continue reading, and add your comments
A nice review of Lila at the Los Angeles Review of Books.
So when I tell you that Lila ends with a birth, if you are anything like me, your first read of this novel will be vaguely agitated. Not because it is unclear what will happen (this is no spoiler: we know from Gilead that there will be a child and that both he and Lila will live), but rather because across nearly 1,000 pages and over 30 years of reading Robinson, we have not yet encountered a depiction of pregnancy and parturition: the violent wrenching . . . continue reading, and add your comments
The Literary Saloon reports that a book by Linda Boström Knausgaard will soon be making its way to the English language. Yes, that name should look familiar to you.
In The Bookseller Anna James reports that Visser of De Geus launches English language publisher — which is to be called World Editions. (The current World Editions site doesn’t quite capture the English-language-publication version that’s coming.)
They kindly sent me ARCs of their forthcoming (in early 2015) first four volumes and it’s a promising start. The most notable title is Linda Boström Knausgård’s The Helios Disaster (see, for . . . continue reading, and add your comments
Jacobin has an interesting, if problematic take on the Nobel Prize in Literature as an institution. The thrust of it is that the Literature Prize as it currently stands is a golem-esque creation of transnational capitalism, serving its needs by highlighting those authors that play to the humanistic, liberal ideals (which everyone in Stockholm, and probably Europe, knows are universal). It does so by books that are fit for global consumption and that feed in to a very particular image of the author as a lone outsider, completely detached from any present political realities.
Okay, okay, there’s some . . . continue reading, and add your comments
After reading many, many translations, I am attempting to catch up with developments in mainstream American prose; i.e., the “big names” in American fiction. The last book I read in this vein was The Flamethrowers, which I liked to a point.
Now up, Ben Lerner’s new novel 10:04.
I view this book as a very ambitious failure. If we are to believe the backstory presented in the book itself—that it grew out of a story published in The New Yorker on June 18, 2012—then it was written extremely quickly, maybe in as little as a year. . . . continue reading, and add your comments
Rebecca Solnit has a new essay collection publishing from Trinity University Press: The Encyclopedia of Trouble and Spaciousness.
Kirkus offers an early review:
In her latest collection of previously published essays, Solnit (Men Explain Things to Me, 2014, etc.) explores troubled and troubling spaces and places that illuminate her concerns about community and power.
How, asks the author, do individuals express their sense of connection to one another when they respond to disasters, such as hurricanes Katrina and Rita, the BP oil spill, and the Tohoku earthquake and tsunami in Japan? How do communities come together for . . . continue reading, and add your comments