The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
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    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

2666: First Impressions

Now that I’ve knocked off a good inch of 2666, I feel like it’s time to say a little about my reactions to it.

At this point, I can’t say I’m very much reminded of The Savage Detectives (other than in terms of some very general themes that seem to be present in every book Bolano wrote); that book was about youth and what happens to youth as it grows old and forgotten. It focused on people above society–by that I mean it was about rendering a certain kind of emotional response to a life gone awry. . . . continue reading, and add your comments

Friday Column: Real Connections

James Wood interviewed in the Kenyon Review.

I then began to think of Smith’s novel in relation to a number of other large books: Underworld by Don DeLillo, Pynchon’s recent book Mason and Dixon, David Foster Wallace’s large book Infinite Jest, and so on. Was there some kind of genre here in which the cartoonish was displacing the real? In which the machinery of plot was also blocking out in some way a greater simplicity? I also thought perhaps there was an interesting borrowing from Dickens: It seems to me that if you look at a book . . . continue reading, and add your comments

Noise

From a good feature on Don DeLillo’s White Noise at PopMatters.

One of the funniest scenes occurs in the beginning of the book when Jack and Babette are in the grocery store (a location a lot of the book takes place in). Out of the blue, DeLillo alerts us to a woman who falls into a rack of paperbacks at the front of the store. It’s just something that happens in the background while Jack and Babette are shopping, but the weird depiction is dropped into the narrative so suddenly, you can’t help but bust up. You . . . continue reading, and add your comments

Top 10 Books of 2004: #2

#2 — Underworld — Don DeLillo

Underworld is a book that sifts through 50 years of Cold War America and ends up proving that a Cold War-less America is  a rudderless America. However, if Underworld were simply a polemic with no greater point than teaching this lesson, it would have been made obsolete by 9/11 and no one, other than professional historians, would care much about reading it.

This is not the case for many reasons, but I’d like to focus on just three.

First off, in its structure and feel, Underworld captures something essential about the . . . continue reading, and add your comments

Underworld etc

Thanks to Dan Wickett for this extremely helpful link to a site called Don DeLillo’s America. It has lists of virtually every critical DeLillo document a DeLillo fan could ask for, including lots of links to reviews and articles on the web (unfortunately, some of the links have expired, but a resourceful DeLillo fan should have little problem ferreting out a copy of the document in question). There’s a quirky FAQ, an interesting bio composed of quotes by and about DeLillo, and lists of his works (broken into novels, stories, plays, and other).

There’s also a "Detractors" section . . . continue reading, and add your comments

Underworld Complete

It’s been a long, pleasant journey with Underworld. This is one of those books that I read the final pages of slowly, scrutinizing every word, because everything in the text up to this point has been so rich and insightful that I want there to be something in the end to tie it all together, something that lays it all out for me, that puts that gleam of understanding in my eye.

I want this, but of course I also don’t want this. On a certain level I’ve been looking for that key to tie it all together . . . continue reading, and add your comments

Underworld Progress

I’m at the halfway point of this large book, and it seems that after its fast start this title has settled down some. DeLillo is taking time out to explore his characters’ backgrounds, and there’s also the matter of a couple seemingly extraneous characters that we’ve seen glimpses of (maybe 20 pages or so), but that only seem to fit into Underworld as friends of friends. We started out in 1951, jumped to 1992, and now we’ve traveled back, first to the 1980s, then 1978, and now 1974. The book has grown far more complex and I’m beginning to . . . continue reading, and add your comments