The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Two PansTwo Pans

    Another high-profile pan for David Mitchell's newest. I think Mitchell is pretty seriously overrated, but most people in the... »
  • ThoughtcrimeThoughtcrime

    There are a lot of really obvious takes on this that you are probably already thinking of. To me, the interesting/scary thing... »
  • Wood on MitchellWood on Mitchell

    For the record, James Wood's take on Mitchell is pretty much my own. Dude can write for days, but I rarely feel that there is... »
  • M&L on Ann QuinM&L on Ann Quin

    Music & Literature unearths a sroty of Ann Quin and publishes it. If the name is new to you, have a look here.... »
  • The Potato EatersThe Potato Eaters

    Nice interview with Bela Tarr's cinematographer, Fred Kelemen, discussing the film The Turin Horse (which I recently watched,... »
  • 35 Worthy Independent Books35 Worthy Independent Books

    All publishing this fall. Pretty nice list. Good on Publishers Weekly.... »
  • The new DostoevskyThe new Dostoevsky

    Been a while since I read Crime and Punishment. Sounds interesting. Several earlier translations tended to smooth over... »
  • Golden HandcuffsGolden Handcuffs

    The current issue of the Golden Handcuffs Review has my essay "The Eclipse; Or, The Vulva," which is part of a series of work... »
  • The Translation Is HotThe Translation Is Hot

    While I tend to lump blockbusters into an outlier category regardless of what language they were originally written in, I do... »
  • LRB on Robbe-GrilletLRB on Robbe-Grillet

    Nice that there are still places like the LRB that publish things like this: By the time he was elected to the Académie... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

2666: First Impressions

Now that I’ve knocked off a good inch of 2666, I feel like it’s time to say a little about my reactions to it.

At this point, I can’t say I’m very much reminded of The Savage Detectives (other than in terms of some very general themes that seem to be present in every book Bolano wrote); that book was about youth and what happens to youth as it grows old and forgotten. It focused on people above society–by that I mean it was about rendering a certain kind of emotional response to a life gone awry. . . . continue reading, and add your comments

Friday Column: Real Connections

James Wood interviewed in the Kenyon Review.

I then began to think of Smith’s novel in relation to a number of other large books: Underworld by Don DeLillo, Pynchon’s recent book Mason and Dixon, David Foster Wallace’s large book Infinite Jest, and so on. Was there some kind of genre here in which the cartoonish was displacing the real? In which the machinery of plot was also blocking out in some way a greater simplicity? I also thought perhaps there was an interesting borrowing from Dickens: It seems to me that if you look at a book . . . continue reading, and add your comments

Noise

From a good feature on Don DeLillo’s White Noise at PopMatters.

One of the funniest scenes occurs in the beginning of the book when Jack and Babette are in the grocery store (a location a lot of the book takes place in). Out of the blue, DeLillo alerts us to a woman who falls into a rack of paperbacks at the front of the store. It’s just something that happens in the background while Jack and Babette are shopping, but the weird depiction is dropped into the narrative so suddenly, you can’t help but bust up. You . . . continue reading, and add your comments

Top 10 Books of 2004: #2

#2 — Underworld — Don DeLillo

Underworld is a book that sifts through 50 years of Cold War America and ends up proving that a Cold War-less America is  a rudderless America. However, if Underworld were simply a polemic with no greater point than teaching this lesson, it would have been made obsolete by 9/11 and no one, other than professional historians, would care much about reading it.

This is not the case for many reasons, but I’d like to focus on just three.

First off, in its structure and feel, Underworld captures something essential about the . . . continue reading, and add your comments

Underworld etc

Thanks to Dan Wickett for this extremely helpful link to a site called Don DeLillo’s America. It has lists of virtually every critical DeLillo document a DeLillo fan could ask for, including lots of links to reviews and articles on the web (unfortunately, some of the links have expired, but a resourceful DeLillo fan should have little problem ferreting out a copy of the document in question). There’s a quirky FAQ, an interesting bio composed of quotes by and about DeLillo, and lists of his works (broken into novels, stories, plays, and other).

There’s also a "Detractors" section . . . continue reading, and add your comments

Underworld Complete

It’s been a long, pleasant journey with Underworld. This is one of those books that I read the final pages of slowly, scrutinizing every word, because everything in the text up to this point has been so rich and insightful that I want there to be something in the end to tie it all together, something that lays it all out for me, that puts that gleam of understanding in my eye.

I want this, but of course I also don’t want this. On a certain level I’ve been looking for that key to tie it all together . . . continue reading, and add your comments

Underworld Progress

I’m at the halfway point of this large book, and it seems that after its fast start this title has settled down some. DeLillo is taking time out to explore his characters’ backgrounds, and there’s also the matter of a couple seemingly extraneous characters that we’ve seen glimpses of (maybe 20 pages or so), but that only seem to fit into Underworld as friends of friends. We started out in 1951, jumped to 1992, and now we’ve traveled back, first to the 1980s, then 1978, and now 1974. The book has grown far more complex and I’m beginning to . . . continue reading, and add your comments