The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Garth Risk Hallberg on what is probably Nabokov’s densest, most obscure novel: Ada, or Ardor.
Of the major edifices he erected in English, his last, Ada, or Ardor: A Family Chronicle (1969), is his most excessive, both in its difficulty and in the pleasures it affords the (re)reader.
That excess begins with sheer length. At 589 pages (plus endnotes!), Ada is twice the size of your average Nabokov paperback. Nor would it be fair to call Ada a page-turner; even as it hews to the plot of the “family chronicle,” it elaborates on the textual gamesmanship . . . continue reading, and add your comments
David Gates writes an evenhanded, lucid review of The Original of Laura:
But although “The Original of Laura” has, at long last, been properly published — assuming it was proper to publish it at all — there’s not enough of it to be properly reviewed, as Nabokov himself would surely understand. “Not quite finished” with the manuscript? This was a sad understatement, for public consumption. As his biographer Brian Boyd explains, Nabokov would customarily “envisage a novel in his mind complete from start to finish before writing it down” — on 3-by-5 cards, which allowed him to . . . continue reading, and add your comments
Gets turned down by The New Yorker, ends up in Playboy.
Nabokov, by the way, is no stranger to Playboy. As Brian Boyd reports in his massive two-volume bio, Nabokov first battled with Playboy over French publisher Maurice Girodias's (of Lolita fame) article in that magazine about their relationship. But later he was interviewed by the magazine (after receiving an Academy Award for the Lolita screenplay) and later excerpted 8 chapters of Ada therein.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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