Conversational Reading

The Rachel Shihor Interview
These are the facts: Rachel Shihor is an Israeli writer. She is a professor of philosophy and an accomplished academic. Two of... »
The Novels of Kim Young-ha
Colin Marshall in the LARB: Within 50 pages, Kim name-checks The Death of Marat, Henry Miller, Oscar Wilde, William... »
The Uncollected Fiction of DFW
It's coming, Dec 1.... »
Marketing the Bolano
This caught my eye, mostly since I just got through delivering a paper on precisely this topic. Javier Calvo: The other day... »
Gaddis in the NYT
It's nice to see Gaddis's letters reviewed in the Times, even if this review is symptomatic of that paper's decline. Kinda... »
Technology!
It's almost as though they learned nothing from the past decade. For the moment, data about how well MOOCs work are diffuse... »
On the Road
Traveling this week. Blogging might be a little light.... »
Gombrowicz’s Kronos
Witold Gombrowicz was a strange guy. Kronos, apparently his last unpublished text, sounds like an especially strange book. ... »
Not a Concern That I Have
We seem to be in a weird place right now vis a vis books. For the most part, Jaron Lanier comes across as non-alarmist... »
Graphs, Maps, Trees
Somewhere at the intersection between the social sciences and literary criticism we find Franco Moretti's writing on... »

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

The Enchanted Wanderer and Other Stories by Nikolai Leskov March 6, 2013
Pevear and Volokhonsky’s ambition in bringing Leskov and all his stylistic peculiarities into English is impressive, and all the more so for how it contrasts with their previous role as translators of Russian. The pair are justly famous for their renditions of the great nineteenth-century Russian novelists; their editions of Anna Karenina and Crime and Punis […]
Middle C by William H. Gass March 3, 2013
What distinguishes Middle C from his other fiction, then, is not the that Gass’ protagonist, Joseph Skizzen, spends nearly a lifetime deflecting the dangers and horrors of life itself, but the ways in which the novel’s narrative voice buffers him from the responsibilities of being a protagonist at all. In this, the tale of his life, stretching from the Blitz […]
The Field Is Lethal by Suzanne Doppelt March 3, 2013
This is a strange, engaging book that does not offer up its material to the reader without a struggle. Much of its strength comes from its juxtapositions, not only of idea with idea, word with word, phrase with phrase, but also text with image, image or text with white space, and in a larger sense, the abstract with the concrete. Doppelt is interested in how […]
70% Acrylic 30% Wool by Viola di Grado March 3, 2013
You can tell that Viola di Grado has a unique voice from the first line of her novel, 70% Acrylic 30% Wool: “One day it was still December.” If this line seems a little puzzling, the next one puts things in (ironic) perspective: “Especially in Leeds, where winter has been underway for such a long time that nobody is old enough to have seen what came before.” […]
Promising Young Women by Suzanne Scalon March 3, 2013
Plath’s ghost haunts the pages of Scanlon’s book, a non-linear narrative that hinges around Lizzie, a bright liberal arts student from Barnard and aspiring actress who has much in common with Plath’s protagonist. We’ve fast-forwarded forty years to New York in the early 90’s’; like Esther before her, Lizzie has come from the provinces to make a name for hers […]
The Available World by Ander Monson March 3, 2013
What happens to all the old, new things after two or three new, new things replace them? And what of the ideas and memories of which they are ultimately extensions and souvenirs? This is one of the larger questions, really, that Ander Monson poses in his most recent collection of poems, The Available World, though he does so in varying shades of subtly and e […]
The Whispering Muse by Sjón March 3, 2013
There is something immediately seductive about Sjón’s The Whispering Muse. The narrator, a peculiar old Icelander named Valdimar Haraldsson, receives a letter from an old acquaintance, inviting him on a sea voyage aboard the newly launched merchant ship, the MS Elizabet Jung-Olsen. Haraldsson, who has long been cooped up in his shabby Copenhagen apartment, r […]
Wolf and Pilot by Farrah Field March 3, 2013
When Farah Field announced the opening of Berl’s Brooklyn Poetry Shop (Field and Jared White’s pop-up shop the only all-poetry bookshop in New York City) two Februarys ago on her blog Adultish, she wrote this: It is kind of an anti-capitalistic act because no one could ever pay what poetry is worth. This sentiment is exactly true ofher new book, Wolf and Pil […]
The Selected Letters of Anthony Hecht March 3, 2013
Unless he is John Keats, a poet’s letters seldom stand alone as literature. They might hold our attention as gossip (Lord Byron), psychiatric case study (Robert Lowell) or the after-hours thoughts of a combative poet-critic (Yvor Winters), but few could be pleasurably read without the additional scaffolding provided by the poetry. Even Marianne Moore, one of […]
Kind One by Laird Hunt March 3, 2013
Readers who go into Laird Hunt's Kind One looking for kindly characters are presented with an array of unlikely candidates. It simply cannot be Linus Lancaster, a farmer with delusions of grandeur (his farm is named Paradise) who beats his wife Ginny, rapes his young female slaves Cleome and Zinnia, and whips Alcofibras, the slave who tends his garden, […]

It is customary now to quote Susan Sontag when praising W.G. Sebald, but perhaps the earliest and most prescient notice of Sebald’s promise came from Gabriel Josipovici, the British novelist, playwright, and critic. . . . continue reading, and add your comments

Sebald's SIlkworms

Some interesting thoughts on The Rings of Saturn over at Vertigo:

Within a few sentences, however, Sebald makes a most remarkable turn by likening the hard labor of the weavers with that of “scholars and writers with whom they had much in common.” . . . And so there, in a revealing metaphor drawn from silk weaving, Sebald has described the doubt that plagues writers, who weave with words that are infinitely more gossamer than silk. It’s not hard to imagine that Sebald is speaking personally here. Remember that at the very beginning of The Rings of . . . continue reading, and add your comments

Self on Sebald

The TLS has published the text of Will Self’s recent lecture on W.G. Sebald. Required reading, if, like me, you’re capable of falling down in admiration over a page of Sebald’s prose.

Here’s a little bit of it:

Ours is an era intoxicated by its capacity to reproduce history technologically, in an instantaneous digitization of all that has happened. But far from tempering our ability to politicize history, this seems to spur both individuals and regimes on to still greater tendentiousness. Among modern philosophers Baudrillard understood this development the best, and foresaw the deployment of symbolic events alongside . . . continue reading, and add your comments

W.G. Sebald’s A Place in the Country to be Published . . . Eventually

I guess me and Terry from the blog Vertigo have some odd mind-meld currently working, since we both discovered on Sunday that Random House will be publishing W.G. Sebald's essay collection A Place in the Country at some point in the future.

The proof is on the copyright page of Robert Walser's novel The Tanners, recently published by New Directions, which includes a 37-page essay on Walser by Sebald. Said essay is from said collection, and is duly noted on the copyright page. Amazon doesn't list the collection online, which likely means that it won't be available . . . continue reading, and add your comments

Sounds Like Sebald

Nice discussion at The Valve of The Lost by Daniel Mendelsohn:

This extraordinary book, at its simplest level, is a more or less chronological account of Mendelsohn’s quest to learn the fate of his great-uncle Schmiel (Sam) Jager, his wife Ester, and their four daughters, Lorka (b. 1920), Frydka (b. 1922), Ruchele (b. 1925), and Bronia (b. 1929?). From early in his childhood Mendesohn knows where his relatives lived, in the Polish town of Bolechow, and he knows that they died during the Holocaust, but beyond this he has only fragments of information, from stories half-heard . . . continue reading, and add your comments

Sebald Guides From New Directions

Just as I'm finishing up my first reading of Vertigo, New Directions has made available guides to The Emigrants and The Rings of Saturn. (via Vertigo)

Once I finish Vertigo (likely this evening), I will only have one more Sebald novel remaining to me, The Emigrants. Few authors will have left me more disappointed upon exhausting their novels than Sebald, although I find it impossible to believe that a second reading of The Rings of Saturn won't prove at least as good as the first.

I say this for two reasons. First, because . . . continue reading, and add your comments

Re: Sebald and Calvino

At TQC we've just published an interview with Jonathan Tel, whose new book, The Beijing of Possibilities, is getting favorable comparison to Sebald and Calvino.

Tracking the Elusive Vertigo ARC

Terry at the blog Vertigo discusses his efforts to secure an ARC of Sebald’s novel with the same name:

New Directions published the first American edition of Vertigo sometime in 2000 (the New York Times reviewed it June 11, 2000). More than a year later, when they finally decided to release a soft cover edition, New Directions seems to have sent out an unknown number of advance promotional copies to promote the forthcoming soft cover version – using copies of the hard cover edition. They simply took a jacket-less hard cover copy, slapped a small . . . continue reading, and add your comments

Altermodern

In the context of a couple of prior art exhibitions, Vertigo discusses yet another art exhibition built upon the literature of W.G. Sebald and entitled "Altermodern":

Usually an exhibition begins with a mental image with which we need to reconnect, and whose meanings constitute a basis for discussion with the artists. The research that has preceded the Triennial 2009, however, had its origins in two elements: the idea of the archipelago, and the writings of a German émigré to the UK, Winfred Georg Sebald.

The definition of "altermodern" ("what comes after the postmodern") as quoted . . . continue reading, and add your comments

Sebald’s Haphazard Photographs

Andrew Seal makes some interesting commentary on how images function to break up the text in Sebald's works:

If we can think of the long paragraphs as a way of quickening (or lulling) the eye, the images' precise positions on the page come to acquire a great deal of significance, as they do redirect and possibly refocus the eye, and therefore the attention and the mental process of the reader. Because there are precious few paragraph breaks in Austerlitz, the interruptions of these images are made more noticeable, and begin to assume (at . . . continue reading, and add your comments

The Names by Don DeLillo (1982)

DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.

The Box Man by Kobo Abe (1973, English 1974)

The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.

Head in Flames by Lance Olsen (2009)

Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.

Agaat by Marlene van Niekerk (2006, English 2010)

Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.

The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)

A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.

The End of Oulipo?

Lady Chatterley’s Brother

Translate This Book!

Book Lists

You Say

Popular Posts

Follow Me on Twitter

Group Reads

Shop though these links = Support this site

Ten Memorable Quotes from William Gaddis’ Letters

Interviews from Conversational Reading

Reader Picks

Recommended Books

Archives

Categories