The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Josipovici on Sebald

It is customary now to quote Susan Sontag when praising W.G. Sebald, but perhaps the earliest and most prescient notice of Sebald’s promise came from Gabriel Josipovici, the British novelist, playwright, and critic. . . . continue reading, and add your comments

Sebald's SIlkworms

Some interesting thoughts on The Rings of Saturn over at Vertigo:

Within a few sentences, however, Sebald makes a most remarkable turn by likening the hard labor of the weavers with that of “scholars and writers with whom they had much in common.” . . . And so there, in a revealing metaphor drawn from silk weaving, Sebald has described the doubt that plagues writers, who weave with words that are infinitely more gossamer than silk. It’s not hard to imagine that Sebald is speaking personally here. Remember that at the very beginning of The Rings of . . . continue reading, and add your comments

Self on Sebald

The TLS has published the text of Will Self’s recent lecture on W.G. Sebald. Required reading, if, like me, you’re capable of falling down in admiration over a page of Sebald’s prose.

Here’s a little bit of it:

Ours is an era intoxicated by its capacity to reproduce history technologically, in an instantaneous digitization of all that has happened. But far from tempering our ability to politicize history, this seems to spur both individuals and regimes on to still greater tendentiousness. Among modern philosophers Baudrillard understood this development the best, and foresaw the deployment of symbolic events alongside . . . continue reading, and add your comments

W.G. Sebald’s A Place in the Country to be Published . . . Eventually

I guess me and Terry from the blog Vertigo have some odd mind-meld currently working, since we both discovered on Sunday that Random House will be publishing W.G. Sebald's essay collection A Place in the Country at some point in the future.

The proof is on the copyright page of Robert Walser's novel The Tanners, recently published by New Directions, which includes a 37-page essay on Walser by Sebald. Said essay is from said collection, and is duly noted on the copyright page. Amazon doesn't list the collection online, which likely means that it won't be available . . . continue reading, and add your comments

Sounds Like Sebald

Nice discussion at The Valve of The Lost by Daniel Mendelsohn:

This extraordinary book, at its simplest level, is a more or less chronological account of Mendelsohn’s quest to learn the fate of his great-uncle Schmiel (Sam) Jager, his wife Ester, and their four daughters, Lorka (b. 1920), Frydka (b. 1922), Ruchele (b. 1925), and Bronia (b. 1929?). From early in his childhood Mendesohn knows where his relatives lived, in the Polish town of Bolechow, and he knows that they died during the Holocaust, but beyond this he has only fragments of information, from stories half-heard . . . continue reading, and add your comments

Sebald Guides From New Directions

Just as I'm finishing up my first reading of Vertigo, New Directions has made available guides to The Emigrants and The Rings of Saturn. (via Vertigo)

Once I finish Vertigo (likely this evening), I will only have one more Sebald novel remaining to me, The Emigrants. Few authors will have left me more disappointed upon exhausting their novels than Sebald, although I find it impossible to believe that a second reading of The Rings of Saturn won't prove at least as good as the first.

I say this for two reasons. First, because . . . continue reading, and add your comments

Re: Sebald and Calvino

At TQC we've just published an interview with Jonathan Tel, whose new book, The Beijing of Possibilities, is getting favorable comparison to Sebald and Calvino.

Tracking the Elusive Vertigo ARC

Terry at the blog Vertigo discusses his efforts to secure an ARC of Sebald’s novel with the same name:

New Directions published the first American edition of Vertigo sometime in 2000 (the New York Times reviewed it June 11, 2000). More than a year later, when they finally decided to release a soft cover edition, New Directions seems to have sent out an unknown number of advance promotional copies to promote the forthcoming soft cover version – using copies of the hard cover edition. They simply took a jacket-less hard cover copy, slapped a small . . . continue reading, and add your comments

Altermodern

In the context of a couple of prior art exhibitions, Vertigo discusses yet another art exhibition built upon the literature of W.G. Sebald and entitled "Altermodern":

Usually an exhibition begins with a mental image with which we need to reconnect, and whose meanings constitute a basis for discussion with the artists. The research that has preceded the Triennial 2009, however, had its origins in two elements: the idea of the archipelago, and the writings of a German émigré to the UK, Winfred Georg Sebald.

The definition of "altermodern" ("what comes after the postmodern") as quoted . . . continue reading, and add your comments

Sebald’s Haphazard Photographs

Andrew Seal makes some interesting commentary on how images function to break up the text in Sebald's works:

If we can think of the long paragraphs as a way of quickening (or lulling) the eye, the images' precise positions on the page come to acquire a great deal of significance, as they do redirect and possibly refocus the eye, and therefore the attention and the mental process of the reader. Because there are precious few paragraph breaks in Austerlitz, the interruptions of these images are made more noticeable, and begin to assume (at . . . continue reading, and add your comments