The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com
  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
  • Literary AdvocatesLiterary Advocates

    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

YFTS: The Perils of Dancing

So a few more comments about last week’s section, pp. 122 – 201. I’d like to draw everyone’s attention to page 194, which I think contains a rather pivotal moment. . . . continue reading, and add your comments

YFTS: And Now We Venture Into the Ladies' Room, and Into the Mind of a Vengeful God

I’m sure everyone was very tickled by the restroom scene–I know I was. In a very broad sort of way, this scene made the book feel very real to me in a way that all the talk of the Spanish Civil War, 9/11, Bill Clinton (yes, he was in there), government surveillance, James Bond, and all that other “real world” stuff just didn’t. The restroom felt so prosaic: if Marias was going to take Deza into a public restroom there’s nowhere he wouldn’t take him. It just opened the book’s world up for me in a way it hadn’t been previously. . . . continue reading, and add your comments

YFTS: What About the Bosses?

Daniel Hartley has a highly worthwhile post on vol 1 of Your Face Tomorrow. Therein he brings up an excellent point that, I must admit, I had ignored until he mentioned it . . . . . . continue reading, and add your comments

Fingerprinting Everyone

It was at this time that they first brought in an official identity card, against our tradition and our preference. . . . But people weren’t used to carrying such a document and kept losing it, and were was such generalised hostility to it that, around 1951 or 1952, the card in question was suppressed. . . . According to Tupra, there is talk in government circles of imposing something similar, along with other inquisitorial measures, these mediocrities who rule over us in such a totalitarian spirit and who have more or less been given carte blanche to do so by the Twin Towers massacre. I hope they don’t get their way. . . . It’s insulting, an out-and-out mockery, what these pusillanimous, authoritarian fools want to do and impose on us in the name of security, that prehistoric pretext. . . . continue reading, and add your comments

YFTS: Favors, and The Return of the Socks (!)

For those of you who remain with me, we are now just beginning “Dance,” the first section of volume 2 of Javier Marias’ long book (schedule here). As was probably not a surprise to most people, we discover that the young woman following Deza into his apartment at the end of vol. 1 was in fact Perez Nuix, who has an intriguing request to make of him.

I was struck here at how Marias sets up this request

. . . continue reading, and add your comments

YFTS: Some Thoughts After Finishing the First Volume of Your Face Tomorrow

One starts Your Face Tomorrow filled with foreboding. How else to read the opening segment, a section that lets us know that everything we will read in this book has all been said and done, that it has all already happened to our protagonist, one Jacobo Deza (or Jacques, or Jaime, or . . . like Deza, so many characters in this book have multiple names). Moreover, the book begins with Deza telling us that, knowing what he knows now, he rues the act of opening one’s mouth. And then, were that not enough, the opening section ends . . . continue reading, and add your comments

YFTS: Magaret Jull Costa Responds

Here are the responses to the questions posed earlier this week to Margaret Jull Costa:

Neil: One of the many pleasures of reading the novel was how there seemed to be a constant translation taking place in Deza’s head between English and Spanish and back to English. How did translating a character who already is constantly translating and playing with both languages affect your work on the novel? Did it add another layer to your translation? How was it different translating this than other books that may not have been as concerned with the differences and respective peculiarities . . . continue reading, and add your comments

YFTS: Margaret Jull Costa Interview

MJC: The long sentence that is so characteristic of Javier’s style first occurs in The Man of Feeling. The sentences and the novels have grown longer and longer since then, mainly, I suspect, because his novels have moved away from plot (although there always is a plot) towards the dissection of ideas, feelings, words, motivations. His sentences have the shape of a thought, full of buts and perhapses and then agains. The style in Your Face Tomorrow is the latest stage in that development–less plot and more thought. . . . continue reading, and add your comments

YFTS: I am Myself My Own Fever and Pain, and Dogs Have 18 Toes

Before we get started on this week’s discussion, a few housekeeping items.

First off, remember that on Monday we’ll be joined by Margaret Jull Costa, translator of Your Face Tomorrow. She’s graciously agreed to answer questions in the comments, so think up some good questions over the weekend and be ready with them on Monday. This week we read pp. 234 – 316, and next week we’re going to be finishing Vol 1. Congrats to everyone who has made it this far! I hope everyone is enjoying the book. I am. Remember, you can see the full schedule continue reading, and add your comments

YFTS: Margaret Jull Costa Now Joining Us

Legendary translator Margaret Jull Costa, who of course translated Your Face Tomorrow, as well as books by Jose Saramago, Fernando Pessoa, Eça de Queiroz, Bernardo Atxaga, and a ton more, has graciously agreed to join in on our discussion next week. Here’s how it’s going to work: I’ll have her answer a few questions about the book and the translation of it, and then everyone can pose some questions to her in the comments. So please make sure to drop by next week and get her insight on these books.

I also wanted to pull a few comments that . . . continue reading, and add your comments