The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

YFTS: The Perils of Dancing

So a few more comments about last week’s section, pp. 122 – 201. I’d like to draw everyone’s attention to page 194, which I think contains a rather pivotal moment. . . . continue reading, and add your comments

YFTS: And Now We Venture Into the Ladies' Room, and Into the Mind of a Vengeful God

I’m sure everyone was very tickled by the restroom scene–I know I was. In a very broad sort of way, this scene made the book feel very real to me in a way that all the talk of the Spanish Civil War, 9/11, Bill Clinton (yes, he was in there), government surveillance, James Bond, and all that other “real world” stuff just didn’t. The restroom felt so prosaic: if Marias was going to take Deza into a public restroom there’s nowhere he wouldn’t take him. It just opened the book’s world up for me in a way it hadn’t been previously. . . . continue reading, and add your comments

YFTS: What About the Bosses?

Daniel Hartley has a highly worthwhile post on vol 1 of Your Face Tomorrow. Therein he brings up an excellent point that, I must admit, I had ignored until he mentioned it . . . . . . continue reading, and add your comments

Fingerprinting Everyone

It was at this time that they first brought in an official identity card, against our tradition and our preference. . . . But people weren’t used to carrying such a document and kept losing it, and were was such generalised hostility to it that, around 1951 or 1952, the card in question was suppressed. . . . According to Tupra, there is talk in government circles of imposing something similar, along with other inquisitorial measures, these mediocrities who rule over us in such a totalitarian spirit and who have more or less been given carte blanche to do so by the Twin Towers massacre. I hope they don’t get their way. . . . It’s insulting, an out-and-out mockery, what these pusillanimous, authoritarian fools want to do and impose on us in the name of security, that prehistoric pretext. . . . continue reading, and add your comments

YFTS: Favors, and The Return of the Socks (!)

For those of you who remain with me, we are now just beginning “Dance,” the first section of volume 2 of Javier Marias’ long book (schedule here). As was probably not a surprise to most people, we discover that the young woman following Deza into his apartment at the end of vol. 1 was in fact Perez Nuix, who has an intriguing request to make of him.

I was struck here at how Marias sets up this request

. . . continue reading, and add your comments

YFTS: Some Thoughts After Finishing the First Volume of Your Face Tomorrow

One starts Your Face Tomorrow filled with foreboding. How else to read the opening segment, a section that lets us know that everything we will read in this book has all been said and done, that it has all already happened to our protagonist, one Jacobo Deza (or Jacques, or Jaime, or . . . like Deza, so many characters in this book have multiple names). Moreover, the book begins with Deza telling us that, knowing what he knows now, he rues the act of opening one’s mouth. And then, were that not enough, the opening section ends . . . continue reading, and add your comments

YFTS: Magaret Jull Costa Responds

Here are the responses to the questions posed earlier this week to Margaret Jull Costa:

Neil: One of the many pleasures of reading the novel was how there seemed to be a constant translation taking place in Deza’s head between English and Spanish and back to English. How did translating a character who already is constantly translating and playing with both languages affect your work on the novel? Did it add another layer to your translation? How was it different translating this than other books that may not have been as concerned with the differences and respective peculiarities . . . continue reading, and add your comments

YFTS: Margaret Jull Costa Interview

MJC: The long sentence that is so characteristic of Javier’s style first occurs in The Man of Feeling. The sentences and the novels have grown longer and longer since then, mainly, I suspect, because his novels have moved away from plot (although there always is a plot) towards the dissection of ideas, feelings, words, motivations. His sentences have the shape of a thought, full of buts and perhapses and then agains. The style in Your Face Tomorrow is the latest stage in that development–less plot and more thought. . . . continue reading, and add your comments

YFTS: I am Myself My Own Fever and Pain, and Dogs Have 18 Toes

Before we get started on this week’s discussion, a few housekeeping items.

First off, remember that on Monday we’ll be joined by Margaret Jull Costa, translator of Your Face Tomorrow. She’s graciously agreed to answer questions in the comments, so think up some good questions over the weekend and be ready with them on Monday. This week we read pp. 234 – 316, and next week we’re going to be finishing Vol 1. Congrats to everyone who has made it this far! I hope everyone is enjoying the book. I am. Remember, you can see the full schedule continue reading, and add your comments

YFTS: Margaret Jull Costa Now Joining Us

Legendary translator Margaret Jull Costa, who of course translated Your Face Tomorrow, as well as books by Jose Saramago, Fernando Pessoa, Eça de Queiroz, Bernardo Atxaga, and a ton more, has graciously agreed to join in on our discussion next week. Here’s how it’s going to work: I’ll have her answer a few questions about the book and the translation of it, and then everyone can pose some questions to her in the comments. So please make sure to drop by next week and get her insight on these books.

I also wanted to pull a few comments that . . . continue reading, and add your comments