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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

YFTS: The Perils of Dancing

So a few more comments about last week’s section, pp. 122 – 201. I’d like to draw everyone’s attention to page 194, which I think contains a rather pivotal moment. . . . continue reading, and add your comments

YFTS: And Now We Venture Into the Ladies' Room, and Into the Mind of a Vengeful God

I’m sure everyone was very tickled by the restroom scene–I know I was. In a very broad sort of way, this scene made the book feel very real to me in a way that all the talk of the Spanish Civil War, 9/11, Bill Clinton (yes, he was in there), government surveillance, James Bond, and all that other “real world” stuff just didn’t. The restroom felt so prosaic: if Marias was going to take Deza into a public restroom there’s nowhere he wouldn’t take him. It just opened the book’s world up for me in a way it hadn’t been previously. . . . continue reading, and add your comments

YFTS: What About the Bosses?

Daniel Hartley has a highly worthwhile post on vol 1 of Your Face Tomorrow. Therein he brings up an excellent point that, I must admit, I had ignored until he mentioned it . . . . . . continue reading, and add your comments

Fingerprinting Everyone

It was at this time that they first brought in an official identity card, against our tradition and our preference. . . . But people weren’t used to carrying such a document and kept losing it, and were was such generalised hostility to it that, around 1951 or 1952, the card in question was suppressed. . . . According to Tupra, there is talk in government circles of imposing something similar, along with other inquisitorial measures, these mediocrities who rule over us in such a totalitarian spirit and who have more or less been given carte blanche to do so by the Twin Towers massacre. I hope they don’t get their way. . . . It’s insulting, an out-and-out mockery, what these pusillanimous, authoritarian fools want to do and impose on us in the name of security, that prehistoric pretext. . . . continue reading, and add your comments

YFTS: Favors, and The Return of the Socks (!)

For those of you who remain with me, we are now just beginning “Dance,” the first section of volume 2 of Javier Marias’ long book (schedule here). As was probably not a surprise to most people, we discover that the young woman following Deza into his apartment at the end of vol. 1 was in fact Perez Nuix, who has an intriguing request to make of him.

I was struck here at how Marias sets up this request

. . . continue reading, and add your comments

YFTS: Some Thoughts After Finishing the First Volume of Your Face Tomorrow

One starts Your Face Tomorrow filled with foreboding. How else to read the opening segment, a section that lets us know that everything we will read in this book has all been said and done, that it has all already happened to our protagonist, one Jacobo Deza (or Jacques, or Jaime, or . . . like Deza, so many characters in this book have multiple names). Moreover, the book begins with Deza telling us that, knowing what he knows now, he rues the act of opening one’s mouth. And then, were that not enough, the opening section ends . . . continue reading, and add your comments

YFTS: Magaret Jull Costa Responds

Here are the responses to the questions posed earlier this week to Margaret Jull Costa:

Neil: One of the many pleasures of reading the novel was how there seemed to be a constant translation taking place in Deza’s head between English and Spanish and back to English. How did translating a character who already is constantly translating and playing with both languages affect your work on the novel? Did it add another layer to your translation? How was it different translating this than other books that may not have been as concerned with the differences and respective peculiarities . . . continue reading, and add your comments

YFTS: Margaret Jull Costa Interview

MJC: The long sentence that is so characteristic of Javier’s style first occurs in The Man of Feeling. The sentences and the novels have grown longer and longer since then, mainly, I suspect, because his novels have moved away from plot (although there always is a plot) towards the dissection of ideas, feelings, words, motivations. His sentences have the shape of a thought, full of buts and perhapses and then agains. The style in Your Face Tomorrow is the latest stage in that development–less plot and more thought. . . . continue reading, and add your comments

YFTS: I am Myself My Own Fever and Pain, and Dogs Have 18 Toes

Before we get started on this week’s discussion, a few housekeeping items.

First off, remember that on Monday we’ll be joined by Margaret Jull Costa, translator of Your Face Tomorrow. She’s graciously agreed to answer questions in the comments, so think up some good questions over the weekend and be ready with them on Monday. This week we read pp. 234 – 316, and next week we’re going to be finishing Vol 1. Congrats to everyone who has made it this far! I hope everyone is enjoying the book. I am. Remember, you can see the full schedule continue reading, and add your comments

YFTS: Margaret Jull Costa Now Joining Us

Legendary translator Margaret Jull Costa, who of course translated Your Face Tomorrow, as well as books by Jose Saramago, Fernando Pessoa, Eça de Queiroz, Bernardo Atxaga, and a ton more, has graciously agreed to join in on our discussion next week. Here’s how it’s going to work: I’ll have her answer a few questions about the book and the translation of it, and then everyone can pose some questions to her in the comments. So please make sure to drop by next week and get her insight on these books.

I also wanted to pull a few comments that . . . continue reading, and add your comments