The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
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    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Chejfec, Aira in Asymptote

New issue of Asymptote, with some intriguing pieces by Cesar Aira and Sergio Chejfec.

In Aira’s piece, the Argentine pays praise to his literary father, Osvando Lamborghini:

The first publication of Osvaldo Lamborghini (Buenos Aires 1940 – Barcelona 1985), shortly after his thirtieth birthday, was El fiord; it appeared in 1969, but had been written several years before. It was a thin book, and for a long time it was sold in a single bookstore in Buenos Aires via the discreet method of asking for it from the salesperson. Though it was never republished, it traveled over a long road and fulfilled the mission of great books: that of inaugurating a myth.

It proposed, and continues to propose, something extraordinarily new. It anticipated the whole of the political literature of the seventies, but transcended it, rendering it useless. It incorporated the entirety of the Argentine literary tradition, but gave it a new and very distinct nuance. It seemed to bridge two puerilities: one that combined the childish half-language of the gauchesco—the literature of the gauchos—and the officious, cardboard character of our grand men of letters, and another composed of perpetually naïve revolutionary outbursts. Soon we discovered that even Borges, very much in the English vein, had limited himself to literature “for young people.” The only antecedents worth mentioning were Arlt and Gombrowicz. But unlike them, Osvaldo did not take up the problem of immaturity; he seemed to have been born adult. Secret, but not ignored (nobody could ignore him), the author knew glory without ever having the least glimmer of fame. From the very beginning, he was read like a master.

In 1973, his second book appeared, Sebregondi retrocede, a novel that had originally been a book of poems . . .

And Chejfec, well, he does what he always does:

Our first protagonist is Julio Cortázar. He’s been in Buenos Aires for a while now. Two years before, he was living in Bolívar, from where, in a letter, he wrote, “life here makes me picture a man getting crushed by a steam roller.” Within eight months he’ll be teaching in Chivilcoy; he’ll miss Bolívar and will feel like an exile. But for now, in the capital, he’s unsure where his life is taking him—this is what stands out from his correspondence. It’s January, 1939, but he hasn’t left on vacation (though he doesn’t specify what it is that stops him). Actually, a vacation wouldn’t interest him. Cortázar wants another life, an abrupt and unexpected transformation: what he’d like is to literally hop on board a cargo ship for Mexico. His anxiety comes through in the next letter, written that same month, in which he regrets postponing the trip, at least for now: there aren’t any ships in Buenos Aires bound for Mexico. The nearest port besides is Valparaíso, so he puts off the trip for the following year and commits to saving money. Cortázar admires Mexico, wants to see the Aztec pyramids and hear the local music.

January in Buenos Aires, we can picture this. The drawn-out swelter in the neighborhoods, a constant summer barely suppressed on the streets sheltered by plantain trees. It’s 1939. (In a few months, while Cortázar is exiled in Chivilcoy, an indifferent Gombrowicz will come ashore. Six years before, Novo, the Mexican, disembarked from another ship. We can picture this too, since everyone knows that the city is an extension of the river.

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More from Conversational Reading:

  1. Excerpt of The Miracle Cures of Dr. Aira Why not go read the new Cesar Aira novel, The Miracle Cures of Dr. Aira? BOMB has the first chapter. One day at dawn, Dr....
  2. Cesar Aira in NYRB Since 1975, the Argentine writer César Aira has published about seventy novels—it is difficult to arrive at an accurate count, and the number continues to...
  3. Cesar Aira in The Nation Missed this very long, in-depth essay on Aira when it came out in April. Well worth your time. In December 1972, the year after his...
  4. Blinding Excerpt at Asymptote Blinding by Mircea Cartarescu, which I mentioned a couple of months ago, has just been published and you can now read an excerpt in Asymptote....
  5. The New Issue of Asymptote Some great stuff therein, including this review by Ian Dreiblatt: Against this backdrop, there is cause for celebration in NYRB/POETS’ recent publication of An Invitation...

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