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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • The Enchanted Wanderer and Other Stories by Nikolai Leskov March 6, 2013
    Pevear and Volokhonsky’s ambition in bringing Leskov and all his stylistic peculiarities into English is impressive, and all the more so for how it contrasts with their previous role as translators of Russian. The pair are justly famous for their renditions of the great nineteenth-century Russian novelists; their editions of Anna Karenina and Crime and Punis […]
  • Middle C by William H. Gass March 3, 2013
    What distinguishes Middle C from his other fiction, then, is not the that Gass’ protagonist, Joseph Skizzen, spends nearly a lifetime deflecting the dangers and horrors of life itself, but the ways in which the novel’s narrative voice buffers him from the responsibilities of being a protagonist at all. In this, the tale of his life, stretching from the Blitz […]
  • The Field Is Lethal by Suzanne Doppelt March 3, 2013
    This is a strange, engaging book that does not offer up its material to the reader without a struggle. Much of its strength comes from its juxtapositions, not only of idea with idea, word with word, phrase with phrase, but also text with image, image or text with white space, and in a larger sense, the abstract with the concrete. Doppelt is interested in how […]
  • 70% Acrylic 30% Wool by Viola di Grado March 3, 2013
    You can tell that Viola di Grado has a unique voice from the first line of her novel, 70% Acrylic 30% Wool: “One day it was still December.” If this line seems a little puzzling, the next one puts things in (ironic) perspective: “Especially in Leeds, where winter has been underway for such a long time that nobody is old enough to have seen what came before.” […]
  • Promising Young Women by Suzanne Scalon March 3, 2013
    Plath’s ghost haunts the pages of Scanlon’s book, a non-linear narrative that hinges around Lizzie, a bright liberal arts student from Barnard and aspiring actress who has much in common with Plath’s protagonist. We’ve fast-forwarded forty years to New York in the early 90’s’; like Esther before her, Lizzie has come from the provinces to make a name for hers […]
  • The Available World by Ander Monson March 3, 2013
    What happens to all the old, new things after two or three new, new things replace them? And what of the ideas and memories of which they are ultimately extensions and souvenirs? This is one of the larger questions, really, that Ander Monson poses in his most recent collection of poems, The Available World, though he does so in varying shades of subtly and e […]
  • The Whispering Muse by Sjón March 3, 2013
    There is something immediately seductive about Sjón’s The Whispering Muse. The narrator, a peculiar old Icelander named Valdimar Haraldsson, receives a letter from an old acquaintance, inviting him on a sea voyage aboard the newly launched merchant ship, the MS Elizabet Jung-Olsen. Haraldsson, who has long been cooped up in his shabby Copenhagen apartment, r […]
  • Wolf and Pilot by Farrah Field March 3, 2013
    When Farah Field announced the opening of Berl’s Brooklyn Poetry Shop (Field and Jared White’s pop-up shop the only all-poetry bookshop in New York City) two Februarys ago on her blog Adultish, she wrote this: It is kind of an anti-capitalistic act because no one could ever pay what poetry is worth. This sentiment is exactly true ofher new book, Wolf and Pil […]
  • The Selected Letters of Anthony Hecht March 3, 2013
    Unless he is John Keats, a poet’s letters seldom stand alone as literature. They might hold our attention as gossip (Lord Byron), psychiatric case study (Robert Lowell) or the after-hours thoughts of a combative poet-critic (Yvor Winters), but few could be pleasurably read without the additional scaffolding provided by the poetry. Even Marianne Moore, one of […]
  • Kind One by Laird Hunt March 3, 2013
    Readers who go into Laird Hunt's Kind One looking for kindly characters are presented with an array of unlikely candidates. It simply cannot be Linus Lancaster, a farmer with delusions of grandeur (his farm is named Paradise) who beats his wife Ginny, rapes his young female slaves Cleome and Zinnia, and whips Alcofibras, the slave who tends his garden, […]

Chris Hedges Slams HuffPo

One wonders what AOL will do with HuffPo (or rather, vice versa) in the future:

The sale of The Huffington Post to AOL for $315 million, and the tidy profit of reportedly at least several million dollars made by principal owner and founder Arianna Huffington, who was already rich, is emblematic of this new paradigm of American journalism. The Huffington Post, as Stephen Colbert pointed out when he stole the entire content of The Huffington Post and rechristened it The Colbuffington Re-post, produces little itself. The highly successful site, like most Internet sites, is largely pirated from other sources, especially traditional news organizations, or is the product of unpaid writers who are rechristened “citizen journalists.” It is driven by the celebrity gossip that dominates cheap tabloids, with one or two stories that come from The New York Times or one of the wire services to give it a veneer of journalistic integrity. Hollywood celebrities, or at least their publicists, write windy and vapid commentaries. And this, I fear, is what news is going to look like in the future. The daily reporting and monitoring of city halls, courts, neighborhoods and government, along with investigations into corporate fraud and abuse, will be replaced by sensational garbage and Web packages that are made to look like news but contain little real news.

While I think the critique of HuffPo in the above paragraph is sound, in the balance of this op-ed Hedges engages in way too much of the hyperventilating he decries. Comparing HuffPo bloggers to exploited workers in China? Give me a break . . . that’s a disgraceful, insulting comparison to make. One also notes that even as Hedges denounces Internet-fueled journalism in favor of its old media counterparts, he is doing so on a publication (truthdig) that is native to the Internet.

Bottom line: I think the charges against HuffPo as a glorified celebrity gossip site and news aggregator are correct. But the argument about how many of the millions Arianna Huffington has made off her venture are justifiably hers is much thornier, as is the question of what HuffPo bloggers got out of their experience, other than money. Keep in mind that, like HuffPo, DailyKos, Facebook, Twitter, and even Gmail (to an extent) are businesses that make money off of other people who provide them with free content in exchange for a some kind of tangible benefit that said content-providers want to have.

Or consider that good old hoary, print-based Publishers Weekly pays me $25 per review, a wage that (depending on the book) would frequently come out below minimum wage if we were to calculate it out on a per-hour basis. Which is to say, I write for Publishers Weekly for reasons other than money, as I’m sure a number of its contributors do. Does that make Publishers Weekly exploitative? I have no doubts that, were PW to pay us significantly more, it would soon go bankrupt.

One cannot simply tar HuffPo and forget that this is the current working model for much of the Internet, and a non-trivial fraction of print journalism. How much is a Facebook user’s content worth, and how much should a Facebooker be compensated for it, above and beyond the right to use Facebook? By that same token, does the experience of blogging on HuffPo suffice? To what extent can and should the Internet be a gift economy, and what of those who make some money off of the gift-giving? Who knows. Though I will say this: I’m no fan of The Huffington Post, but at least I never heard of Ariana Huffington grossly infringing on anyone’s privacy rights a la Mark Zuckerberg.

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More from Conversational Reading:

  1. Do You Value the NYT More Than the HuffPo? I don't want to get too deeply into this issue, but since I've been covering the NYT's paywall and digital media generally, I thought this...
  2. Redefining Fair Use At the Newspaper Association of America conference in San Diego, Google and the AP wrangle over how news can be re-used: “I was surprised that...
  3. Chris Martin Reviews His Own Book A joke? Human error? Dunno, but Powell’s has posted a review ostensibly from Rain Taxi in which Chris Martin–using rather cliched language–reviews his own book....
  4. Quarterly Conversation Facebook Fansite We at The Quarterly Conversation are hard at work on issue 11, set to publish in a couple weeks. In the meantime, we’ve put together...
  5. Lev Lev Grossman says he`s getting paid for this. Time should ask for its money back. Where to start . . . An entire column whining...

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