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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • The Enchanted Wanderer and Other Stories by Nikolai Leskov March 6, 2013
    Pevear and Volokhonsky’s ambition in bringing Leskov and all his stylistic peculiarities into English is impressive, and all the more so for how it contrasts with their previous role as translators of Russian. The pair are justly famous for their renditions of the great nineteenth-century Russian novelists; their editions of Anna Karenina and Crime and Punis […]
  • Middle C by William H. Gass March 3, 2013
    What distinguishes Middle C from his other fiction, then, is not the that Gass’ protagonist, Joseph Skizzen, spends nearly a lifetime deflecting the dangers and horrors of life itself, but the ways in which the novel’s narrative voice buffers him from the responsibilities of being a protagonist at all. In this, the tale of his life, stretching from the Blitz […]
  • The Field Is Lethal by Suzanne Doppelt March 3, 2013
    This is a strange, engaging book that does not offer up its material to the reader without a struggle. Much of its strength comes from its juxtapositions, not only of idea with idea, word with word, phrase with phrase, but also text with image, image or text with white space, and in a larger sense, the abstract with the concrete. Doppelt is interested in how […]
  • 70% Acrylic 30% Wool by Viola di Grado March 3, 2013
    You can tell that Viola di Grado has a unique voice from the first line of her novel, 70% Acrylic 30% Wool: “One day it was still December.” If this line seems a little puzzling, the next one puts things in (ironic) perspective: “Especially in Leeds, where winter has been underway for such a long time that nobody is old enough to have seen what came before.” […]
  • Promising Young Women by Suzanne Scalon March 3, 2013
    Plath’s ghost haunts the pages of Scanlon’s book, a non-linear narrative that hinges around Lizzie, a bright liberal arts student from Barnard and aspiring actress who has much in common with Plath’s protagonist. We’ve fast-forwarded forty years to New York in the early 90’s’; like Esther before her, Lizzie has come from the provinces to make a name for hers […]
  • The Available World by Ander Monson March 3, 2013
    What happens to all the old, new things after two or three new, new things replace them? And what of the ideas and memories of which they are ultimately extensions and souvenirs? This is one of the larger questions, really, that Ander Monson poses in his most recent collection of poems, The Available World, though he does so in varying shades of subtly and e […]
  • The Whispering Muse by Sjón March 3, 2013
    There is something immediately seductive about Sjón’s The Whispering Muse. The narrator, a peculiar old Icelander named Valdimar Haraldsson, receives a letter from an old acquaintance, inviting him on a sea voyage aboard the newly launched merchant ship, the MS Elizabet Jung-Olsen. Haraldsson, who has long been cooped up in his shabby Copenhagen apartment, r […]
  • Wolf and Pilot by Farrah Field March 3, 2013
    When Farah Field announced the opening of Berl’s Brooklyn Poetry Shop (Field and Jared White’s pop-up shop the only all-poetry bookshop in New York City) two Februarys ago on her blog Adultish, she wrote this: It is kind of an anti-capitalistic act because no one could ever pay what poetry is worth. This sentiment is exactly true ofher new book, Wolf and Pil […]
  • The Selected Letters of Anthony Hecht March 3, 2013
    Unless he is John Keats, a poet’s letters seldom stand alone as literature. They might hold our attention as gossip (Lord Byron), psychiatric case study (Robert Lowell) or the after-hours thoughts of a combative poet-critic (Yvor Winters), but few could be pleasurably read without the additional scaffolding provided by the poetry. Even Marianne Moore, one of […]
  • Kind One by Laird Hunt March 3, 2013
    Readers who go into Laird Hunt's Kind One looking for kindly characters are presented with an array of unlikely candidates. It simply cannot be Linus Lancaster, a farmer with delusions of grandeur (his farm is named Paradise) who beats his wife Ginny, rapes his young female slaves Cleome and Zinnia, and whips Alcofibras, the slave who tends his garden, […]

Christian Bök Profile

The Times Online offers a profile of author Christian Bök, whose novel Eunoia might win the award for most challenging writing constraint ever successfully implemented:

Each chapter uses only one vowel. Not one
vowel once, but the same vowel over and over again, in real words that are
almost never repeated, formed into real sentences with real meaning.

Force language through this horrifying meat grinder, season with ribald
Canadian wit (not an oxymoron, as it turns out), and you get sentences such
as this: “Slick pimps, bribing civic kingpins, distill gin in stills,
spiking drinks with illicit pills which might bring bliss.” Or this: “Porno
shows folks lots of sordor – zoom-shots of Bjorn Borg’s bottom or Snoop
Dogg’s crotch.”

The article also details what is a simply incredible work ethic:

And the work itself? Get this: He read the 1.5 million-word, three-volume
Webster’s College Dictionary from beginning to end five times over, once for
each vowel, each time listing by hand every univocal word that used the
vowel of the moment. That took six months. It turned out to be the easy
part. Those five long lists he then sorted by parts of speech, and sorted
again into topical categories. And then he tried to write with them.

And as to the myth that all serious authors are somehow freed from the bonds of labor:

Despite the critical success of his first book, a slim volume of experimental
poetry called Crystallography, no one gave Bök an advance for his second.

“So I was working 40 hours a week at the special orders desk of a big Toronto
bookstore. Then after that job was done I’d spend 20 or more hours a week
tutoring advanced high school students in science and mathematics. Then I’d
go home and work on my PhD dissertation [on the French playwright Alfred
Jarry, a major influence on Monty Python] to about 11 o’clock or midnight,
then I’d open the files on Eunoia and work until 4 or 5 o’clock in the
morning. And I did that every day, and I did it for seven years, and I would
crash at the weekends trying to recuperate. So the book was written under a
lot of duress. It was a pretty black time, financially and emotionally.”

The article also has an excerpt and a link to audio of the author reading his work.

More from Conversational Reading:

  1. Lengthy Wallace Profile in Rolling Stone Rolling Stone has an excerpt online from what looks to be a lengthy piece on David Foster Wallace publishing in the October 30 issue. In...
  2. Win Stuff at Critical Mass Through next week, Critical Mass is offering free copies of the Paris Review Interviews books. I’ve been picking my way through Vol. III, and it’s...
  3. Annotations Ezra Klein writes: Compared to this, electronic text is a GPS system. You tell it where you want to go, it finds the route. The...
  4. Sorrentino The SF Chronicle, LA Times, and WaPo have all printed nice pieces on the recently deceased Gilbert Sorrentino. I sincerely hope that the obituary printed...
  5. No Respect Nice to see that The New York Times is so in touch with graphic novels. The New York Times Magazine recently began running a new...

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