this. The book is The Marriage Plot, out in October. I hope that means they still have time to completely change the cover." />

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
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  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
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“David Foster Wallace” Character in Jeffrey Eugenides’ New Novel

Yeah, I have no idea what to make of this. The book is The Marriage Plot, out in October. I hope that means they still have time to completely change the cover.

Leonard Bankhead is a philosophy double major who chews tobacco, wears a bandanna, disdains ironic detachment, and has a history of mental illness that has led to multiple hospitalizations — just like David Foster Wallace. (Also, like Infinite Jest’s Hal Incandenza, Bankhead self-medicates through out high school with marijuana.) Certainly, Leonard is distinct from DFW in a number of ways as well — the particularities of his family situation, his being a total stud, that he’s a manic-depressive, not just a depressive, that he’s not a writer, and all the vagaries of the plot — but the similarities are so iconically David Foster Wallace (a bandanna and chew are not common accoutrements) that Eugenides, who did not have a well-known or documented friendship with Foster Wallace, must intentionally be calling him to mind.

Here’s how Bankhead is introduced, in a semiotics class he’s taking with Madeleine. Like Foster Wallace, he’s a double major in philosophy and a hard science (in Foster Wallace’s case it was philosophy and math English, though he wrote a book about math) and he dips chew. You can find this in one of the New Yorker excerpts.

“He said in a quiet voice that he was a double major (biology and philosophy) and had never taken a semiotics course before, that his parents had named him Leonard…. After he finished his coffee, he dug into his right snowmobile boot and, to Madeleine’s surprise, pulled out a tin of chewing tobacco. With two stained fingers, he placed a wad of tobacco in his cheek. For the next two hours, every minute or so, he spat, discreetly but audibly, into the cup.

Leonard is also interested in subjects that interested Foster Wallace. . . .

Oh, and is The Recognitions seriously, “falling out of the canon faster than John Dos Passos”? Kinda thought Gaddis was experiencing a little bit of respect finally, though, National Book Awards notwithstanding, I don’t think he was ever particularly “canonical.”

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