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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

DeLillo the Prophet

Interesting to see that as we approach the ten-year anniversary of 9/11, Don DeLillo is getting name-checked frequently in the commemorative articles. For instance, the New Statesman:

In Mao II, published in 1991, the American novelist Don DeLillo wrote, eccentrically as it was then thought, of how terrorists and bomb-makers had replaced writers and artists as the myth-makers of our age. Their work “involves mid-air explosions and crumbled buildings. This is the new tragic narrative,” DeLillo wrote. “Terror makes the new future possible.”

Certainly when Osama Bin Laden authorised the attacks of 11 September 2001, which were so patiently and meticulously planned, he knew that he and his suicidal operatives had the means to make the new future possible. What would that future hold for us all?

And here’s Michiko Kakutani, notably quoting DeLillo only to to refute him:

Ten years ago Don DeLillo wrote that the attacks of Sept. 11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” The historian Taylor Branch spoke of a possible “turning point against a generation of cynicism for all of us,” and Roger Rosenblatt argued in Time magazine that “one good thing could come from this horror: it could spell the end of the age of irony.”

They were wrong, of course. We know now that the New Normal was very much like the Old Normal, at least in terms of the country’s arts and entertainment. Blockbuster video stores (yes, that’s how many of us watched movies back then) placed warnings on some films — “in light of the events of Sept. 11, please note that this product contains scenes that may be disturbing to some viewers” — but violent pictures continued to top most-rented lists. Despite rumors of their demise, black humor and satire, too, remained alive and well on “Saturday Night Live” and The Onion, which ran headlines like “Rest of Country Temporarily Feels Deep Affection for New York.”

Ten years later, it is even clearer that 9/11 has not provoked a seismic change in the arts. While there were shifts in the broader culture — like an increasingly toxic polarization in our politics, and an alarming impulse to privilege belief over facts — such developments have had less to do with 9/11 than with the ballooning of partisanship during the Bush and Obama administrations, and with unrelated forces like technology, which gave us the social media revolution of Facebook, Twitter and YouTube, and which magnified the forces of democratization, relativism and subjectivity.

A couple of observations here: insofar as DeLillo is quoted above, he’s absolutely right, and I don’t know why Kakutani thinks she can read it as a commentary on the arts.

The other two quotes work better as such, although I don’t see why everybody hates irony so much. What exactly would you replace it with? (One of the greatest minds of our time tried to answer that question and failed utterly.) And why is irony so bad? If you’ll recall, Wallace in his famous essay on irony, “E Unibus Pluram,” bemoaned it for being co-opted by corporate culture, not as a bad thing in and of itself (in fact, he praised it for being te best tool of rebellion in the 1960s).

And while I think that Kakutani is right that no single great work of art came out of 9/11 (the day itself) in the way that monumental books and movies were set during the Vietnam War, I think she’s absolutely wrong that literature of the era has not been written in the 10 years since. I also don’t know where in the world she gets the misguided notion that “9/11 did not really change daily life for much of the country,” seeing as it has been used to justify everything from war to torture to tax cuts to surveillance. Likewise, her notion of 9/11′s inability to shock is misguided–I still recall the sensation on that day that this was the one moment that we, as a nation, truly felt was an atrocity (and of course a million people quoted Baudrillard to that effect in the wake of the day):

Compelling as such works are, however, none were really game-changing. None possess the vaulting ambition of, say, Francis Ford Coppola’s Vietnam epic “Apocalypse Now,” or the sweep of Mr. DeLillo’s “Underworld,” which captured the entire cold war era. Instead, these 9/11 works feel like blips on the cultural landscape — they neither represent a new paradigm nor suggest that the attacks were a cultural watershed. Perhaps this is because 9/11 did not really change daily life for much of the country. Perhaps it’s because our A.D.D. nation — after the assassinations of J.F.K., R.F.K. and M.L.K. in the ’60s, and decades of violence on 24-hour news — has become increasingly inured to shock.

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More from Conversational Reading:

  1. DeLillo Anyone? It’s no secret that Don DeLillo’s novels have continually been ahead of the curve. With the age of terrorism reaching some level of establishedness, Mao...
  2. Win a Bunch of DeLillo Back in November I mentioned Picador's super-awesome new covers for DeLillo's classics. The books are publishing now, and to celebrate Picador is offering a chance...
  3. DeLillo Talk There’s a nice DeLillo thread on "I Love Books." They’re talking about Underworld in relation to DeLillo’s latest two books (which I’ve heard are not...
  4. The Worst DeLillo? I’ve been going back through DeLillo’s books for an assignment, and the thing that strikes me is that the more and more I look at...
  5. Prophet of Anxiety–Stephan Zweig The Guardian has a nice profile of the Austrian writer Stefan Zweig. The people of this era were naively settled in their optimism and "touching...

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