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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • Will: Salman rushdie is a microscopic crapule on the asshole of th
  • Henry: I think the fireworks may come from the fact that these auth
  • Paul: Vanessa Place's 'La Medusa' seems like an American authored
  • Lance: I agree with you about the state of American fiction and I b

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

DeLillo the Prophet

Interesting to see that as we approach the ten-year anniversary of 9/11, Don DeLillo is getting name-checked frequently in the commemorative articles. For instance, the New Statesman:

In Mao II, published in 1991, the American novelist Don DeLillo wrote, eccentrically as it was then thought, of how terrorists and bomb-makers had replaced writers and artists as the myth-makers of our age. Their work “involves mid-air explosions and crumbled buildings. This is the new tragic narrative,” DeLillo wrote. “Terror makes the new future possible.”

Certainly when Osama Bin Laden authorised the attacks of 11 September 2001, which were so patiently and meticulously planned, he knew that he and his suicidal operatives had the means to make the new future possible. What would that future hold for us all?

And here’s Michiko Kakutani, notably quoting DeLillo only to to refute him:

Ten years ago Don DeLillo wrote that the attacks of Sept. 11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” The historian Taylor Branch spoke of a possible “turning point against a generation of cynicism for all of us,” and Roger Rosenblatt argued in Time magazine that “one good thing could come from this horror: it could spell the end of the age of irony.”

They were wrong, of course. We know now that the New Normal was very much like the Old Normal, at least in terms of the country’s arts and entertainment. Blockbuster video stores (yes, that’s how many of us watched movies back then) placed warnings on some films — “in light of the events of Sept. 11, please note that this product contains scenes that may be disturbing to some viewers” — but violent pictures continued to top most-rented lists. Despite rumors of their demise, black humor and satire, too, remained alive and well on “Saturday Night Live” and The Onion, which ran headlines like “Rest of Country Temporarily Feels Deep Affection for New York.”

Ten years later, it is even clearer that 9/11 has not provoked a seismic change in the arts. While there were shifts in the broader culture — like an increasingly toxic polarization in our politics, and an alarming impulse to privilege belief over facts — such developments have had less to do with 9/11 than with the ballooning of partisanship during the Bush and Obama administrations, and with unrelated forces like technology, which gave us the social media revolution of Facebook, Twitter and YouTube, and which magnified the forces of democratization, relativism and subjectivity.

A couple of observations here: insofar as DeLillo is quoted above, he’s absolutely right, and I don’t know why Kakutani thinks she can read it as a commentary on the arts.

The other two quotes work better as such, although I don’t see why everybody hates irony so much. What exactly would you replace it with? (One of the greatest minds of our time tried to answer that question and failed utterly.) And why is irony so bad? If you’ll recall, Wallace in his famous essay on irony, “E Unibus Pluram,” bemoaned it for being co-opted by corporate culture, not as a bad thing in and of itself (in fact, he praised it for being te best tool of rebellion in the 1960s).

And while I think that Kakutani is right that no single great work of art came out of 9/11 (the day itself) in the way that monumental books and movies were set during the Vietnam War, I think she’s absolutely wrong that literature of the era has not been written in the 10 years since. I also don’t know where in the world she gets the misguided notion that “9/11 did not really change daily life for much of the country,” seeing as it has been used to justify everything from war to torture to tax cuts to surveillance. Likewise, her notion of 9/11′s inability to shock is misguided–I still recall the sensation on that day that this was the one moment that we, as a nation, truly felt was an atrocity (and of course a million people quoted Baudrillard to that effect in the wake of the day):

Compelling as such works are, however, none were really game-changing. None possess the vaulting ambition of, say, Francis Ford Coppola’s Vietnam epic “Apocalypse Now,” or the sweep of Mr. DeLillo’s “Underworld,” which captured the entire cold war era. Instead, these 9/11 works feel like blips on the cultural landscape — they neither represent a new paradigm nor suggest that the attacks were a cultural watershed. Perhaps this is because 9/11 did not really change daily life for much of the country. Perhaps it’s because our A.D.D. nation — after the assassinations of J.F.K., R.F.K. and M.L.K. in the ’60s, and decades of violence on 24-hour news — has become increasingly inured to shock.

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More from Conversational Reading:

  1. DeLillo Anyone? It’s no secret that Don DeLillo’s novels have continually been ahead of the curve. With the age of terrorism reaching some level of establishedness, Mao...
  2. Win a Bunch of DeLillo Back in November I mentioned Picador's super-awesome new covers for DeLillo's classics. The books are publishing now, and to celebrate Picador is offering a chance...
  3. DeLillo Talk There’s a nice DeLillo thread on "I Love Books." They’re talking about Underworld in relation to DeLillo’s latest two books (which I’ve heard are not...
  4. The Worst DeLillo? I’ve been going back through DeLillo’s books for an assignment, and the thing that strikes me is that the more and more I look at...
  5. Prophet of Anxiety–Stephan Zweig The Guardian has a nice profile of the Austrian writer Stefan Zweig. The people of this era were naively settled in their optimism and "touching...

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